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Toto

Toto Toto

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Release Date

October, 1978

Duration

40:46

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Recording Location

Davlen Sound Studios, North Hollywood, CA
Studio 55, Hollywood, CA
Studio 55, Hollywood, Californi
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Sunset Sound, Hollywood, CA

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Toto Review by William Ruhlmann

It's as easy to see why radio listeners loved Toto as it is to see why critics hated them. Toto's rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. It all sounded great, but it also implied that music-making took craft rather than inspiration and that the musical barriers critics like to erect were arbitrary. Then, too, Toto's timing couldn't have been much worse. They rode in during the middle of punk/new wave with its D.I.Y. aesthetic, and their sheer competence was an affront. Of course, there's always been an alternate history of popular music not available to rock critics (it's written in record stores and concert halls and on the radio), and in that story, Toto was a smash. Singles like "I'll Supply the Love" and "Georgy Porgy" (featuring Cheryl Lynn) made the charts, and "Hold the Line" hit the Top Ten and went gold. The members of Toto had already influenced the course of '70s popular music by playing on half the albums that came out of L.A. All they were doing with this album was going public.

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JJ McCartney April 10, 2017
As debut albums go, many bands are attempting to break through, stand out, and become known. Generally speaking, most bands are facing daunting odds, at least that was the case in 1978.

But that wasn't the case for Toto. Toto was an amalgam of quite accomplished studio musicians who were already busy backing the likes of Boz Scaggs, Steely Dan, Seals and Crofts, and countless other household musicians who simply wanted he best musicians they could find.

Toto was a concept, and a group of the crime of the crop musicians. But when they decided to collaborate, the result was the most formidable band in the pop-rock genre. With a group that has been making music together since their early teens, David Paich, Steve Lukather, Steve Porcaro, Jeff Porcaro, Mike Porcaro, and vocalist Bobby Kimball assembled in the studio to take a break from their career as backing musicians to produce the kind of album that would make waves for decades.

The debut features the brilliant writing, arranging and producing of David Paich, perhaps the best keyboardist in the rock era, the guitar skills of the very young Steve Lukather, who would grow over time to be e voice of Toto, and the consensus best drummer in the history of Rock music in Jeff Porcaro. By the age of 19, Jeff Porcaro was playing in studio for Steely Dan.

In their mid-late teens most of the band was playing for Sonny and Cher. Same for Seals and Croft. And then there was Boz Scaggs. Lukather was the key guitarist on Scagg's platinum album Silk Degrees, along with Jeff Porcaro on drums.

So Toto had nothing to prove as they entered the studio as Toto. The product released in 1978 was greater than the sum of its parts.

Prolific musicians, greatness from A to Z. One simply cannot go wrong with Toto. This album is en the first chapter in a career that is relevant, and defined the era of sophisticated, cerebral, and always polished fine art. The pinnacle of rock music, Toto and its members have set standards that future bands and musical professors will point to as reference material for generations to come.
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A Dyche August 8, 2019
Great debut album, but wait--is it rock? Listen to "Girl Goodbye" or "Hold the Line" and you'd say so. Or soft rock? Tune in to "You are the Flower" or "Taking It Back" and you'd say so. There isn't a single bad song, but there's no single musical style. This would become a problem down the line.
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Wayne Klein July 25, 2017
I wouldn't go so far to suggest that music professors will be looking to Toto as the pinnacle of rock music in the 70's but the chops and writing skills of the band were hard to dispute. Between all the members of the band, Toto had played on the majority of studio albums released by singers during the 70's.

Nevertheless, the band's self titled album met with critical sighs as the band wasn't seen as genuine and the music wasn't considered to be of quality either especially compared to the punk and new wave bands that were rolling out music consistently during this time with high quality (particularly compared to the lyrical complexity of people like Elvis Costello) which made Toto sound too slick and without soul. Was that true? To a degree but the music they created on their first album has largely held up.
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Dan Stark February 21, 2019
An eclectic mix of styles played with great musicianship. One of the essential rock albums of the late 70s
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Wolfgang Pointner December 26, 2019
If you believe that it is a good idea if you can play your instrument first and than try to come up with something, this is a band for you. The critics don't like them and I can tell you why. Most critics are frustrated musicians who never made it and for them there is nothing worse than a musician who can play, that shows them how lazy they where in there youth. Toto is a great band and to make a debut like this proof it, not all songs are great but there are very few albums who have all winners, no fillers. Toto is a band that needs no storys of mistreated kids that use the music to find a way out of misery, they already had the money and the skills, what they wanted was a real band and they got it and they deserved the success they had.
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Ol "Lake" Arwin December 2, 2019
Great debute album, great musicians, great songs, great production, sleeve...
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Matthew R. Benson March 3, 2026
This album tends to get overlooked.
1978 after all was the year of stunning debuts fr.om The Cars and Van Halen.

But all the ingredients that go into Toto are here.
From the stadium sounding rock of Supply The Love and Hold The Line to the FM staple Georgy Porgy.
The rest is on that same level.
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Finn Mogensen October 15, 2025
I've always looked at Toto as a Rock band, and they are. It's just that they probably have tried out every music style known to man. This their debut album does contain one Toto classic. You could note that Steve Lukather didn't compose anything for this album, it took him a while to get started with the writing, but he sure does some very fine guitar playing. Perhaps you could say that the record is more Earth, Wind & Fire than Led Zeppelin. Nothing against Earth, Wind & Fire though. The aforementioned classic is of course "Hold the Line" with "Angela" coming close to that. One really stands out from the start is the bands fantastic musician abilities and that David Paich sure knows his way around a good melody.
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Santino EFE July 7, 2024
El segundo mejor album de toto en mi opinión, como álbum, lo veo más parejo en canciones que el éxito Toto IV, obviamente sin el nivel de calidad de éste. Combina elementos de los 70's y hard rock que lo hacen bastante variado y divertido de escuchar.
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Else Ifthen May 26, 2024
A solid album with rocking tunes, groovy tracks, good melodies and sing-along choruses. I was surprised when I learned this is from 1978 because to me it sounds slightly more modern (80s), though there are characteristic 70s disco beats and Funk influences on some songs. If only the keyboard sound wasn't so cheap...
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All Credits
Lenny Castro Percussion
Chuck Findley Horn
Philip Garris Cover Art
Ron Hitchcock Mastering
Jim Horn Saxophone, Wind, Wind Instruments
David Hungate Bass, Guitar
Bobby Kimball Composer, Lead Vocals, Vocals, Vocals (Background)
Tom Knox Engineer, Mixing
Dan Latham Engineer
Dana Latham Engineer
Roger Linn Synthesizer
Steve Lukather Guitar, Guitars, Lead Vocals, Vocals, Vocals (Background)
Cheryl Lynn Vocals, Vocals (Background)
David Paich Composer, Keyboards, Lead Vocals, Vocals, Vocals (Background)
Marty Paich String Arrangements, Strings
Jeff Porcaro Drums, Percussion
Steve Porcaro Composer, Keyboards, Lead Vocals, Vocals
Mike Reese Mastering
Sid Sharp String Arrangements, Strings
Toto Arranger, Primary Artist, Producer
Gabe Veltri Engineer
Toto 1981 Cassette Toto Columbia / Legacy - 35317PCT
Toto 1990 CD Toto Columbia - CK-35317
Toto 2004 CD Toto Delta No. 1 - 23320
Toto 2005 CD Toto CBS Records / Sony Music Distribution - MHCP609
Toto 2006 CD Toto Sony Music / Sony Music Distribution - 936
Toto 2008 CD Toto Columbia / Sbme Special Mkts. - 723861
Toto 2008 CD Toto Sony Music - 7435302
Toto 2008 CD Toto SOI - 6807972
Toto 2012 LP Toto Friday Music - FRM 35317
Toto 2013 CD Toto Sony Music - 6619046
Toto [2014] 2014 CD Toto [2014] Culture Factory - 40106
Toto [CD/Book] 2014 CD Toto [CD/Book] Rock Candy - CANDY 221
Toto 2016 CD Toto - 5064556
Toto 2020 LP Toto Legacy / Sony Music - 758010
Toto CD Toto Columbia - CD 83148