Formed in 2009, the Archive Team (not to be confused with the archive.org Archive-It Team) is a rogue archivist collective dedicated to saving copies of rapidly dying or deleted websites for the sake of history and digital heritage. The group is 100% composed of volunteers and interested parties, and has expanded into a large amount of related projects for saving online and digital history.
History is littered with hundreds of conflicts over the future of a community, group, location or business that were "resolved" when one of the parties stepped ahead and destroyed what was there. With the original point of contention destroyed, the debates would fall to the wayside. Archive Team believes that by duplicated condemned data, the conversation and debate can continue, as well as the richness and insight gained by keeping the materials. Our projects have ranged in size from a single volunteer downloading the data to a small-but-critical site, to over 100 volunteers stepping forward to acquire terabytes of user-created data to save for future generations.
The main site for Archive Team is at archiveteam.org and contains up to the date information on various projects, manifestos, plans and walkthroughs.
This collection contains the output of many Archive Team projects, both ongoing and completed. Thanks to the generous providing of disk space by the Internet Archive, multi-terabyte datasets can be made available, as well as in use by the Wayback Machine, providing a path back to lost websites and work.
Our collection has grown to the point of having sub-collections for the type of data we acquire. If you are seeking to browse the contents of these collections, the Wayback Machine is the best first stop. Otherwise, you are free to dig into the stacks to see what you may find.
The Archive Team Panic Downloads are full pulldowns of currently extant websites, meant to serve as emergency backups for needed sites that are in danger of closing, or which will be missed dearly if suddenly lost due to hard drive crashes or server failures.
ArchiveBot is an IRC bot designed to automate the archival of smaller websites (e.g. up to a few hundred thousand URLs). You give it a URL to start at, and it grabs all content under that URL, records it in a WARC, and then uploads that WARC to ArchiveTeam servers for eventual injection into the Internet Archive (or other archive sites).
To use ArchiveBot, drop by #archivebot on EFNet. To interact with ArchiveBot, you issue commands by typing it into the channel. Note you will need channel operator permissions in order to issue archiving jobs. The dashboard shows the sites being downloaded currently.
"In the Tower above the earth there is a view that reaches far/Where we cede the universe/I see the fire, I see the end/Seven miles above the earth, there is Emmanuel of Mothers/With His sword, with His robe, He comes dividing man from brothers."—from the Revelation themed "The Seer's Tower"
"Alternative" is an admittedly overbroad and overused term, but in reference to music that is truly different from the norm, the word is more than appropriate to describe the music of Sufjan Stevens. His latest, Illinois, comes as a welcome respite for music journalists during a summer drought of artistic stimulation. And considering that Stevens is relatively open about his Christian beliefs—2004's Seven Swans included clear-cut songs about Abraham and Christ's Transfiguration—it's rather impressive that he's now earning universal acclaim in mainstream publications such as Rolling Stone, Spin, and Entertainment Weekly.
Illinois follows 2003's Michigan as the second album in Stevens' impossibly ambitious "50 States" series—how about calling it "Soof-yan USA?" It's something of a sonic masterpiece and nearly impossible to describe. Try to imagine Paul Simon hooking up with the retro, trippy choral sound of The Polyphonic Spree to create an eclectic pseudo-musical along the lines of Brian Wilson's Smile, throwing in some arrangements reminiscent of minimalist 20th century composer Phillip Glass to boot. Stevens' own list of musical contributions is literally a paragraph of more than 20 stringed, wind, and percussion instruments—the album relies as heavily on banjos, woodwinds, and vibes as it does piano, guitars, and drums.
With 24 tracks totaling 74 minutes, many of them musical segues, the album's length is ...
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