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The History of Soccer and the World Cup: A Short Introduction

Every four years, human­i­ty under­goes a great increase in its num­ber of soc­cer fans — or rather, foot­ball fans, depend­ing on what part of the world we’re talk­ing about. That’s not to imply that the world oth­er­wise suf­fers from a dearth of enthu­si­asts of that par­tic­u­lar sport. Nor is foot­ball an obscure sec­ondary term: the lan­guage of most every coun­try obsessed with the thing itself has local­ized that name for it, result­ing in a vari­ety of words from fút­bol to fut­bol to fute­bol to Fußball. There remains the mat­ter of cal­cio, but then, Ital­ians have always done things their own way. So do Amer­i­cans, as this year’s World Cup has empha­sized, but you’ll find that soc­cer actu­al­ly turns out not to have orig­i­nat­ed as yet anoth­er awk­ward cus­tom exclu­sive to the Unit­ed States.

In fact, it derives from a few let­ters of the full British name of the game, “asso­ci­a­tion foot­ball.” Com­mon­ly heard in the U.K. up until the nine­teen-sev­en­ties, soc­cer even­tu­al­ly came in handy on the oth­er side of the pond to dif­fer­en­ti­ate it from what most of the world calls “Amer­i­can foot­ball.”

As explained in about 20 min­utes in the Geo His­to­ry video at the top of the post, the his­to­ry of soc­cer, foot­ball, fút­bol, or what­ev­er you may call it is full of facts that will sure­ly sur­prise those of who only pay it any atten­tion when the World Cup comes around — and may occa­sion­al­ly sur­prise the die-hards who live and breathe the game even dur­ing the off years. For a much deep­er (and more humor­ous) dive into a nar­row­er slice of the past, we also have this two-hour his­to­ry of the World Cup from foot­ball YouTu­ber Vizeh.

If you want to avoid a name spe­cif­ic to any one nation­al lan­guage, you can always refer to “the beau­ti­ful game,” but even if that adjec­tive applies to the action on the field, at least on a good day, it sits less eas­i­ly with the pol­i­tick­ing, back­bit­ing, and not-always-above-board deal­mak­ing char­ac­ter­is­tic of its busi­ness and admin­is­tra­tion at a glob­al scale. The whole enter­prise has come to rep­re­sent all the glo­ries and ugli­ness of moder­ni­ty, reduced to a rigid­ly stan­dard­ized bat­tle­field on which increas­ing­ly many nations of the world aspire to achieve first pres­ence, then dom­i­na­tion. For exam­ple, South Korea, where I live, has made its seri­ous­ness on the pitch suf­fi­cient­ly known over four straight decades of World Cup par­tic­i­pa­tion that you might want to learn the Kore­an word chukgu — at least if the com­ing match with South Africa goes its way.

Relat­ed con­tent:

Restored Footage from the First World Cup: Uruguay, 1930

Pelé’s Great World Cup Goals (RIP)

Albert Camus’ Lessons Learned from Play­ing Goalie: “What I Know Most Sure­ly about Moral­i­ty and Oblig­a­tions, I Owe to Foot­ball”

The Mon­ty Python Phi­los­o­phy Soc­cer Match: The Ancient Greeks Ver­sus the Ger­mans

Why Jorge Luis Borges Hat­ed Soc­cer: “Soc­cer is Pop­u­lar Because Stu­pid­i­ty is Pop­u­lar”

The Rules of 100 Sports Clear­ly Explained in Short Videos: Base­ball, Foot­ball, Jai Alai, Sumo Wrestling, Crick­et, Pétanque & Much More

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Monty Python Philosophy Soccer Match: The Ancient Greeks Versus the Germans

Today, we’re revis­it­ing a clas­sic Mon­ty Python skit. The scene is the 1972 Munich Olympics. The event is a football/soccer match, pit­ting Ger­man philoso­phers against Greek philoso­phers. On the one side, the Ger­mans — Hegel, Niet­zsche, Kant, Marx and, um, Franz Beck­en­bauer. On the oth­er side, Archimedes, Socrates, Pla­to and the rest of the gang. The ref­er­ee? Con­fu­cius. Of course.

Enjoy!

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Why Jorge Luis Borges Hat­ed Soc­cer: “Soc­cer is Pop­u­lar Because Stu­pid­i­ty is Pop­u­lar”

Albert Camus’ Lessons Learned from Play­ing Goalie: “What I Know Most Sure­ly about Moral­i­ty and Oblig­a­tions, I Owe to Foot­ball”

Video: Bob Mar­ley Plays a Soc­cer Match in Brazil, 1980

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Andy Warhol’s One Minute of Professional Wrestling Fame (1985)

Andy Warhol did for art what the World Wrestling Fed­er­a­tion (WWF) did for wrestling. He made it a spec­ta­cle. He made it some­thing the “every­man” could enjoy. He infused it with celebri­ty. And, some would say, he cheap­ened it too.

Look­ing back, it makes per­fect sense that Warhol fre­quent­ed wrestling shows at Madi­son Square Gar­den dur­ing the 1970s and 80s. And here we have him appear­ing on cam­era at The War to Set­tle the Score, a WWF event that aired on MTV in 1985. Hulk Hogan bat­tled “Row­dy” Rod­dy Piper in the main event. But, the sideshow includ­ed (let’s get in the Hot Tub Time Machine) the likes of Cyn­di Lau­per, Mr. T, and Andy too.

If you’re famil­iar with the 1980s pro­fes­sion­al wrestling script, you know that Mean Gene Oker­lund con­duct­ed back­stage and ring­side inter­views with the wrestlers, giv­ing them the chance to pound their chests and gas off. When Oker­lund turned to Warhol and asked for his hot take on the Hogan/Piper match, Warhol could­n’t muster very much. “I’m speech­less.” “I just don’t know what to say.” And, before you know it, his one minute of pro­fes­sion­al wrestling fame was over. Just like that.…

Relat­ed Con­tent

Andy Warhol Hosts Frank Zap­pa on His Cable TV Show, and Lat­er Recalls, “I Hat­ed Him More Than Ever” After the Show

Andy Warhol’s Art Explained: What Makes His Icon­ic Campbell’s Soup Cans & Mar­i­lyn Mon­roe Dip­tych Art?

When Andy Warhol Guest-Starred on The Love Boat (1985)

Andy Warhol Explains Why He Decid­ed to Give Up Paint­ing & Man­age the Vel­vet Under­ground Instead (1966)

Andy Warhol’s 15 Min­utes: Dis­cov­er the Post­mod­ern MTV Vari­ety Show That Made Warhol a Star in the Tele­vi­sion Age (1985–87)

The Olympics in the 2020s Versus 1912: See Side-by-Side Comparisons of the Athletes’ Performance Then & Now

The Olympic Games have their ori­gins in antiq­ui­ty, but their mod­ern revival has also been going on longer than any of us has been here. Even the fifth Sum­mer Olympics, which took place in Stock­holm in 1912, has passed out of liv­ing mem­o­ry. But thanks to the tech­nol­o­gy of the twen­ty-first cen­tu­ry, we can call up sur­pris­ing­ly crisp footage of its com­pe­ti­tions any time we like, much as we’re doing with that of the cur­rent­ly ongo­ing thir­ty-third Sum­mer Olympics in Paris. One espe­cial­ly fas­ci­nat­ing use of these resources, for those invest­ed in sport­ing his­to­ry, is to com­pare the per­for­mances of Olympic ath­letes over time: we know they’ve improved, but it’s one thing to see the num­bers, and quite anoth­er to see a side-by-side com­par­i­son.

Take the ven­er­a­ble men’s 100 meters, whose 1912 and 2020 finals both appear in the video above. 112 years ago, the Unit­ed States of Amer­i­ca’s Ralph Craig won the day (after sev­en false starts, and arguably an eighth as well) with a time of 10.8 sec­onds. Three years ago (Tokyo 2020 hav­ing been delayed by COVID-19 to 2021), the vic­tor of that same event was Italy’s Mar­cell Jacobs, who crossed the fin­ish line at 9.8 sec­onds. 

An even greater evo­lu­tion man­i­fests in the javelin throw, in which the Swedish Eric Lem­ming’s 60.64 meters in 1912 becomes Neer­aj Chopra’s 87.58 meters in 2020. (Nor has Chopra fin­ished set­ting records, at least judg­ing by the media fan­fare in his home­land that attend­ed his recent arrival in Paris’ Olympic vil­lage.)

Pole vault­ing, too, has under­gone a great leap for­ward, or rather, upward. Just above, you can see the 1912 record of 3.95 meters set by Hen­ry S. Bab­cock of the Unit­ed States, then the 2020 record of 6.02 meters set by Armand “Mon­do” Duplan­tis of Swe­den — or tech­ni­cal­ly, of both Swe­den and the U.S., hav­ing been born and raised in the lat­ter, but able to rep­re­sent the for­mer due to his moth­er’s being Swedish. In recent decades, such cas­es of nation­al­ly mixed parent­age (the Amer­i­can-born Ital­ian Jacobs being anoth­er) have become more com­mon in the Olympics, which in that and oth­er respects has long reflect­ed changes in the wider world. And though whether human­i­ty is improv­ing on the whole remains a mat­ter of heat­ed debate, we’ve unde­ni­ably been get­ting a lot bet­ter at run­ning, throw­ing, and jump­ing with the aid of big sticks.

Relat­ed con­tent:

The Sci­ence of the Olympic Flame; Ancient Style Meets Mod­ern Tech­nol­o­gy

The Sto­ry Behind the Icon­ic Black Pow­er Salute Pho­to at the 1968 Olympics in Mex­i­co City

Did Joe Strum­mer, Front­man of The Clash, Run the Paris and Lon­don Marathons?

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Roger Federer’s Dartmouth Commencement Address: “Effortless Is a Myth” & Other Life Lessons from Tennis

In 2006, David Fos­ter Wal­lace pub­lished a piece in the New York Times Mag­a­zine head­lined “Roger Fed­er­er as Reli­gious Expe­ri­ence.” Even then, he could declare Fed­er­er, “at 25, the best ten­nis play­er cur­rent­ly alive. Maybe the best ever.” Much had already been writ­ten about “his old-school sto­icism and men­tal tough­ness and good sports­man­ship and evi­dent over­all decen­cy and thought­ful­ness and char­i­ta­ble largess.” Less eas­i­ly com­ment­ed upon — because much less eas­i­ly described — was the aes­thet­ic tran­scen­dence of his per­for­mance on the court, which Wal­lace thought best wit­nessed in per­son.

“If you’ve watched ten­nis only on tele­vi­sion, you sim­ply have no idea how hard these pros are hit­ting the ball, how fast the ball is mov­ing, how lit­tle time the play­ers have to get to it, and how quick­ly they’re able to move and rotate and strike and recov­er,” Wal­lace writes. “And none are faster, or more decep­tive­ly effort­less about it, than Roger Fed­er­er.” Was that one of the obser­va­tions the cham­pi­on had in mind this past week­end, eigh­teen years lat­er — and two years after his own retire­ment from the game — when he took the tree-stump lectern before Dart­mouth’s class of 2024 and declared that “Effort­less is a myth”?

That was one of three “ten­nis lessons” — that is, lessons for life derived from his long and huge­ly suc­cess­ful expe­ri­ence in ten­nis — that Fed­er­er lays out in the com­mence­ment address above. The sec­ond, “It’s only a point,” is a notion of which it’s all too easy to lose sight of amid the bal­let­ic inten­si­ty of a match. The third, “Life is big­ger than the court,” is one Fed­er­er him­self now must learn in the dai­ly life after his own “grad­u­a­tion” that stretch­es out before him. For a man still con­sid­ered one of the great­est play­ers ever to pick up a rack­et, is there life after pro­fes­sion­al ten­nis?

Fed­er­er acknowl­edges the irony of his not hav­ing gone to col­lege, but choos­ing instead to leave school at six­teen in order to devote him­self to his sport. “In many ways, pro­fes­sion­al ath­letes are our cul­ture’s holy men,” Wal­lace writes in anoth­er essay. “They give them­selves over to a pur­suit, endure great pri­va­tion and pain to actu­al­ize them­selves at it, and enjoy a rela­tion­ship to per­fec­tion that we admire and reward.” But when their ath­let­ic careers inevitably end, they find them­selves in a great­ly height­ened ver­sion of the sit­u­a­tion we all do when we come to the end of our insti­tu­tion­al­ized edu­ca­tion, won­der­ing what could or should come next.

Clear­ly, Fed­er­er does­n’t suf­fer from the kind of inar­tic­u­la­cy and unre­flec­tive­ness that Wal­lace diag­nosed over and over in oth­er pro­fes­sion­al ath­letes about whom he wrote. In pro­fil­ing play­er Michael Joyce, for instance, Wal­lace saw that Joyce and his col­leagues lived in “a world that, like a child’s world, is very seri­ous and very small” — but which Fed­er­er has long dis­played an uncom­mon abil­i­ty to see beyond. Still, as he must know, that guar­an­tees him a sat­is­fy­ing sec­ond act no more than even world-beat­ing suc­cess in any giv­en field guar­an­tees any of us gen­er­al well-being in life. Wal­lace, too, knew that full well — and of course, he was no mean com­mence­ment speak­er him­self.

Relat­ed con­tent:

David Fos­ter Wallace’s Famous Com­mence­ment Speech, “This is Water,” Gets Ani­mat­ed on a White­board

Ani­ma­tions Revive Lost Inter­views with David Fos­ter Wal­lace, Jim Mor­ri­son & Dave Brubeck

Mar­cel Proust Plays Air Gui­tar on a Ten­nis Rack­et (1891)

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

Bob Dylan and George Har­ri­son Play Ten­nis, 1969

Medieval Ten­nis: A Short His­to­ry and Demon­stra­tion

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Considering Rocky/Creed, Our Most Successful Sports Film Franchise — Pretty Much Pop: A Culture Podcast #149

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Your Pret­ty Much Pop hosts Mark Lin­sen­may­er, Lawrence Ware, Sarahlyn Bruck, and Al Bak­er talk through the ups and downs of this nine-film fran­chise that start­ed with Rocky, the high­est gross­ing film of 1976 and win­ner of that year’s Acad­e­my Award for Best Pic­ture. We’re espe­cial­ly con­cerned with this year’s Creed III, direct­ed by its star Michael B. Jor­dan, which is the first entry in the fran­chise that’s entire­ly free of Sylvester Stal­lone.

How can such an appar­ent­ly sim­ple for­mu­la (start as an under­dog, train, and win at least a moral vic­to­ry) stay fresh? Why was there a robot in Rocky IV? Is there any ratio­nale for an extend­ed, con­tin­u­ing Rocky-verse? Does enjoy­ing these films involve approv­ing of box­ing as a sport, or the glo­ri­fi­ca­tion of fic­tion­al sports heroes over real-life ones?

For var­i­ous arti­cles about things going on in the fran­chise, check out totalrocky.com. Sarahlyn men­tions the NPR pod­cast The Stat­ue.

Fol­low us @law_writes@sarahlynbruck@ixisnox@MarkLinsenmayer.

Hear more Pret­ty Much Pop. If you’re not sub­scribed to the pod­cast, you’re miss­ing lots of good episodes. Sup­port the show and hear bonus talk­ing for this and near­ly every oth­er episode at patreon.com/prettymuchpop or by choos­ing a paid sub­scrip­tion through Apple Pod­casts. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop: A Cul­ture Pod­cast is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts.

An Exhilarating ASL Performance of Rihanna’s Super Bowl Halftime Show

Before Super Bowl LVII fades too far into the back­ground (being an Eagles fan, it can’t fade fast enough for me), it’s worth flag­ging this great ASL per­for­mance of Rihanna’s Super Bowl Half­time Show. Above, you can watch Justi­na Miles, a nurs­ing stu­dent at HBCU Bowie State Uni­ver­si­ty, become “the first female deaf per­former for the Super Bowl’s half­time show,” notes CNBC. Before this, Miles went viral when her ASL per­for­mance of Lil’ Kim’s “Crush on You” explod­ed on Tik­Tok. As one com­menter not­ed on YouTube, this may be the best Super Bowl per­for­mance since Prince.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Kot­tke

Relat­ed Con­tent 

Watch Prince Per­form “Pur­ple Rain” in the Rain in His Tran­scen­dent Super Bowl Half-Time Show (2007)

“Alexan­der Hamil­ton” Per­formed with Amer­i­can Sign Lan­guage

Hip Hop Hits Sung Won­der­ful­ly in Sign Lan­guage: Eminem’s “Lose Your­self,” Wiz Khalifa’s “Black and Yel­low” & More

How Inge­nious Sign Lan­guage Inter­preters Are Bring­ing Music to Life for the Deaf: Visu­al­iz­ing the Sound of Rhythm, Har­mo­ny & Melody

Neil deGrasse Tyson, High School Wrestling Team Captain, Once Invented a Physics-Based Wrestling Move

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We know that Neil deGrasse Tyson was some­thing of a wun­derkind dur­ing his high school years. If you’re an OC reg­u­lar, you’ve read all about how Carl Sagan per­son­al­ly recruit­ed Tyson to study with him at Cor­nell. Deft­ly, polite­ly, the young Tyson declined and went to Har­vard.

There’s per­haps anoth­er side of the pre­co­cious Tyson you might not know as much about. The ath­let­ic side. While a stu­dent at The Bronx High School of Sci­ence, Tyson (class of 1976) wore bas­ket­ball sneak­ers belong­ing to the Knick­’s Walt “Clyde” Fra­zier. He ran an impres­sive 4:25 mile. And he cap­tained the school’s wrestling team, dur­ing which time he con­jured up a new-fan­gled wrestling move. In pro­fes­sion­al wrestling, Ric Flair had the dread­ed Fig­ure Four Leg Lock, and Jim­my Snu­ka, a dev­as­tat­ing Super­fly Splash. Tyson? He had the feared “Dou­ble Tidal Lock.” He explains and demon­strates the physics-based move in the video below, orig­i­nal­ly record­ed at the Uni­ver­si­ty of Indi­anapo­lis.

Relat­ed Con­tent:

Andy Warhol’s One Minute of Pro­fes­sion­al Wrestling Fame (1985)

The Ulti­mate War­rior, Pro­fes­sion­al Wrestler & Philoso­pher, Cre­at­ed a Glos­sary of World Philoso­phies

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

When Samuel Beck­ett Drove Young André the Giant to School

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