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Jack/Sara, 680 words


Five Ways Jack and Sara Reconciled


They never actually were divorced. They just needed an extremely extended separation to work out how much their marriage meant to them and find a way to save it. Nine and a half years after he'd moved out of their Winter Park house, she was living in Georgetown, and he took a job in D.C. to move back in with her.

In all the years they'd been divorced, they'd never visited Charlie's grave together, but on his birthday ten years after the breakup they ended up there at the same time. A long talk on a bench in the peaceful cemetery on that warm afternoon led to a quiet dinner, and then a night in the nearest motel (neither of them lived in town anymore), and then several months of phone calls and weekend trysts, and finally a new life together. Charlie can't believe it took so long, but he's over the moon about it anyway.

She muscled and sweet-talked her way past every bureaucratic barrier and walked into his office in the Pentagon one day to demand to know why the Air Force was siphoning all her best people off into some extremely expensive and secretive program that he seemed to be involved with or possibly the head of. "Your best people?" he said, after a second or two of blank surprise. It turned out that after they'd broken up and lost touch, she'd joined the Peace Corps, and worked her way close to the top rung of the recruitment ladder. They'd been competing with each other for human resources for years without ever realizing who the competition was. It didn't take Jack long to recognize that she'd make a formidable ally, especially as he worked behind the scenes to take the program public. It took only a little longer for their new professional affiliation to become a personal one, as they fell in love all over again, and fell in love for the first time with the changed people they'd become over the intervening years. They were remarried just after the Ori situation came to an end and just before the big final push to reveal the Stargate to the population of Earth.

The Jack who talked about sports and fish on a video recording left in ancient Egypt for the SGC to get hold of millennia afterwards never mentioned an ex-wife or a dead son, and pro football was still played on Sundays, so the Jack who was sitting on the dock behind his Minnesota cabin with his teammates around him when a fish splashed in the pond never gave a thought to anything else being any different. After his team-bonding weekend he went home to Sara and Charlie in Colorado Springs the same way he always did -- and counted his blessings on general principles, the same way he always had.

The Jack who talked about sports and fish on a video recording left in ancient Egypt for the SGC to get hold of millennia afterwards never mentioned his wife or the son they'd recently sent off to college, so the Jack who was sitting on the dock beside his Minnesota cabin with his teammates around him when a fish splashed in the pond never gave a thought to anything else being any different. But he got home from the team-bonding weekend early enough to catch the Bears game that Sunday in his lonely house, and something made him pick up the phone to call Sara. Glutton for punishment, he thought, because the Bears were losing to her Packers and she'd always been insufferable when her team won and you'd think that after nine years he wouldn't miss that anymore. They ended up not talking about sports at all, and she said she was awfully glad he'd called, because she'd had the weirdest feeling all day, and hearing his voice seemed, weirdly, to help. They talked a lot more after that, and started seeing each other again, and by the time he was considering the move East, she asked if he'd like some company. He said yes.


Originally posted 3/1/08 at [livejournal.com profile] sg1_five_things.




(no subject)

Date: Tuesday, 23 December 2008 10:23 pm (UTC)
From: [identity profile] princessofg.livejournal.com
*wipes eyes*

I'm writing Jack/Sara today, a short one to be finished soon, so these were so timely. thank you for the excuse to reread.

(no subject)

Date: Tuesday, 23 December 2008 10:26 pm (UTC)
ext_2207: (Default)
From: [identity profile] abyssinia4077.livejournal.com
HOW DID I MISS THIS?

(or did I not miss it and just forget it?)

Either way....eeeeeee! Jack and Sara! *falls over grinning*

I love how you do their relationship - how the problem wasn't really that they didn't care for each other and how easy it is to fall into the comfort again and the mutual respect and, just, *squishes them tight*

(no subject)

Date: Tuesday, 23 December 2008 10:49 pm (UTC)
From: [identity profile] princessofg.livejournal.com
what a great idea for that movie. i doubt it will happen, though. sigh.

i wish they'd leak some of the plot ideas. all i've heard is that it's o'neill centric, which could mean anything at all. but i'm very glad that they want to include jack in the future of the franchise.

(no subject)

Date: Tuesday, 23 December 2008 10:54 pm (UTC)
ext_2207: (Default)
From: [identity profile] abyssinia4077.livejournal.com
I've seen some Sam/Jack people making noise about Mallozzi making a comment about the movie making Sam/Jack officially for real canon. Personally I'm hoping not to see that and it's just Mallozzi doing his normal pulling-the-fans-legs.

But, yeah, all I've heard really is the possibility of O'Neill centric. I have no clue if RDA would be remotely interested...

(no subject)

Date: Wednesday, 24 December 2008 12:06 am (UTC)
From: [identity profile] princessofg.livejournal.com
i've heard there will be romance, but that could mean anything. i know they want us to take jack/sam as canon, because of so many things, including the photo she took of him to atlantis, but i have no idea what to do with that. at the same time, they've kept it so offscreen that the diehard jack/daniel and Noromo people still have plenty of leeway to be all LA LA LA NOT LISTENING. Which is also fine with me.

i have no problem with it, really, but i have no idea how they'd pull that off at this late date, or how the actors would.

but basically i'm game to watch. i just don't know how the writers in general deal with their romance plots, you know?

But this is pretty spammy.

In any case I adore Jack/Sara and I agree that they had some real connection even in the brief shots we saw of her.

(no subject)

Date: Wednesday, 24 December 2008 12:02 am (UTC)
From: [identity profile] princessofg.livejournal.com
wordy mac word.

and now i want to write a less angsty later seasons jack shows up on her doorstep all apologetic and conflicted kind of thing. and then later she does the same thing to him in DC.

LOL.

(no subject)

Date: Tuesday, 23 December 2008 10:52 pm (UTC)
ext_2207: (Default)
From: [identity profile] abyssinia4077.livejournal.com
I'm a sucker for ANYTHING Jack/Sara. Canon only gives us these tantalizing hints but you know there is SO much going on with them.

did not strike me as people who'd fallen out of love or who couldn't bridge the rift that catastrophe cracked open in their bedrock.

*nods emphatically*
I was just going over my fic for my year in review post and came across the Sara one I wrote last January and it included this bit:

Sara laughed, startling them all. "Oh, Jack and I never had a problem with loving each other. We just couldn't be what each other needed anymore. It was...too hard. But I'm glad, when I couldn't be there, he had you." And one of these days she'd stop the small part of her that wanted to hate him for what he couldn't be for her.

And I just see it as...they loved each other and, possibly more important, really respected each other. But Jack couldn't dig himself out of the pit of guilt and post-Charlie they couldn't be what each other needed, as tragic as that is. And without Abydos they definitely never would have reconciled because Jack never pulled out and then Jack can't forgive and denying himself that happiness is his self-flaggellation but, later, I think he could be in that place where it could happen again.

One of the most rockin' things I think a third SG-1 movie could do would be reconcile Jack and Sara. It would be brave and massively cool of them. ::wistful sigh::

Oh, that would be fantastic! I doubt it would even occur to the writers, but it would make me gleeful. I remember the first time I watched "Cold Lazarus" absolutely expecting to see Sara again and see follow-through and just...nothing.

(no subject)

Date: Wednesday, 24 December 2008 01:41 am (UTC)
ext_2207: (Default)
From: [identity profile] abyssinia4077.livejournal.com
It was so ironic, or hilarious, or pathetic, or something, to read in interviews with the makers that the ep was meant to tie up the loose end of the wife and son left over from the movie.

...I didn't know that. Seriously? Because, wow, yes they failed miserably at that. Exactly what you said on undelivered reconciliation (though I do wonder what Jack *could* have told her. [livejournal.com profile] dknightshade wrote a short post-ep of him sitting outside her house in his car fully intending to tell her...something...and just not being able to).

Exactly - later season Jack could potentially be open to something - he's seen more and experienced more (been punished enough? Or, if not enough, at least made some steps that way - like started making retribution to the universe?) (I was watching "Learning Curve" the other night and it hit me how Jack is looking at those kids and seeing kids who would never get to grown up just like Charlie never got to grow up - don't know why that didn't connect before)

(no subject)

Date: Wednesday, 24 December 2008 03:03 pm (UTC)
From: [identity profile] princessofg.livejournal.com
I have SUCH a hard time figuring out how that accident with the gun happened. Because the circumstances are left rather vague, and the HOW of it would directly affect how Jack dealt with it. If it was his own carelessness or lapse in judgment, if he'd left the gun lying around, for example, that would ratchet the guilt and the selfblame up to an intolerable level, more than if he'd done everything right; locked up the gun, separated it from the ammo. But yes: Charlie, if he was that stubborn, could have found it.

We just don't have enough information about the Jack of those days to know if he was capable of that level of carelessness, or what exactly. What he thought about the gun, why he had it in the house, where it was, any of that.

Just those two glimpses, one in Cold Lazarus and one in The Devil You Know.

So yeah. And I take as very true what he said in Children of the Gods to Daniel: That Sara forgave him, and we saw that in Cold Lazarus, I think, but that he didn't forgive himself. Ever.

It's something I want to explore as well. Thanks for the thinky.

(no subject)

Date: Wednesday, 24 December 2008 04:03 pm (UTC)
ext_2207: (Default)
From: [identity profile] abyssinia4077.livejournal.com
Wow. Yeah. I mean, CotG gave some closure and "Cold Lazarus" opened it all up again. And, really, nobody telling Sara anything would have been cruel. This thing that looks like your ex-husband but you later learn isn't comes and confides in you and gives you this blink of hope that maybe he's ready to be there for you again and then weird things happen to him and then suddenly your son (only not) is walking around and your real ex-husband shows up and takes him away. Not giving her any sort of explanation or even acknowledgment would be...just cruel. And I do think Jack cares enough about her and isn't enough of a coward to not make sure she gets *some* form of closure.

I think...if you look at the memories from "Devil you Know" Jack emphatically Did Not Want Charlie to follow his footsteps. It was his dirty, distasteful, important job that he was doing so nobody else had to and he really didn't want his son there - I mean, he didn't let Charlie play with water guns! But Charlie I think worshipped his father (I mean, Jack looked to be a good dad when he was around and Charlie was a, what, 8 year old, 9 year old boy?) and the military was this mysterious thing that took his dad away from him for all these periods of time. I think he was intensely curious and driven to connect with/emulate his dad, you know?

With the gun...it makes total sense to me that Jack has one in the house (and I imagine Charlie loving watching him clean it) and I do think he would have been careful to lock it up (I mean, given he won't let Charlie play with water guns, he'd keep a real one locked) but the idea of Charlie being his parent's son, he was stubborn and smart and resourceful and curious and be broke the barrier. Emphatically an accident and emphatically not Jack's fault, but you'll never convince him of that.

(no subject)

Date: Tuesday, 23 December 2008 10:32 pm (UTC)
From: [identity profile] chattycatsmeow.livejournal.com
::happy sigh::

I heart Jack/Sara - totally and unreservedly. Thanks for reposting.

(no subject)

Date: Tuesday, 23 December 2008 11:10 pm (UTC)
ext_2353: amanda tapping, chris judge, end of an era (Default)
From: [identity profile] scrollgirl.livejournal.com
Oh bless. I adore Jack/Sara and you do such a lovely job of bringing them home to each other in different yet plausible ways.

(no subject)

Date: Tuesday, 23 December 2008 11:54 pm (UTC)
From: [identity profile] rihansu.livejournal.com
Yay, Jack/Sara! There's just never enough of them.

These are all great, but I particularly like the third one. I've always wanted more background on Sara and Jack/Sara and I think this one fits really well. From what little we got to see in "Cold Lazarus" she totally has that super no-nonsense practicality aid workers have. :)

(no subject)

Date: Wednesday, 24 December 2008 02:10 am (UTC)
From: [identity profile] rihansu.livejournal.com
A fic of number three would be awesome. Though I was with an international public health non-profit (though I was US-based) before I went to law school so I'm a bit biased.

(no subject)

Date: Wednesday, 24 December 2008 06:08 pm (UTC)
From: [identity profile] rihansu.livejournal.com
Not at all!

(no subject)

Date: Wednesday, 24 December 2008 12:09 am (UTC)
From: [identity profile] wyomingnot.livejournal.com
I adore Jack/Sara. I adore your Jack/Sara.

And can't believe I missed this. But am so glad I caught it now.

Thank you for posting!

(*saves and keeps*)

(no subject)

Date: Wednesday, 24 December 2008 12:42 am (UTC)
ext_3314: Woman writing (Default)
From: [identity profile] pepper-field.livejournal.com
*hearts*

I'm so glad you reposted this, because I'd not seen it before, and I always adore how you write these two. I love the Peace Corps one - lovely to think of Sara actually having, you know, a life of her own (gasp!). *g*

Very sweet. Yay Jack/Sara!

(no subject)

Date: Wednesday, 24 December 2008 12:53 am (UTC)
ext_1947: (Default)
From: [identity profile] goddessleila.livejournal.com
I love the concept of Sara working for the Peace Corps. So much awesome.

(no subject)

Date: Wednesday, 24 December 2008 04:06 am (UTC)
ext_3557: annerb icon with scenes of all team variations, my OTP (Default)
From: [identity profile] aurora-novarum.livejournal.com
Aw! I missed these the first time too! I've always really loved the interaction between Jack and Sara.

I think I like the last one the best...for the little details of calling about the football teams because it just seems so normal and real. (And aw, poor Moebius team(s). But all of them are just lovely.

(no subject)

Date: Wednesday, 24 December 2008 11:18 am (UTC)
From: [identity profile] jd-junkie.livejournal.com
Everything about this is pairing is so ... right. I love Jack/Sara, and I think I said in original fb that #2 hits me where I live. It still does.
I love to read them, and I've only written them once. I need to rectify that because there is so much there to be explored.
Yay to seeing these again. Thank you. :-)

(no subject)

Date: Saturday, 27 December 2008 01:07 pm (UTC)
From: [identity profile] jenlev.livejournal.com
I've just read these paragraphs three times and am marveling at the way it folds in on itself at the same time it shifts times. Wow. So wonderfully done, a little jewel.

(no subject)

Date: Monday, 29 December 2008 10:30 pm (UTC)
From: [identity profile] jenlev.livejournal.com
Good! *hugs*

Glad to make you happy by the way. :)

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Paian

canon:

a contrapuntal musical composition in which each successively entering voice presents the initial theme usually transformed in a strictly consistent way

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