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Showing posts with label plunderphonic. Show all posts
Showing posts with label plunderphonic. Show all posts

25 July 2013

Collage Pop Selections

Today's selections are albums of original compositions incorporating samples from existing works. The end results of the process are fun!

BERJAYA
MULTICULTURAL DANCE
Les Oreilles En Ballades - Sandwich
Independent Release, 2006
© CC BY-NC-ND
BERJAYA
ELECTRO DANCE
Nood - Shaped Like A Taco
dBUT Recordings, 2000
© ? "NOOD resist stupid copyright laws"
BERJAYA
DANCE
Gorowski - Simulators Can
WM Recordings, 2007
© CC BY-NC-SA

12 June 2013

Film Noir Spy Themes from GeeNerve

Suspense Dance Delights by GeeNerve (Guido Erfen) is an album we promoted years ago at Oddio. On listening to these film noir spy themes again, we knew we had to share this gem on Blogio, too. See the liner notes for more info. The notes are included in the cover art booklet, as well.

BERJAYA

So Healthy Music, the label and netlabel Erfen co-founded, still offers several additional releases for your pleasure.



Music License: Creative Commons BY-NC-SA
Artist Location: Cologne, Germany

06 March 2013

New Life for Classic Polish Grooves

BERJAYA
For several years, producer and mixmaster 77cuts has presented a sample heavy critically acclaimed "Polish jazz / retro / lounge mixtape series" called Fonoteka (Tape Library) as Estrada Nagrania (Recording Stage) under the auspices of Krajowa Agencja Wydawnicza (National Publishing Agency).

From a fabulous tape catalog of Polish recordings and library music 77cuts  creates seamless releases of jazzy lounge, downtempo, soul, dance, space age pop, now sound, and hip hop beats. (Especially check out Printempo for hip hop beat. Many familiar samples there, such as Roger "Wildchild" McKenzie).

Here's a Google translation of the process:
... Ministry of Culture and Art in Warsaw central switch on the phone standing in a small room next to the minister. Switched to another phone number of the office is the head of the department. Behind the wall of this small room has its head office capital Estrada. Using the same phone line, its employees interact with all the musicians in the country. Created new recordings, records, stage performances - recorded hundreds of tapes. As usual in the history of popular music at the end of the decade began to emerge in a new style.... Developed so naturally and so - in principle - "quietly" that the general public does not realize this, it is at the threshold of a new era of style. But there are already hundreds of recorded tapes.
And from those tapes come 77cuts' new sounds. Several of the Fonoteka recordings as Estrada Nagrania and subsequent remixes are available for free download in '60s stylized blog and for purchase at Bandcamp.

However, the remixes, such as the newest volume, Fonoteka 7: Remixed, include Western samples. This detracts from the unique quality of the original mixes of studio tapes from Poland. This sentiment is echoed in something 77cuts once wrote (another Google translation):

Many critics believe that some musicians use today, for example, elements of Indian music and the blues, do not really know about Indian music and blues. Those critics are right - Recordings Estrada knows only Polish music. Thus was created the music for a period of time in Poland, the peace, the lack of stability. I barely hear it, but still the game will play loud and long.
That knowledge is exactly what makes the original Fonotekas so special.

licenses: uncertain due to sample clearances; released as Creative Commons Attribution-NonCommercial

** Videos after the jump...

11 February 2013

Reworking An Electronic Innovator

BERJAYA
Daphne Oram (31 December 1925 – 5 January 2003) was a British composer and electronic musician. She was the creator of the "Oramics" technique for creating electronic sounds. Oram was a true pioneer in electronic music.

Reworking Daphne Oram is an album by People Like Us created with recordings from Oram's archives.

INFORMATION

"In January 2005, Sonic Arts Network, the leading UK body for electronic music and sound art, was asked by Daphne’s descendants to care for her collected papers, recordings and other items. It was with the benefit of experimental electronic music practice in mind that Goldsmiths Electronic Music Studio (EMS) collaborated with the Sonic Arts Network (SAN) to bring this collection into the academic community where it could be properly studied and developed. To this end, a grant was awarded to Goldsmiths, University of London in 2007 by the Arts and Humanities Research Council, to catalogue the collection, digitise the audio tapes and initiate related research.

"In June 2008 People Like Us were invited into the archives of electronic music pioneer Daphne Oram, to rework them into new compositions, to be presented as part of a day-long symposium at London's South Bank Centre. Here are the results." -- People Like Us

BIOGRAPHY

Since 1991 British artist Vicki Bennett has been an influential figure in the field of audio visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives. Using collage as her main form of expression, she creates audio recordings, films and radio shows that communicate a humorous, dark and often surreal view on life. These collages mix, manipulate and rework original sources from both the experimental and popular worlds of music, film, television and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, The Barbican, Royal Albert Hall, Sydney Opera House, Pompidou Centre, Maxxi in Rome and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show 'DO or DIY' on WFMU has had over a million "listen again" downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.

Vicki recently completed the creation of a new live a/v performance called "Consequences (One Thing Leads To Another)", which premiered at transmediale in January 2013. She is now working on a film for live improvisers called "Gesture Piece".

15 August 2012

Stereogamy from Stealing Orchestra

BERJAYA
Originally released in 2000 (NorteSul, EMI), Stereogamy was the first full length album by Stealing Orchestra. The album's tracks run the gamut from cartoony sound collages, like those of The Bran Flakes, to experimental work, like that of Renaldo and the Loaf, to more traditional instrumental compositions. In reviewing Stealing Orchestra at the time of the Stereogamy release, Cool and Strange Music Magazine wrote, "No matter how off the map Mascarenhas' musical funhouse gets, with things running backward and jumping in at the most inappropriate spots, there is always the semblance of a song.... It's like a soundtrack a spy movie run through a blender."