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At.Long.Last.A$AP

At.Long.Last.A$AP A$AP Rocky

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Release Date

May 26, 2015

Duration

01:06:08

Genre

Rap

Recording Location

Azari Studios, London
Clockwork Studios, Van Nuys, CA
Dean St. Studios, London
See More
Dean Street Studios, London
Downtown Studios, NYC
Electric Lady Studios, NYC
Germany Studios, NYC
Mondo Studios, Hollywood, CA
No Name Studios, Los Angeles, CA
Parkland Playhouse, Parkland, FL
Red Bull Studios, London
Sarm Studios, London
Slamhouse, Los Angeles, CA
The Purple Palace, NYC
Zelig Studios, London

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Discography Timeline

See Full Discography
Testing
Testing (2018)
Don't Be Dumb
Don't Be Dumb (2026)
Songline
Songline (2026)

At.Long.Last.A$AP Review by David Jeffries

Graduating from good weed to good-trippin' LSD, rapper A$AP Rocky tunes in, drops out, and turns down for what on At. Long. Last. A$AP, a positive and psychedelic LP that is -- due to the death of A$AP Yams -- touched with the hippie version of wistful. Yams shares the executive producer credit with Danger Mouse, and there's plenty of evidence most of the album was finished before Yams passed, but the A$AP Mob's creative leader's death certainly bookends this effort, beginning with the sorrowful and sober opener, "Holy Ghost," an O Brother, Where Art Thou tribute that's just as wry, epic, and grave. On the closing highlight "Back Home" with guest Mos Def, Yams is sampled, giving an ambitious pep talk to the Mob before a railcar sound effect ushers him into the hereafter, and yet, the center of the album is entirely Rocky's own journey, one the returning listener can link to with murky stompers such as the Juicy J and UGK feature "Wavybone." Solo cut "Lord Pretty Flacko Jodye 2 (LPFJ2)" might be brother A$AP Ferg's hit single "Work" run backwards, but the rest of the album pushes the Mob sound into new territories, including the uptown and funky "Everyday," a Rod Stewart and Miguel feature that feels more like a Mark Ronson cut than Rocky's. It doesn't sound out of place, as this is the ambitious effort that offers Rocky's own "Strawberry Fields" in "L$D," an elaborate and glorious number where a woman's love and grace are a metaphor for psychedelics. Both are life-changing in the rapper's eyes, and as such, strip clubs now need more challenging anthems like "Electric Body," a bent and bent-over number featuring ScHoolboy Q. Lil Wayne is here for the swaggering "M'$" ("But my neck is gold, the rest is froze/Sex and hoes, best of both"), which comes off like a 45 got knocked out of its spindle and the earth's core is now a subwoofer, while the Kanye West bragger "Jukebox Joints" ("Man everything basic to Ye Guevara/That means Saint Laurent is my Zara") is both soulful enough to be on the Stones Throw label and strange enough to be on the Yeezus album. Too many tracks, too many guests, and too many ideas are all complaints that could be entertained, but like the drug LSD doesn't care that work starts at 9 a.m. tomorrow, the all-encompassing A.L.L.A. can't be bothered with life's tight schedule. The bold effort unfolds as it wants and deserves, so think of the album as A$AP in Wonderland, or the cloud rap genre revived and improved, or a sunshine kaleidoscope album à la Prince's Around the World in a Day that also comes with a touching and bittersweet tribute.

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Cole Maul December 15, 2015
After the long wait since his release of his first album, Long. live. A$AP, Rocky come back into the mainstream with a much different approach than in his previous works. Back in 2011 Rocky surfaced with his widely acclaimed mixtape, Live. Love. A$AP. With this mixtape came more than a couple songs that some would say put Rocky on the map, one being the modern New York hip-hop anthem known as Peso, and others like Purple Swag and Brand New Guy. Now enough talking about Rocky's rise to fame and let's talk about him now.
At. Long. Last. A$AP couldn't be a better fitting name, as there was close to a three year gap between this and his previous album. This is Rocky's sophomore album and be came into it with a quite different and even unusual style. So let's start off at the beginning. Rocky kicks off the long awaited album with the track simply know as Holy Ghost. This song discusses how churches are corrupting the religions they are preaching about with there own greed. Throughout the track Rocky is stating how the pastor is greedy, saying things like the pastor was the only one showing up to church in Rolls Royce's and wearing Rolex watches and designer glasses. He finishes off the track with a final blow saying, "I got my own relationship with God." Showing that even though he isn't very devout to his religion he feels truly blessed to be where he is.
The next track is Canal St. Where Rocky delivers some serious heat describing where he's from and where he is now, over the soft melodic piano keys. Coming next on this album is Fine Whine with some big name like Future and MIA featured on it. The song start off with a slow cough syrup flow with Rocky's signature deep voice but the song really picks up with heavy and fast drum hits during Future and MIA's parts. Then comes a unusual song, L$D. Just because something is unusual does not mean it is bad. This song is a perfect example of it. On this song you will not hear Rocky rapping, but in fact you will hear Rocky actually singing. This is one of the most melodic songs, and it feels like a slow moving acid trip. Coincidentally the song is literally called L$D. Next comes a very loose and carefree song called, Excuse me. The bridge of this song between verses is very bass havy and it feels like the sound is warping around you. It's hard to explain but it gives a feeling like you're floating. After excuse me the album takes more of a heavy form. This is where all the bangers come from. Songs like JD and LPFJ2 have a simple beat with pounding bass, while Rocky drops bars about his ruthlessness. In the song Electric body featuring Schoolboy Q, Rocky delivers with a flow similar to Drake with a serious tone but making it sound good and move well with the metronome. At this point the website will not let me type any more so sorry!
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All Credits
2 Chainz Vocals
A$AP Yams Featured Artist
A-Cyde Featured Artist, Vocals
Derek "MixedByAli" Ali Mixing
Angel Aponte Vocals
Beatriz Artola Assistant, Engineer, Mixing
A$AP Rocky Additional Production, Executive Producer, Primary Artist, Producer
Dan Auerbach Guitar
Awge Design, Executive Producer
Victor Axelrod Keyboards
David Bentley Composer
Yasiin Bey Vocals
Jeff Bhasker Additional Production
Bones Featured Artist
Theola Borden Vocals
Nathan Burgess Assistant
Michael Burman Composer, Guitar
Brian Burton Composer
Bobby Caldwell Composer
Kim Cannon Composer
Eric Cardona Composer
Dwayne Carter Composer
Austen Jux Chandler Engineer
Maddox Chhim Assistant
Leonard Cohen Composer
David Colquit Composer
Gabe D'Amico Composer
Alex Dadras Composer
DaHonorable C.N.O.T.E. Producer
Riccardo Damian Engineer
Danger Mouse Additional Production, Executive Producer, Producer
Ddot Omen Producer
Isaac de Boni Composer
Mike Dean Composer, Mixing, Producer
Hector Delgado A&R, Additional Production, Arranger, Composer, Editing, Engineer, Executive Producer, Keyboards, Mixing, Producer, Programming
DJ Khalil Additional Production
Rhys Downing Engineer
Pablo Dylan Assistant
Tom Elmhirst Additional Production
Max Ervin Assistant
James Fauntleroy Composer, Featured Artist
FNZ Keyboards, Producer, Programming
Joe Fox Composer, Featured Artist, Guitar, Vocals
Bernard Freeman Composer
Louis Freese Composer
Lowell Fulson Composer
Future Featured Artist
Dan Fyfe Assistant
Bobbie Gentry Composer
Noah Goldstein Engineer
Udbhay Gupta Composer
Quincey Hanley Composer
Emile Haynie Drum Programming, Producer
Andrea Estella Hernandez Composer
Anders Holm Composer
Jordan Houston Composer
Hudson Mohawke Additional Production
James Hunt Assistant
Jaycen Joshua Mixing
Chace Johnson Executive Producer
Jim Jonsin Keyboards, Producer, Programming
Juicy J Executive Producer, Featured Artist, Producer
King Kanobby Vocals
Ryan Kaul Assistant
Walter Kent Composer
David Kutch Mastering
Michele Lamy Art Direction
Carter Lang Bass
Malcolm Lawson-Stribling Composer
Bryan Leach A&R, Executive Producer
Lil Wayne Featured Artist
Mario Loving Composer, Producer
Daniel Lynas Composer
Rameses Magnus-George Composer
Malcolm Martin Composer
Thelonious Martin Producer
Niko Marzouca Engineer
Rakim Mayers Composer, Producer
Carlton Mays Jr. Composer
Frans Mernick Additional Production, Composer, Drum Programming, Engineer, Producer
M.I.A. Featured Artist
Miguel Engineer, Featured Artist
Christina Milan Vocals (Background)
Will Miller Trumpet
Willie Mitchell Composer
Yvonne Mitchell Composer
Todd Monfalcone Assistant, Assistant Engineer, Engineer, Mixing Assistant
Warren "Pete" Moore Composer
Axel Morgan Composer
Mos Def Featured Artist
Lawrence Muggerud Composer
Michael Mule Composer
Dexter Navy Photography
Ben Nichols Composer
Elmo O'Connor Composer
Anthony Pavel Vocals
Edwin Perez Composer
Miguel Pimentel Composer
Pimp C Composer
Plu2o Nash Producer
Che Pope Composer, Producer
Buck Ram Composer
Earl Randle Composer
Rebel Rock Producer
Senen Reyes Composer
Dana Richard Assistant
Ricci Rierra Composer
William Robinson Composer
Steven "A$AP Yams" Rodriguez Executive Producer
Mark Ronson Bass, Composer, Drum Programming, Engineer, Featured Artist, Keyboards, Producer
Naja Rosa Composer
Matt Schaeffer Assistant
James Scheffer Composer
Jason Schweitzer Mixing
Lawrence Seymore Composer
S.I.K. Producer
Dante Smith Composer
Jason Staniulis Engineer
Melvin Steals Composer
Mervin Steals Composer
Rod Stewart Featured Artist
Dicky Sulaksono Composer
Ken Takahashi Mixing
THC Additional Production
UGK Featured Artist
Bryan Ujueta Composer
Tom Upex Assistant
Vulkan The Krusader Producer
Teddy Walton Additional Production, Composer
Darryl Washington Composer
Taheed Watson Assistant, Assistant Engineer, Mixing Assistant
Nesbitt Wesonga Composer, Producer
Kanye West Composer, Featured Artist, Producer
Nayvadius Wilburn Composer
Kenta Yoneksaka Engineer
Zachary Yudin Composer

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