The dreamerswalk among us . . . and so do the dreamed.
Maggie Stiefvater — ” Call Down the Hawks”
They circle the lush verdure that lines the river, darting through and over high branches. Spotting us, they rise and swirl on the current like fantastical beasts of air and feathers, an ever-changing cloud that darkens the earth. At night they rest in the crowns of ancient trees, innately knowing that they are near their destination. Near dawn they take to the heavens again, mission bells calling them home.
On the bank of a river I found you wet and worn, beaten to the silt by wild horses. I rubbed you smooth and honed, held you like a secret, something sacred, a final kiss, a cherished poem.
You slipped from my grip Through the inlet of obsession. How weak we were against it’s gaping mouth. We wanted something concrete, something to hold on to, we wanted so much to be strong.
Verlust
Am Ufer eines Flusses fand ich dich nass und verbraucht, groben Quarz, in den Schlamm getreten von Hufen wilder Pferde. Ich rieb dich glatt und blank, hielt dich wie ein Geheimnis, etwas Heiliges, einen letzten Kuss, ein behütetes Gedicht. Du rutschtes aus meinem Griff in den Einlass der Besessenheit. Wie schwach wir waren gegenüber den gähnenden Mündungen der Flüsse, wir wollten etwas Festes, um uns dagegen stark zu fühlen.
Lennon’s fun-loving working-class parents, Alfred and Julia Lennon, married briefly and late and declined to raise their quick, sensitive, gifted son. Separated traumatically from each of them by age five, he was raised strictly in Liverpool by his maternal aunt, Mimi Smith, whose husband died during Lennon’s adolescence, as did his biological mother, who had taught him to play the banjo.
Such circumstances were not uncommon in the wake of WW11 but in Lennon they generated anger that he sublimated with brilliance and difficulty and an intense need for human connection. At age 21 he married the supportive, traditional Cynthia Powell, whom he divorced in 1968. At age 28 he married the independent, unconventional Yoko Ono, Much earlier, at age 16, he founded a skiffle band that evolved into the Beatles, the most important musical group of the second half of the 20th century.
Lennon began to withdraw from the Beatles, a process accelerated as of 1968 by his relationship with Ono, his declarative side took over. This dovetailed with the artistic ideas of Ono, a well-born Japanese avant-gardist seven years his senior. Lennon was first fascinated and then influenced by her terse, sometimes paradoxical directives, such as: “Count all the words in the book instead of reading them”
Music as a Tool for Activism
Lennon’s music became a core medium for his peace advocacy. Songs such as “Give Peace a Chance” and “Imagine” articulated his vision of a world without war, borders, or oppression. “Give Peace a Chance,” recorded during the Montreal Bed-In, became an anthem for the anti-war movement, regularly sung at protests against the Vietnam War. His lyrics often combined personal reflection with universal calls for social change, influencing a generation of listeners and activists.
Public Advocacy and Political Engagement
Beyond music, Lennon actively engaged with political authorities and movements. He opposed U.S. involvement in the Vietnam War, supported draft resistance, and publicly criticized government policies, which led to scrutiny and attempts at deportation by the Nixon administration. L
In summary, John Lennon’s peace efforts combined public demonstrations, music, and political engagement to challenge war and injustice, leaving a legacy that inspires ongoing movements for peace and human rights.
When words were your only nourishment I fed you calla lilies budding in my throat. From the stacked shelves of your smoky library I read to you Aristophanes, of all poets we loved him best. In the final hours we longed for rippling fields, anything windswept, certain of life and death.