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glinda: an autumnal woodland, pale blue sky visible between orange leaves (autumn leaves)
[personal profile] glinda
So, yes, I am in fact writing these out of order, but writing the last one made me think about this album and as it was also gig related I thought it was a natural companion piece to follow up with. So this album choice was a result of two different gigs. As noted previously I went to see the Scottish Ensemble and Anna Meredith doing their collaborative album Anno at the Barbican at the end of September, and then at the end of October I went to see the Scottish Ensemble here in the Inverness again. To my intense amusement, working with Anna Meredith again had clearly reminded the ensemble how much they enjoy playing her work, because the whole second half of the Inverness gig was pieces by Anna Meredith re-arranged for string ensemble. Mostly from her first electronic album Varmints - the lead violin noted with clear irony before they played Nautilus that that piece had been intended as a clear break from her previous orchestral work - and having experienced it as something akin to a transcendental experience - I virtually floated home afterwards - obviously I had to go and actually listen to the album in question.

I didn’t initially love this album, despite it being much more what I was expecting from Anna Meredith - before I encountered Anno I knew her mostly from her film scoring work - but as I’ve continued to listen to it across the last month, I’ve come to the conclusion that I like it more the further away from the gig I get. For example, I can now listen to Blackfriars and feel it’s glorious rhythms combine happily with my memories of my recent holiday in London, of standing outside Blackfriars station at rush hour, hearing bells and clocks striking all over the place, feeling the ebb and flow of traffic around me and the rumble of the tube below - I have a whole bunch of field recordings I made in and around that tube station - and think, yes, that part of London does indeed feel like that. I also feel like I’ve been able to fall in love with Nautilus and Scrimshaw all over again in their own right, without constantly comparing them negatively with their reimagined versions. (Honestly I want to hear Nautilus re-arranged for brass a la that Hannah Peel album I wrote about earlier this year.) I do think I need to go see Anna Meredith live in her own right next time she’s touring, because I think her work really lends itself to live performance, to variations on a theme and interacting with visuals and graphics, a proper multimedia experience. However, now that I’ve got enough distance from the gig, I can happily also enjoy it, lying on the sofa with low winter light and just the fairy lights on, through big headphones and let it transport me to other places.

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