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The Darkest Days Dec. 28th, 2007 @ 03:54 am
BERJAYAknight_monk
BERJAYA
I am writing about more than sunlight, you know... although the swift-passing window of the Winter Day is no small matter either. These are the shortest days. And for many they are filled with hectic activity. For others they are cold and barren desert of Depression.
Lao Tzu writes: "Movement overcomes cold."

Translating this into one's own practice means that during darkest days of Winter, instead of hiding under a comforter and napping all day, one should keep active. Do many things even if you feel like sitting still - this is how one makes it through the worst Winters, even the most terrible Winters of the mind.

The converse  also holds true. During the hot days of Summer, or even the most hectic and anxious times of any season, one should seek to still the mind and body. "Keeping still overcomes heat."

The words hold not just literal truth for the thermostat of the human body. Properly applied, the words can govern our moods. They put into the hands the reigns of the intellect. Anxiety and panic are also ruled by the still Player.
  

Alternative Education Jul. 21st, 2007 @ 08:17 pm
BERJAYAknight_monk
BERJAYA
'Other examples of deliberate action include his vision of small countries with few people, rather than large hegemonic states; and his alternative education models such as, "Don't educate the people, make them stupid."' - Cheng Man-Ching quoting Lao Tzu's Chapter 65.

Is this a good teaching for those who are highest in the inherent hierarchy of our planet?
Current Mood: surprised

The Chemical Instrument Jun. 13th, 2007 @ 12:24 am
BERJAYAknight_monk
BERJAYA
As a fact, the strong and resolute will can arrive in a short time at absolute independence, and we are all in possessionof the chemical instrument, the great and sole Athanor which answers for the separation of the subtle from the gross and the fixed from the volatile. This instrument, complete as the world and precise as mathematics, is represented by thesages under the emblem of the Pentagram or five-pointed star, which is the absolute sign of human intelligence. I will follow the example of the wise by forbearing to name it: it is too easy to divine. - Eliphaz Levi
Current Mood: sleepy
Current Music: Eat Me, Drink Me-Marilyn Manson-Eat Me, Drink Me (Bonus Track Version)

A Note on Bruno Jun. 8th, 2007 @ 09:41 pm
BERJAYAknight_monk
BERJAYA
BERJAYA In the latest issue of Agape, Sabazius announces that Giordano Bruno's name is to be placed between Fludd and John Dee's name on the list of Saints, and is not to be italicized.
Current Mood: contemplative

Pure Will vs. Will To Jun. 8th, 2007 @ 05:17 pm
BERJAYAgeoffcapp
BERJAYA
Elsewhere, it has been observed (by BERJAYAfraternovaeres whom I shall inform of this thread) that:

[St. Friederich] Nietzsche teaches us that there is no willing without an aim. You have to will to something. To be an effective commander, you have to set up goals for yourself, to coordinate your actions around an essential aim. Without this foresight, without a vision of what is to be done, there can be no willing.

I'd be interested to know how anyone reconciles this interpretation with Liber AL, particularly I:44. Myself, I find this vexing, but then I had similar philosophical problems with previous paths I've engaged as well.
Current Location: Rockridge, Oakland, CA
Current Mood: perplexed
Other entries
» Saint Giordano Bruno
I learned a great deal at the Kaaba Colloquium in Minneapolis. Much of it I assimilated in a very personal manner.

I was previously unaware that Giordano Bruno had been canonized.

Perhaps his name should be intoned after Edward Kelly.

Here is Bruno's Wikipedia entry. Here are his writings. It is a shame so many of them are left untranslated.
» A good missal
BERJAYAashkosis has put up an attractive and especially useful missal for new Congregants.
» "I know such saints."
OLYMPAS There is one doubt. When souls attain
Such an unimagined gain
Shall not others mark them, wise
Beyond mere mortal destinies?

MARSYAS Such are not the perfect saints.
While the imagination faints
Before their truth, they veil it close
As amid the utmost snows
The tallest peaks most straitly hide
With clouds their holy heads. Divide
The planes! Be ever as you can
A simple honest gentleman!
Body and manners be at ease,
Not bloat with blazoned sanctities!
Who fights as fights the soldier-saint?
And see the artist-adept paint!
Weak are those souls that fear the stress
Of earth upon their holiness!
They fast, they eat fantastic food,
They prate of beans and brotherhood,
Wear sandals, and long hair, and spats,
And think that makes them Arahats!
How shall man still his spirit-storm?
Rational Dress and Food Reform!

OLYMPAS I know such saints.

MARSYAS An easy vice:
So wondrous well they advertise!
O their mean souls are satisfied
With wind of spiritual pride.
They're all negation. "Do not eat;
What poison to the soul is meat!
Drink not; smoke not; deny the will!
Wine and tobacco make us ill. "
Magic is life; the Will to Live
Is one supreme Affirmative.
These things that flinch from Life are worth
No more to Heaven than to Earth.
Affirm the everlasting Yes!
» Nietzsche Contra Wagner
Crowley seems to have identified Wagner as a saint primarily on the basis of "Pasifal" expressing the Fool myth (See Book of Thoth and New Comment, I:6-7). He certainly took much inspiration from this opera - uniting the lance and the grail to redeem the dying god - for the Gnostic Mass.

Regardless, I can't watch "Tannhauser" or "Parsifal" without feeling disgust for all of the characters, including Pasifal. But rather than use my own words to say why, I'll quote and summarize Saint Nietzsche's deeper and more eloquent analysis of Wagner in "Nietzsche Contra Wagner".

"Read one [chapter of Nietsche Contra Wagner] after another, they will leave no doubt either about Richard Wagner or about myself: we are antipodes" (preface). How so?

Nietzsche identifies two expressions of suffering in art: 1) a Dionysian suffering from the "overfullness of life" and 2) a suffering from the "impoverishment of life" - a "revenge against life itself". Wagner represents the latter, not the former, which expresses true art (NCW, We Antipodes).

Wagner expresses this impoverishment, this hatred of life, through his obsession with chastity. Nietzsche says of Pasifal:

"I should really wish that the Wagnerian "Parsifal" were intended as a prank". "...for what would "Parsifal" amount to if intended as a serious piece?" "An apostasy and reversion to sickly Christian and obscurantist ideals?" "For Parsifal is a work of perfidy, of vindictiveness, of a secret attempt to poison the presuppositions of life--a bad work. The preaching of chastity remains an incitement to anti-nature: I despise everyone who does not experience Parsifal as an attempted assassination of basic ethics" (Wagner as the Apostle of Chastity, Ch. 2).

Moreover, "... since Wagner had moved to Germany, he had condescended step by step to everything I despise--even to anti-Semitism." "Richard Wagner, apparently most triumphant, but in truth a decaying and despairing decadent, suddenly sank down, helpless and broken, before the Christian cross" (How I Broke Away from Wagner, Ch. 1).

Nietzsche pretty clearly sees Wagner as expressing all the worst of Christianity. I find it hard to deny his conclusions. So what does this mean for Wagner as a Gnostic Saint of Thelema? Even Pasifal, who Crowley discusses repeatedly, disgusts me. And not even the bad guy in "Parsifal" gets to be very bad. He just torments himself by his inability to act like a good pious and chaste Christian. And then Parsifal goes and corrupts Kundry, turning her into a chaste and pious Christian too.

By no means do I expect Saints to perfectly express Thelema. In fact, I expect most not to do so much at all, given that they lived and died before Thelema. However, Wagner just seems soooo bad. But Crowley's identification of him as a Saint makes me think twice, makes me think that I have missed some important things, whether about Wagner or about the meaning and role of the Saints. Please advise.
» Thought matters.
BERJAYA
The spirit is the master, the imagination is the instrument, the body is the plastic material. The moral atmosphere surrounding the patient can have a strong influence on the course of the disease. It is not the curse or the blessing that works, but the idea. The imagination produces the effect... To think is to act on the plane of thought, and if the thought is intense enough, it may produce an effect on the material plane.

- Paracelsus giving what I think is, among other things, a perfectly valid formula for working on the Mental plane to effect change.
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