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‘Wildwood’ Review: Carey Mulligan Leads Voice Cast Of Laika’s Ambitious And Visually Stunning Stop-Motion Fantasy Epic – London Film Festival
Laika, the Oregon animation house that specializes in stop motion, has a perfect track record of landing Best Animated Feature Oscar nominations for all four of its first films: Coraline, ParaNorman, Missing Link, and Kubo and the Two Strings. With its…
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By Pete Hammond
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1 Comments Comment on ‘Wildwood’ Review: Carey Mulligan Leads Voice Cast Of Laika’s Ambitious And Visually Stunning Stop-Motion Fantasy Epic – London Film Festival
‘Ray Gunn’ Review: Sam Rockwell And Scarlett Johansson Channel Bogie And Bacall In Brad Bird’s Nifty Sci-Fi/Film Noir Mashup – London Film Festival
If David Ellison wants a ticket to the Oscars this year it most likely won’t be with anything from Paramount or even (so far) from Warner Bros, but if you said Netflix you might be on the right track. Ray Gunn, from Oscar-winning filmmaker Brad Bird (Rat…
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By Pete Hammond
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‘14th’ Review: Ava DuVernay’s Impassioned Defense Of Constitution Takes Aim At Trump & Attempted Rescission Of Rights
14th, the documentary directed by Ava DuVernay that premiered Friday night as the closing-night film of the New York Film Festival, begins with several American presidents taking the oath of office: FDR, Eisenhower, JFK, LBJ, Nixon, Carter, Reagan… each of them swearing to "preserve, protect, and…
‘Animals’ Review: Ben Affleck And Kerry Washington Fight A Lot In Netflix Kidnap Thriller That Is Stretched Too Thin
Remaking Akira Kurosawa’s 1963 classic Japanese kidnap drama High and Low was a good idea, and last year Spike Lee did exactly that with his own homage to the master in Highest 2 Lowest, a contemporary update set in the music business in New York City…
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By Pete Hammond
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‘The Social Reckoning’ Review: Jeremy Allen White And Mikey Madison Expose Facebook In Aaron Sorkin’s Stirring Journalistic Thriller Sequel
Smart grown-up dramas are an increasingly rare bird in major-studio big-screen cinema these days. Occasionally around this time of year a studio will throw one out as Oscar bait, but a form that was once a big part of the movie diet now seems headed for…
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By Pete Hammond
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‘Artificial’ Review: Andrew Garfield Is Chilling As Sam Altman In Luca Guadagnino’s OpenAI Origin Story That Should Make You Very Afraid – New York Film Festival
Artificial, which had its world premiere Monday at the New York Film Festival, certainly comes in with a bit of controversy attached. Produced and made under Amazon MGM Studios, the Luca Guadagnino film about the origin of OpenAI and its CEO Sam Altman and key creative Ilya Sutskever, was shopped…
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By Pete Hammond
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‘A Statement’ Review: Paul Rudd, Paul Giamatti And Superb Ensemble In Tom McCarthy’s Splendid Humanist Look At Climate Change – New York Film Festival
On paper, director Tom McCarthy’s latest film A Statement might appear to be a dense polemic, hardly the stuff of exciting moviemaking. It centers on a 1980 Florida conference dealing with the effects of carbon dioxide emissions on the environment…
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By Pete Hammond
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‘Behemoth!’ Review: Pedro Pascal Hits All The Right Notes In Tony Gilroy’s Lyrical Love Letter To The Music Of The Movies – New York Film Festival
It has been 14 years since Tony Gilroy last directed a feature film, 2012’s The Bourne Legacy. Before that was Duplicity and in 2007 his sensational Oscar-nominated Michael Clayton. He has been busy though, notably the critically acclaimed TV series Ando…
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By Pete Hammond
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‘Verity’ Review: Dakota Johnson And Anne Hathaway Play Authors In Psychological Thriller, But Are They Really Alter Egos For Colleen Hoover?
Colleen Hoover had written 16 of her wildly successful romance novels before switching gears in 2018 and taking a shot at writing a psychological thriller, Verity. She even self-published it, and it led to yet another literary triumph, one that seems…
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By Pete Hammond
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‘Digger’ Review: Tom Cruise Explodes In Alejandro G. Iñárritu’s Surprising And Urgent Disaster Movie Satire
Digger is unlike any film coming from a major Hollywood studio in years, at least in my memory. It makes sense it comes from Warner Bros, which is the one major that seems to take real swings with big budgets, directors and stars in films you might say…
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By Pete Hammond
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‘Sense And Sensibility’ Review: Director Georgia Oakley Brings A Rebellious Spirit To Jane Austen’s Still-Sharp Social Satire
Over 30 years have passed since Ang Lee worked his magic on Jane Austen's 1811 novel Sense and Sensibility, and, aside from a 2008 BBC miniseries, it's taken until now for someone else to have a bash at a feature film version. It's surprising it's taken…
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By Damon Wise
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‘Heart Of The Beast’ Review: Brad Pitt And A Soulful German Shepherd Struggle To Survive The Wilderness In An Emotional Journey That Will Have You Sobbing
Going to see Heart of the Beast is a dangerous proposition if you don’t want to be seen crying uncontrollably in public. This man-and-his-dog story is an emotional roller coaster that lays it all out there, and I lapped it up just like I did in My Dog Sk…
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By Pete Hammond
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