Little Brother
It’s clever, sincere, and genuinely funny, and will be endlessly rewatchable to anyone that clicks with it.
It’s clever, sincere, and genuinely funny, and will be endlessly rewatchable to anyone that clicks with it.
Might be the best example yet of a show built to be a second screen while the viewer does something more interesting.
One of the most dynamic and satisfying shows of the 21st century.
A meaningful examination of loneliness in the modern age.
“Voicemails for Isabelle” has a high emotional IQ, a romantic journey you’ll want to follow, and a real sense of the lunacy that makes life hilarious.
While I have no doubt a lot of this was improvised, I also get the sense that this was a “there are no bad ideas” production.
Nothing can stop this show from continuing to burn a relentless fire that you can’t look away from.
“House of the Dragon” finally begins to breathe some new life into the series.
While one‑dimensional family dynamics and an uneven final act hold it back, Hall’s anchored performance and Bravo’s atmospheric direction ensure the unease lingers.
The film is likely to poke, prod, stab, and sting at the ribs of its demographic until their hope for redemption runs out.
Often skews younger than its source material in ways that don’t really serve the larger story it’s trying to tell.
It’s all somehow smarter than it should be and just as funny as you’d hope. Watch at your own risk.
Big swings, big feels: a bloody good time.
Offers too many cliches to result in anything other than mediocrity.
“Star City” keeps its focus bleak, dour, and oppressive, and subsequently has some trouble achieving liftoff.
It’s a gift that Travolta made for himself and family, something he likely wanted to leave as a part of his legacy. That doesn’t make it a good movie.
Though its narrative is hampered by a shorter run, the series is funnier than ever.