Paro dzong stood as we had seen it long ago, on the far side of the Paro river. With a watch tower on the slope behind it, and the easily defended bridge in front, it looked exactly like the fort that all dzongs actually are. Today they are the administrative centers of the districts, called dzonkhags. The mixture of religion, civil administration and fortifications tells you exactly what the history of the country was like. The present day calm and peacefulness is a slow development over the century and a half since it lost its last war against the British empire in India.





Where is the colour? Not in these fortifications, but in the modern town which is expanding fast behind it. I stopped on the road from the airport to town and took photos of the apartments and shops which have sprung up here in the last two decades. You can see at a glance that a career as a house painter would not be bad here. I could see some of the usual motifs: the snow lion, the yamantaka, the deer with the wheel of dharma. and all the decorative dragons, clouds and flowers that abound. The purple building is from the center of the town, in the lively square which was so alive on this warm spring day.

I saw a new building had come up, and realized that the painters go to work at the end. The beautiful warm colour of the walls and wood will soon blaze out with the motifs that you see elsewhere. I admired the elaborate door and windows. It is interesting that the wooden elements are not sold already painted. That could be an interesting innovation in building techniques in the country.





























