Tag Archives: 1950s

Clifford Muir 1904-1968

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‘C. Muir, Chief Architect’ (1960). Otago Education Board records. AG-294-48/93. Hocken Collections – Uare Taoka o Hākena.

A progressive figure in New Zealand school design during the mid-twentieth century baby boom, Clifford Muir headed the Otago Education Board’s architectural department through a period of extensive school building. After 36 years in public service, he spent the last phase of his career in private practice.

Clifford Muir was born in Dunedin on 20 June 1904, at his parents’ home in Maryhill Terrace, Mornington. His father, Robert Swan Muir, was a self-employed bootmaker originally from Dalkeith, Scotland, but resident in Dunedin from childhood. His mother, Marion Mossman Muir (née Greig), was born at West Taieri where her father worked mostly as a tailor. Clifford’s only sibling, Doris, was born in 1911.

Cliff, as he was known, attended Mornington School from 1909 to 1917, before studying for two years at Dunedin Technical High School, the secondary division of King Edward Technical College. He was described as a bright pupil and an ‘industrious lad who gives careful attention to all his work’. He showed particular talent in mechanical drawing and workshop classes.

From 1920 to 1924 Muir was apprenticed to G. Simpson & Co., an established Dunedin building firm. Its largest contract during this time was for Arthur Barnett’s new department store in George Street. Meanwhile, Muir took evening classes in carpentry and joinery at the Technical College.

Muir joined the Otago Education Board’s staff as a draughtsman in January 1925. The Board was responsible for the buildings of over 200 primary and district high schools throughout Otago, and for nearly 150 associated teachers’ residences. The architectural staff occasionally carried out work for separately administered state high schools. Muir was initially one of three draughtsmen working under Education Board architect James Rodger, a practical man of kindly manner.

Over half of Otago’s school buildings at this time were Victorian, and increasingly unsuited to modern educational requirements. Many had been constructed during the major building programme of the mid-1870s to 1880s. The Board’s official history describes the 1920s as a ‘remodelling period’, with architectural work mostly limited to alterations and additions. The largest new building complexes were at the rebuilt Caversham and Balclutha Schools, and the new Tainui School.

From 1927 to 1930 Muir continued his studies through evening classes at the Dunedin School of Art, attached to the Technical College. His subjects included drawing, modelling, and painting. W.H. Allen and R.N. Field were the principal art instructors at that time. Some of Muir’s surviving sketches are annotated with an address care of the Dunedin architect and Otago Art Society member Eric Miller.

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‘Roman Composition’. Student drawing, University of Auckland School of Architecture. Mason & Wales Architects collection.

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‘A Shop Front’. Student drawing, University of Auckland School of Architecture. Mason & Wales Architects collection.

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A Suburban House’. Student drawing, University of Auckland School of Architecture. Muir’s student drawings show a wide range of stylistic influences. Mason and Wales Architects collection.

Muir studied at the School of Architecture, Auckland University College, from 1930 to 1933, including two years of full-time study. The School was the only one of its kind in the country, and from 1931 its qualifications were recognised by the Royal Institute of British Architects. Muir would have received instruction from the first professor, Australian Cyril Knight, who combined aspects of the Beaux-Arts teaching tradition with Modernist ideas. The course included studio instruction integrated with university lectures and classes. Muir’s surviving set exercises demonstrate versatility in wide-ranging styles, from Revived Classical through to Streamline Modernism, influenced by Bauhaus.

Muir’s Diploma Thesis was for a boys’ secondary school and the Diploma was conferred in 1934. In February 1936 he was elected an Associate Member of the New Zealand Institute of Architects.

In 1932, Welch had succeeded the retiring James Rodger as Board Architect. Muir was his only assistant. The Great Depression reduced the Board’s building programme to a low point that year, when there was almost no expenditure on either new buildings or maintenance. Funding did not fully recover until 1937.

Projects achieved during the 1930s included the building of Dunedin’s first Intermediate Schools: Dunedin North (in Albany Street) and Macandrew Intermediate. The largest new school was Kings’ High School, opened in 1936. Muir’s role in the design of these buildings is unclear, but he certainly contributed. He was the lead designer of another large project, the Teachers’ Training College complex built on a new Union Street site. A striking Modernist design completed in 1939, it was illustrated in the prestigious English publication, Architectural Review. Unlike the earlier College buildings, it was constructed with both timber framing and cladding as, after the Napier Earthquake, the Education Department had effectively banned the use of brick for educational buildings. This directive was somewhat relaxed from 1940, but timber remained the material of choice for educational buildings in the decades that followed. The Training College building was destroyed by fire in 1968.

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Dunedin Teachers’ Training College, completed 1939. MS-2857/366/001. Hocken Collections – Uare Taoka o Hākena. C.M. Collins photographer.

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Dunedin Teachers’ Training College, completed 1939. MS-2857/366/005. Hocken Collections – Uare Taoka o Hākena. C.M. Collins photographer.

Welch enlisted for military service following the declaration of the Second World War in September 1939. Muir was appointed Acting Architect and held this position for the duration of the conflict. Projects underway, such as the rebuilding of Mosgiel District High School, kept the building programme busy through 1940, but by 1942 there was little expenditure on new buildings. The only new schools begun between 1941 and 1944 were at Stirling and Oamaru South. Welch formally retired at the end of the war and Muir was permanently appointed Board Architect in June 1945.

A new era of school building was on the horizon. An increase in school enrolment occurred even before the post-war baby boom. Birth rates had declined after the First World War but picked up from 1935, reaching a peak in 1947. Despite this, school building activity remained sluggish and the Education Board did not overtake its pre-war annual expenditure until 1949. Many buildings considered to be in a lamentable state twenty years earlier were still in use, often with little alteration. Muir described the effect of some older classrooms as:
‘…almost one of imprisonment; caging the child in cells with high windows (to concentrate attention on the chalkboard?); with “serviceable” tongue and groove boarding on all walls to withstand the impact of small hands and feet; with deep brown dadoes to resist grubby hands and with long backless forms to make a relaxed attitude impossible.’

The largest school completed in the late 1940s was at Kensington, south of the Oval in Dunedin, where an old complex was completely replaced. An equally large project was Stuart House, a women’s hostel at the new Carrington Hall, which housed both Teachers’ College and University of Otago students.

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Main block, Kurow District High School, erected 1940. This was one of few Otago school buildings built in brick after the Napier Earthquake. From Otago Education Board Report for the Year 1947. Hocken Collections – Uare Taoka o Hākena.

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8. Kensington School, 1940s. This was the largest school complex completed in the late 1940s and it replaced Victorian buildings. This was partly done on the original site and partly on an additional area. Most schools were built by private contactors, but this one was built by the Board’s own workmen. The school closed in 1968. But the buildings have been repurposed for foundational and vocational training. P1998-028/03-047. Hocken Collections – Uare Taoka o Hākena. Otago Daily Times photograph.

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Examples of two small school buildings, at Lovells Flat and Becks. Both were erected in 1949. From Otago Education Board Report for the Year 1949. Hocken Collections – Uare Taoka o Hākena.

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Stuart House, the women’s block at Carrington Hall, completed in 1947. It contained accommodation for 40 students and a matron. The building is still in use. Otago Education Board records. AG-294-49/270/013. Hocken Collections – Uare Taoka o Hākena.

Material shortages further stymied progress. Timber, in particular, was expensive and difficult to procure. In 1948 the Board resorted to milling pine trees on some of its own school properties. Portable huts were built to accommodate single teachers.

Bureaucratic processes were cumbersome. Sketch proposals and working drawings required the approval of not only Board, but also the Education Department and the Dominion Building Controller. The latter described some boards’ proposals for 1948 as ‘bordering on the fantastic’ and severely pruned their lists. The Dunedin City Council and various borough and county councils also had to be satisfied, as they issued and administered building permits.

Through the 1950s, economic conditions improved and shortages eased. Investment in school building greatly increased over the course of the decade, with a sixfold increase over 1940s expenditure. More than 35 Otago schools were either newly established or entirely rebuilt, and over 30 new teachers’ residences were erected. Numerous classroom additions, dental clinics, and other additions were also constructed. This involved extensive travel for Muir. He had the use of large Chevrolet cars, suited to gravel roads in the country, and accommodation was in local hotels.

The Board’s 1957 history described Muir as one of the foremost school architects in New Zealand, with ‘progressive ideas frequently ahead of the Department of Education’s financial provision for school buildings which favours standardisation’. This, it was noted, ‘restricted him in doing anything which he would himself consider outstanding’.

Before the war, common features in school design could be seen throughout the country, but individual education boards did have a degree of design independence. Small schools were typically built to standardised plans, but these differed from region to region. The Canterbury Education Board, for example, preferred open verandahs over the enclosed corridors more usually found in Otago. Larger schools tended to be more bespoke in design.
The National Government elected in 1949 imposed a new standardised classroom design with aims of efficiency and economy. The Dominion Basic Plan of 1951 provided a row of classrooms with a corridor along its south side, and incorporated toilets, cloakrooms, and staffrooms.

Muir referred to the Dominion Plan as a straightjacket, although some refinements were possible. A late example, Rosebank School in Balclutha, added brick patterns that cast ‘enriching shadow’, and incorporated bolder roof planes. The thoughtful siting and orientation of buildings was a particular enthusiasm of Muir’s and many projects benefited from this aspect of his expertise.

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Bradford School, completed 1954. According to the annual report: ‘The erection of this school of three classrooms on a sloping site presented the Architect with a problem of design. The Architect’s aim was to fit the buildings to the hillside and keep excavations to a minimum. The result is a building of pleasing appearance but unusual design. Each classroom is on a different level, and as the school climbs the slope, each room is advanced by several feet, thus creating a separate court in front of each, free of interruption from the others.’ Otago Education Board records. AG-294-49/029/001. Hocken Collections – Uare Taoka o Hākena.

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Group in the office of the Otago Education Board Secretary, 17 September 1953. Left to right: C.R. McLean (Secretary), J.L. Fraser (Chairman), Hon. R.M. Algie (Minister of Education), C. Muir (Architect), and P. Carroll (Minister’s Private Secretary). Otago Education Board records. AG-294-48/69. Hocken Collections – Uare Taoka o Hākena.

A new school building code in 1956 prescribed the reduction of space taken up in corridors, circulation spaces, and ancillary rooms, and a relative increase in teaching space. More planning freedom was allowed within a ‘white lines’ policy that set minimum standards of accommodation and maximum cost per pupil.
Muir described this as an opening to ‘improve schools by better design and greater local freedom,’ and as a ‘challenge to architects to replan within the financial limits and to gain as much as possible from the change by better design’. He wrote that ‘If buildings affect the users it is the hope of those engaged in school design that the measure of lightness and pleasantness achieved might be reflected in the lives of the children’.

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Architect’s perspective drawing of Dunedin North Intermediate School. The buildings were completed in 1956, and an assembly hall followed in 1959. Most of these buildings still stand. Changes have include the redevelopment of the entrance and the addition of larger covered balconies to the two-storey block. From Otago Education Board Report for the Year 1954. Hocken Collections – Uare Taoka o Hākena.

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Pine Hill School additional classroom block, completed 1957. This school was situated in a State House area and its growing roll led to two major additions in the 1950s. The block shown included underfloor heating. Otago Education Board records. AG-294-49/201/001. Hocken Collections – Uare Taoka o Hākena.

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Maia School, completed 1958. ‘Wherever possible teaching spaces are provided outside the classroom in the form of grassed terraces or concrete strips together with fixed seating. At Maia is seen a method of providing this on a sloping site’. From Otago Education Board Report for the Year 1954. Private collection.

For the models block at George Street Normal School (1959), Muir identified the classroom as the basic unit of a school, and the starting point for improvements. He described the project in an article, ‘The “Family” Classroom: An experiment in Otago’, published in Education magazine. He wrote:

‘…the classroom should be a “home” for the children and should express the ideas and feeling of a “family” room. Then the teacher would take his or her rightful place as the head of the family, the whole pattern thus giving a feeling of unity and security to the children. It seems that in the changing society of today the school has to provide more to make up for the loss sustained by the passing of the pioneer home with its social activities and larger family circle. The classroom should therefore be a complete and set contained unit not sharing anything with any other class. In order to express this idea all activities should take place in the classroom or in the family room and under the direct control or supervision of the teacher.’

To achieve the self-containment, Muir gave each classroom its own projecting wing, incorporating lavatories and other ancillary space.

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George Street School models block, completed 1959. ‘In the latest Otago School plan each classroom has its own outdoor teaching space. The projecting wings contain the classroom’s own toilet block’. From Otago Education Board Report for the Year 1954. Private collection.

Emerging educational and architectural trends can be seen in other designs made or overseen by Muir. A primary school on a new site at Port Chalmers included generous windows with wide eaves to reduce direct sunlight glare. The scale of the buildings was smaller than a traditional school and intended to be ‘more in character with children’. This was also evident in the entrance to the Dunedin North Intermediate (1956), described in one the Board’s annual reports as illustrating ‘the belief that the height of buildings should not overpower the children who use them’.

At the Lawrence District High School (1957), a ‘prow’ in the centre court thrusted it into the sunshine. Muir likely provided the commentary in an annual report that ‘not only should school buildings be designed to function easily but by trial and judgment of shapes such as these should the search for forms expressing the aims of education and architecture continue’.

Continued budgetary constraints are reflected in a comment about the Dunedin North Intermediate assembly hall (1959): ‘The simplicity of the exterior arises from the desire to use the greatest portion of the limited expenditure on the interior where the children can appreciate it most’.

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Dunedin North Intermediate hall, completed 1959. The photograph shows a raised corridor which could be used as ‘foyer and circulation area, or as a form of stage, and allows a greater provision of space in the Hall with little increase in cost’. Otago Education Board records. AG-294-49/059/029. Hocken Collections – Uare Taoka o Hākena. Campbell Photography photo.

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Tahuna Intermediate School, photographed in 1960. ‘The two-storey classroom block and assembly hall form an internal courtyard, well sheltered from prevailing winds. The projecting blocks are stair towers.’ Otago Education Board records. AG-294-49/250/003. Hocken Collections – Uare Taoka o Hākena. Campbell Photography photo.

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Dunstan High School, Alexandra, under construction. Completed in 1961, this was one of Muir’s last major projects as Education Board Architect. Otago Education Board records. AG-294-49/061/002. Hocken Collections – Uare Taoka o Hākena.

The extent of work undertaken saw an increase in the size of the Board’s architectural staff to thirteen. Their offices were located in the Education Board buildings in Moray Place, on the site now occupied by the Dunedin Public Library. As Chief Architect, Muir worked in a separate location from the Design Office, which was on the upper level at the rear of the building in an area cleverly altered to include a mezzanine floor. One of the junior draughtsman, Norman Ledgerwood, remembers Cliff as a good person to work for, and someone who encouraged him to pursue an architectural career.

The relationship between the Architectural Office and Management was sometimes fraught, with many challenges in achieving a large quantity of work within a rigid and financially pressured bureaucracy. Muir resigned in July 1961, and although he lost the security of a public service job he had enjoyed for 36 years, he was freed from many of its constraints.

Departure allowed Muir, for the first time, to embark on a career of private practice. He went into partnership with a contemporary, Lance Lowther (1901-1970), who had been chief assistant to Harry McDowell Smith in the 1930s and in independent practice since 1945. Lowther’s designs included the Otago Co-operative Dairy Company factory in Anzac Avenue, which later became the Hocken Library.

The Lowther & Muir partnership designed several private residences, with Muir’s contributions including the Stanton house in Waverley, the Wong house in Stafford Street, and a block of flats in Queen Street. Country homes included ‘Clairdon’ at Kaihiku. Muir was able to make continued use of his education sector connections. He designed additional buildings for the Taieri High School, and a four-storey accommodation block for Carrington Hall.

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Carrington Hall additional hostel building, completed 1968. This was Muir’s largest project within the Lowther & Muir partnership, and one of his final works. Mason & Wales Architects collection.

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21. Plan for ‘Birk Cottage’, the Muir family holiday home at Wanaka, designed and built by Clifford Muir. Mason & Wales Architects collection.

Over the course of his career, Muir designed three houses for himself and family: a residence in Easther Crescent (1936), another in Belmont Lane (1959), and ‘Birk Cottage’ a holiday home at Wanaka (1953). The latter was a modernist design with a ‘butterfly’ roof – for which he built the timber framed walls in Dunedin. It had a coal range and wetback, with no electricity nor water supply. Muir’s versatile practicality was demonstrated, after the connection of electricity, in his building a purpose-made refrigerator with an insulated, steel shell and internal ice-box, and separate compressor. He also constructed two caravans.

Muir was an active member of the New Zealand Institute of Architects. He served on the Otago Branch committee from 1938 to 1959, including as Chairman from 1953 to 1955. His significant contribution to institute conferences was especially notable and he was supported in this by his wife, Karen.

Cliff Muir had married Karen Schacke Andersen at Caversham Presbyterian Church on 5 January 1938. The daughter of Danish immigrant parents, Karen was born in Invercargill where her father worked as a bricklayer. She had studied at the University of Otago and the Dunedin Teachers’ Training College and was a teacher at Macandrew Road School before her marriage. The Muirs had three sons: Maxwell (born 1940), Alastair (born 1944), and Ashley (born 1946). Tragically, Alastair died at the age of 11 months.

A tall man, Cliff Muir stood at 6 foot 3 inches and was described by many as a ‘gentle giant’. His personal interests included woodworking, tennis, and chess. He was a member of the Athenaeum Chess Club and as a young man participated in local tournaments.

Clifford Muir died from blood cancer at Wakari Hospital, Dunedin, on 12 February 1968, aged 63. Karen Muir survived him by twenty years. Their older surviving son, Maxwell, was a pharmacist. The younger, Ashley, trained as an architect. He was influenced in his choice of career by constant exposure to architectural magazines and books, and what he describes as ‘Cliff making “all sorts of things” and the discussions regarding the design of those “things”.’ Ashley joined Mason & Wales, New Zealand’s oldest architectural practice, in 1970, and became a partner in 1972.

One of Cliff’s four grandchildren, Hamish Muir (born 1978), represents a third generation of architects in the family. Hamish is a Fellow member of the New Zealand Institute of Architects, and currently the Director and Owner of Mason & Wales Architects.

The legacy of Clifford Muir can be further seen through the longevity of his school buildings, many of which are still in use some seventy or more years after they were built.

List of principal school projects designed during Clifford Muir’s tenure as Otago Education Board Acting Architect (1939-1945) and Architect (1945-1961).

The year given is the year of completion.

Kurow District High School 1940
Macandrew Intermediate School 1940
Mosgiel District High School 1940
Tarara School 1940
Duntroon School 1941
Stirling School 1942
Maheno School 1946
Naseby School 1946
Oamaru South School 1946
Stuart House (women’s block) at Carrington Hall 1947
Wakari School additions 1947
King’s High School additions 1948
Balclutha School 1949
Becks School 1949
Kensington School 1949
Lovells Flat School 1949
Corstorphine School (stage 1) 1950
Grants Braes School 1950
Roxburgh Hydro School 1950
Wanaka School 1950
Alexandra District High School additions 1951
Kelso School 1951
Oamaru North School 1952
Palmerston District High School (stage 1) 1952
Pine Hill School infant block 1952
Tapanui District High School 1952 (stage 1)
Abbotsford School 1953
Andersons Bay School – four additional classrooms 1953
Mosgiel West School (stage 1) 1953
Bradford School 1954
Corstorphine School (stage 2) 1954
George Street School 1955
Taieri Beach School 1954
Tokomairiro District High School 7-classroom addition 1954
Halfway Bush School (stage 1) 1955
Omarama School 1955
Queens High School 1955 (for Otago High Schools’ Board)
Riselaw Road (Calton Hill) School 1955
Roxburgh District High School 1955
Blacks School 1956
Dunedin North Intermediate School 1956
George Street School infants block 1956
Green Island School 1956
Mosgiel East School 1956
North Taieri School 1956
Arthur Street School 1957 (stage 1)
Halfway Bush School stage 2 1957
Heriot School 1957
Lawrence District High School 1957
Mosgiel West School (stage 2) 1957
Ngapara School 1957
Patearoa School 1957
Pine Hill School three classroom addition 1957
Port Chalmers Kindergarten 1957
Port Chalmers School 1957
Rosebank School 1957
Ocean View School 1958
Ardgowan School 1958
Fernbrook School 1958
Maia School 1958
Queens High School assembly hall and additional classrooms 1958
Waitaki Girls’ High School laboratory block etc. 1958
Berwick School 1959
Dunedin North Intermediate assembly hall 1959
Flag Swamp School 1959
George Street School models block (1959)
Musselburgh School 1959
St Leonards School 1959
Sawyers Bay School additional block 1960
Waipahi School 1960
Arthur Street School stage 2 1961
Brockville School 1961
Dunstan High School 1961
Macraes Moonlight School 1961
Otakou School 1961
Otematata District High School 1961
Palmerston District High School Secondary Block 1961
Reid Park School (stage 1) 1961
Tahuna Intermediate School 1961
Taieri Beach School 1961
Oamaru Intermediate School 1962
Taieri High School additions 1962
Tapanui District High School additions 1962
Waikoikoi School 1962
Waitaki Boys’ High School dormitory block 1962
Waitaki Girls’ High School administration and library block 1962
Caversham School (stage 2) 1963

Selected sources:
Birth, death and marriage registrations.
Cemetery records, Dunedin City Council.
Dunedin Technical High School report, Hocken Collections AG-763-027/028.
Mornington School records, Hocken Collections MS-0905/06.
Annual reports, Otago Education Board records, Hocken Collections AG-294-15.
Contract books, Otago Education Board records, Hocken Collections AG-294-30/12 to 14.
Site books, Otago Education Board records, Hocken Collections MS-5197/094 and 095.
New Zealand Institute of Architects records, Archives New Zealand.
Evening Star 21 June 1945 p.4 (appointment), 12 February 1968 (obituary).
Otago Witness 27 September 1921 p.53 (David Greig).
Garnock-Jones, Alan Peter. ‘Architecture – School Buildings: Primary Schools’ in An Encyclopedia of New Zealand edited by A.H. McLintock (1966). Retrieved 16 Nov 2025 from Primary Schools | Te Ara Encyclopedia of New Zealand
Gatley, Julia. ‘Back to the South’: Cyril Knight and the modernisation of the Auckland School of Architecture’ in The Journal of Architecture v25 n4 (2020) pp397-418.
Madanovic, Milica. ‘Persisting Beaux-Arts Practices in Architectural Education: History and Theory Teaching at the Auckland School of Architecture, 1927-1969’ in Interstices Journal of Architecture and Related Arts Auckland School Centenary special issue (Sep 2018), pp.9-24.
McDiarmid, Elizabeth: ‘Early Woodside, East Taieri’ (1916), unpublished remiscences. Hocken Collections, MS-0579.
Miller, James McKerrow. The Otago Education Board, 1856-1956: a brief history. Dunedin; Otago Education Board, 1957.
Muir, Clifford. ‘The “Family” Classroom: An experiment in Otago’ in Education, v9 n3 (Apr 1960) pp.80-82.
Muir, Clifford. ‘Schools: Otago Education Board’ in Home and Building, v22 n10 (Mar 1960), pp.25, 107.
Williams, Murray Noel. Building Yesterday’s Schools; An analysis of educational architectural design as practised by the Building Department of the Canterbury Education Board from 1916-1989. PhD thesis, University of Canterbury, 2014.

Acknowledgments:
Special thanks to Ashley Muir, Anna Muir, Hamish Muir, Karl Sasse, Norman Ledgerwood, and David Ojala for information and assistance.

This article was commissioned by Mason & Wales Architects.

Co-operative Dairy Company of Otago factory and offices

Built: 1951-1954
Address: 90 Anzac Avenue
Architect: L.W.S. Lowther (1901-1970)
Builders: Love Construction Co.

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The building as it appeared when new in 1954. Image courtesy of Naylor Love.

The 1950s Streamline Moderne building that is home to the Hocken Collections was originally built as a dairy factory and offices. The Dunedin-based Co-operative Dairy Co. of Otago produced Huia brand butter and cheese for 75 years, and from this site for over 40. The company disappeared in the dairy mergers of the late 1990s, and their premises became the University of Otago’s new Hocken Library in 1998.

Outwardly, the building perhaps looks older than its years, although it was internally and practically up-to-date when new. It is a late example of a style of architecture introduced to Dunedin in the mid-1930s. Plans were ready in 1947, but there were numerous delays in securing permits and consents, followed by a long construction period of three years. The factory finally opened in 1954.

I’m getting ahead of myself though. First some earlier history of the dairy company…

Dunedin has a long a long association with the dairy industry. New Zealand’s first co-operative dairy factory opened on the Otago Peninsula in 1871, when the eight shareholders of John Matheson & Co. established the Peninsula Cheese Factory at Matheson’s Springfield property. The development of infrastructure and technology saw rapid growth in the industry from the 1880s, when further factories were built around the country. Improved transport networks, refrigeration in both factories and transportation, cream separators, new testing methods, and selective breeding all contributed to the rapid growth of an export industry in the decades that followed. Combined exports of butter and cheese grew from 5,000 tonnes in 1881, to 300,000 tonnes in 1901.

The Co-operative Dairy Co. of Otago formed in Dunedin in 1922. At that time, 564 dairy companies operated around the country, 88% of them co-operatives within a highly regulated industry. The new company claimed it was owned entirely by those who supplied cream, with ‘absolutely no dry shareholders’. 284 individuals operating home separators took 68% of the initial share allocation, while eight small Otago factories (Momona, Mosgiel, Milton, Goodwood, Waikouaiti, Merton, Omimi, and Maungatua) took the remaining 32%. The new company purchased the business of the Dunedin Dairy Co., taking over their newly-built premises opposite the railway station in June 1923. In doing so, it acquired the Huia brand, under which Dunedin Dairy had marketed butter since 1920. By the 1927/28 season the new co-op produced 800 tonnes of butter, the second largest output by a South Island factory.

The original building served the company for thirty years, but by the 1940s it was cramped and behind the standard demanded by regulators. The company bought out the butter business of the Taieri & Peninsula Milk Supply Co. in 1942, taking on its Oamaru factory, but it still sought to expand its Dunedin operation on a larger and more accessible site.

An area of reclaimed Otago Harbour Board land included a vacant and appealing site near the railway line on the east side of Anzac Avenue. The avenue had been built in 1925, in time to link the railway station with the New Zealand and South Seas Exhibition at the newly reclaimed Lake Logan. The idea of such a road been put forward by Harbour Board member John Loudon as early as 1922, before the exhibition was formally proposed. The development or reclamation of the lake had been anticipated for some years, and a new road would also improve connection with West Harbour. It was the exhibition, however, that brought the impetus needed to make what was then referred to as the ‘highway’ a reality. Exhibition architect Edmund Anscombe played a central role in the planning, proposing parks, reserves, and housing for the area to the east of the avenue, but it remained largely undeveloped through the depression years and up to the war.

A late 1920s photograph shows young trees lining the avenue, but by 1933 some had died and others were stunted. Many of the present elms were planted between 1934 and 1938, by school pupils participating in Arbor Day activities.

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Detail from c.1902, from ‘Dunedin from Logans Point’ by Muir & Moodie. The future site of the co-op building is under water, next to the shoreline at the far left centre of the image. Ref: Te Papa PA.000184.

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Anzac Avenue as it appeared about 1928, meeting Union Street and the southern edge of Logan Park. The future factory site is the furthest of the vacant land on the left. Ref: ‘Dunedin, New Zealand no. 872’, Alexander Turnbull Library Pan-0017-F.

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An aerial view from April 1947, showing the vacant site at the centre of the image. Ref: Whites Aviation Collection, Alexander Turnbull Library WA-06920-F (cropped detail).

The new Dunedin North Intermediate School opened at the corner of Albany Street and Anzac Avenue in 1934. In 1944, a rehabilitation centre for disabled servicemen opened. Most of the other new land was put to industrial use. Dominion Industries built a linseed oil operation, Shaw Savill Albion a wool and grain store, J. Mill & Co. another wool store, and stationers Williamson Jeffery a factory and head office. On the north side of Leith, a new milk treatment station opened in 1948.

The dairy co-op secured a leasehold section from the Harbour Board in October 1945. Allan Cave, a North Island architect with extensive experience of dairy buildings, prepared preliminary sketch plans and a well was bored on the site in April 1946. Two months later, the district building commissioner deferred issuing a permit, due to the post-war building restrictions and a shortage of cement and labour.

In September 1946, Cave recommended switching to a local architect, and the company appointed L.W.S. Lowther in his place. Lowther immediately began work on plans and specifications, completed in February 1947.

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Launcelot William Stratton (Lance) Lowther, architect. Image courtesy of Barbara Parry.

Born in Llanelli, Wales, to a New Zealand-born father, Lance Lowther had worked as assistant to Henry McDowell Smith before taking up private practice in 1945. He had at least a hand in many streamlined designs that came out of Smith’s office in the late 1930s, including the Law Court Hotel and two blocks of flats on View Street. In a more traditional aesthetic, he had a significant and it has been claimed leading design role (under Smith’s name) for the new St Peter’s Anglican Church at Queenstown. Early houses by Lowther include a Moderne/Art Deco design at the corner of Taieri Road and Wairoa Street. He later worked in private partnership with former Otago Education Board architect Clifford Muir.

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Huia advertisement from the Otago Daily Times, 27 May 1949 p.7. Papers Past, National Library of New Zealand.

The construction history of the factory highlights the challenges faced in post-war building. Plans had to be approved by both the Department of Agriculture and the Harbour Board, both of which asked for changes. Finance also proved difficult, as although commercial banks were happy to lend, the Reserve Bank could exercise its power to stop advances of more than £60,000 for building work. Building firms were stretched and unenthusiastic to tender for the contract, but Love Construction gave a price from the quantities. They were given the go-ahead in August 1947, before the building controller again deferred issuing a permit. Despite repeated efforts it was not until February 1951 that a permit was finally issued. Drawings held in the Hocken are undated, but the work finally begun in March 1951 was probably mostly carried out according to the 1947 plans.

Michael Findlay has described the building as ‘constructed from steel reinforced concrete with steel roof trusses enabling wide spans and unobstructed floors. The wall and floor surfaces had rounded internal corners for hygiene and the design was efficient and modern, a great step up from their earlier Dunedin factory’. The Moderne exterior is characterised by clean lines and simplicity. It might also be described as Art Deco, as it fits some definitions of that style. Embellishment is minimal, consisting mostly of raised banding or string courses. Glass bricks are a feature of the west elevation, and allowed a filtered light into the factory.

The original plans show a large butter and smaller cheese manufacturing area, and a big garage space at the rear with access from Anzac Avenue. There was also stores, freezers, a box and pallet area opening to the cart dock on Parry Street, dressing rooms, and a dining room. Unusually, a bicycle parking area was placed internally in the south-west corner. Office activities took place upstairs, where there was a public counter, large general office, manager’s and secretary’s offices, strong room, another dining room, and a generously sized and wood-panelled board room.

Rosemarie Patterson’s excellent history of Naylor Love, A Bob Both Ways, provides some insight into experiences on the building site through the recollections of foreman Duncan McKenzie. He remembered laying the foundations on the swampy reclaimed site in the winter of 1951: ‘It was just an absolute bog. We were building a kind of floating foundation, big pads right across. 8 feet wide and 18 inches deep. Alex Ross, manager at the time, put an ad in the paper for labourers’. Because of the strike there were many men looking for work. ‘He started sending them to me, and they just kept on coming. But in those days we worked in the rain, and wharfies weren’t used to working in the rain, so most of them left on those wet days. A few stayed on, three or four who didn’t get their jobs back on the wharf.’

The project employed many new Dutch migrants. Conditions in Europe and a shortage of workers saw significant Dutch immigration after the Second World War, with over 10,000 arriving in the three years from July 1951 to June 1954. Most were single, non-English speaking men from a working class background, including carpenters and skilled labourers. McKenzie used one of his steelworkers, a good English speaker who had been a corporal in the Dutch Army in Indonesia, as an interpreter. McKenzie remembered they ‘had to learn to do things differently, especially the concrete work which all had to be boxed. They were not used to doing that.’

McKenzie also recalled Love’s purchasing their first skilsaw in time for the laying of the upstairs floor. ‘It was big 6 x ¼ inch flooring, and they brought it over for us to cut the flooring with. And everybody’s eyes nearly popped out. Len Griffin, the supervisor who used to go round the jobs, every so often for some particular job would come and borrow our skilsaw! The company’s only skilsaw! It was the same with dumpy levels. Being a big job, I always had one there, but there was always someone coming and borrowing it. We didn’t have one for a job, we had one for a lot of jobs.’

‘We didn’t have cranes. We had electric hoists. You’d fill the barrows, generally on the ground, and take them up on a hoist, and wheel the concrete round to wherever you wanted it, and pour it, and take it back down again. It got a bit more complicated later on. We’d take a skip on the hoist and put it in a hopper on the top. And you’d fill your barrow out of that. All the concrete was done by barrow. You had to have scaffold ramps up every lift. Every four feet you’d probably put a pour. So the scaffold had to be built at the right height to swing the barrow and tip the concrete in. We had pre-mix concrete there, but before that – while I worked on the Nurses’ Home in Cumberland Street – all the concrete was mixed on site.’

When construction began, co-op management optimistically hoped it would be able to its machinery in by April 1952, but there were more delays, including sourcing the roofing material and steel girders. In March 1953, the manager reported a shortage of carpenters. The building neared completion the following summer, but it was practically impossible to move in during the dairying season. In April 1954, building work was complete with the exception of some painting and plastering. Plant was moved from the old premises, and by the end of August all departments had moved in. The final build cost was £150,000.

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Butter churners. Campbell Photography. Hocken Collections – Uare Taoka o Hākena P1998-167-006.

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Loading finished products. Campbell Photography. Hocken Collections – Uare Taoka o Hākena P1998-167-004.

The building officially opened some eight years after the first consent permit was sought. Keith Holyoake, minister of agriculture and future prime minister, performed the honours before a crowd of 450 people on 2 November 1954. Referring to the end of the bulk purchasing agreement with the United Kingdom, he said: ‘This is a new era and a really challenging time as far as the primary producer is concerned’. In a peculiar call to arms for securing market share he said ‘we now have to fight the battle with the British housewife’.

The company had 55 staff in its Dunedin and Oamaru factories in 1954. Its products over the years included butter, process cheese, savoury sandwich paste, and reconstituted cream. A subtle name rearrangement occurred in 1976, when the Co-operative Dairy Company of Otago became the Otago Co-operative Dairy Company. In the 1980s the Dunedin factory was producing over 3,500 tonnes of butter annually.

Cheese continued to be made on the site, with a specialty cheese unit established in 1985/86. The company had large shareholdings in the Otago Cheese Co., and in Mainland Products Ltd, which had some operations at Anzac Avenue. In 1989/90 butter reworking ceased after the Dairy Board decided it could satisfy the Otago and Southland markets with patted butter ex-churn from Westland. In the same year, Mainland’s processing plant moved to Eltham, reducing manufacturing operations at Anzac Avenue to creamery and whey butter, and specialty cheese. A Cheese Shop fronting Parry Street opened in 1990, with some products continuing to be marketed under Huia brand. Adjoining chicken and sausage shops also operated for a time but were less successful. The company performed well for its shareholders, but the Anzac Avenue site was becoming surplus to requirements.

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Reconstituted cream point of sale advertisement. Ref: Otago Co-operative Dairy Company records, Hocken Collections – Uare Taoka o Hākena 84-159/003.

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The building as it appeared in 1997, when vacated by the dairy company. Ref: Hocken Collections – Uare Taoka o Hākena MS-4069/070.

The University of Otago purchased the building in 1996, for redevelopment as a new Hocken Library. The library had been established in 1910 to care for and provide access to Dr Thomas Morland Hocken’s public gift of his collection of books, pamphlets, newspapers, maps, paintings, and manuscripts relating to Aotearoa New Zealand and the Pacific. It opened in a purpose-built wing of the Otago Museum and was a much expanded collection by the time it left that site in 1979. By the 1990s the collections were split between the Hocken (now Richardson) Building and a former vehicle testing station in Leith Street. The dairy co-op site brought the library, archive, and gallery together in a secure, environmentally controlled facility, and allowed much improved public access. The architects for the redevelopment were Hardy Holzman Pfeiffer Associates in collaboration with Works Consultancy Services, and the project was managed by Octa Associates Ltd. The main contractor was Lund South.

The University took possession on 30 June 1997 and the work was carried out over most of 1998. The interior was more or less gutted, with the reorganised space including a large foyer, gallery, public reference area, reading rooms, public lunch room (now researcher lounge), staff areas, and stacks. Preserved internal features included steel trusses and exposed timber joists. Two doors with frosted-glass decoration (moved from the entrance) each feature a pair of huia, as used in the co-op’s branding. The building retains the sympathetic colour scheme given to it at this time, of yellow-creams and gold, with grey-green metal joinery. One of the more obvious external changes was the replacement of steel-framed windows with aluminium ones.

Officially opened by Governor General Sir Michael Hardie Boys on 2 December 1998, the refurbished building was the university’s major Otago sesquicentennial project. It is currently home to over 11 shelf kilometres of archives, 200,000 books, 17,000 pictures, and 2 million photographs, bringing it to very near capacity.

The Hocken Library, in case there is confusion, remains the official name for the building, while the institution within is the Hocken Collections, Uare Taoka o Hākena, a branch of the University of Otago Library.

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The building during its transformation into the Hocken Library in 1998. Hocken Collections – Uare Taoka o Hākena MS-4069/070.

After selling its building, the Otago Co-operative Dairy Co. did not continue as an independent entity for long. The profitable business made a record payout to shareholders in 1996 but mergers across the industry meant there would only be four co-operatives nationwide by the end of the 1990s, and a further mega-merger would follow. In 1997, Otago merged into Kiwi Co-operative Dairies. One farmer who welcomed the news commented: ‘Otago is sitting as a small company doing well and wondering where it will end up’. In 2001, Kiwi in turn merged with the New Zealand Dairy Group and the New Zealand Dairy Board to form the country’s largest company, Fonterra. The Anzac Avenue building is now one of few tangible reminders of the old business.

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The Hocken Library in 2019.

Newspaper references:
Lyttelton Times 16 October 1873 p.3 (‘A Cheese Factory in Otago’, copied from Otago Guardian); Evening Star 29 April 1920 p.6 (advertisement for Huia butter), 8 September 1922 p.2 (formation of company), 25 November 1922 p.4 (Loudon’s proposal), 17 May 1923 p.9 (proposed highway), 7 July 1923 p.4 (housing proposal), 14 November 1924 p.2 (‘Highway proposal’), 11 May 1928 p.5 (trees and verges), 29 April 1933 p.23 (dead trees), 2 August 1934 p.12 (elms, with photograph), 5 August 1936 p.14 (elms), 9 August 1937 p.11 (elms) , 10 August 1938 p.15 (elms), 16 September 1938 p.7 (replacing damaged trees); Otago Daily Times 12 October 1922 p.5 (notice of establishment), 22 October 1923 p.9 (‘famous Huia butter’), 19 June 1928 p.18 (company history and purchase of Dunedin Dairy Co.), 9 March 1934 p.6 (dead and stunted trees), 30 September 1942 p.6 (‘Butter business purchased’), 5 August 1947 p.6 (‘New factory to be built’). 3 November 1954 p.10 (‘New £140,000 dairy facory opened by Mr K.J. Holyoake), 21 March 1996 p.1 (‘Dairy factory to become Hocken Library’), 31 July 1996 p.16 (‘Otago Dairy Co-op makes record pay-out to suppliers’), 30 October 1997 p.3 (‘Otago-Kiwi dairy merger nets suppliers a windfall’ and ‘Dairy merger welcomed by farmers’)

Books:
Ledgerwood, Norman. Southern Architects: A History of the Southern Branch, New Zealand Institute of Architects (Dunedin: Southern Branch, New Zealand Institute of Architects, 2009) p.126.
Patterson, Rosemarie. A Bob Both Ways: Celebrating 100 Years of Naylor Love (Dunedn: Advertising and Art, 2010), p.90.
Philpott, H.G. A History of the New Zealand Dairy Industry 1840-1935 (Wellington: Government Printer, 1937), pp.375-406 (statistics).

Web resources:
Petchey, Peter. ‘La Crème de la Crème‘, Friends of the Hocken Bulletin no.26 (November 1998), https://www.otago.ac.nz/library/hocken/otago038951.html#bulletins (accessed 24 October 2019).
Stringleman, Hugh and Frank Scrimgeour, ‘Dairying and Dairy Products‘, Te Ara – the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/dairying-and-dairy-products (accessed 24 October 2019).
Yska, Redmer, ‘Dutch – Migration After 1945‘, Te Ara – the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/dutch/page-2 (accessed 24 October 2019).
Zam, Darian, ‘When Lactose Goes‘, Longwhitekid, https://longwhitekid.wordpress.com/2011/05/31/when-lactose-goes/ (accessed 24 October 2019).

Archives:
Otago Co-operative Dairy Co. records, Hocken Archives, including manager’s reports (84-159 box 6), architectural drawings (97-235 box 32), and annual reports (97-235 box 4).

Special thanks to: Chris Naylor, Rosemarie Patterson, Barbara Parry, Chris Scott (DCC Archives), and the late and much missed Michael Findlay.

Dunedin in Kodachrome

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I love mid-century Kodachrome film – the colours are so vibrant that the images often seem to have a slight filter of fantasy applied to them. This view of George Street is one of my favourite examples. It was captured in 1957 by Ray Hargreaves and is copied from a collection of 35mm slides he donated to the Hocken Collections last year. I was going to use it as an illustration for a building story but it really deserves a post of its own.

Photographs of George Street in the 1950s are hard to find and usually black and white, so when a rare colour one turns up the different way of looking at the scene can be startling. This image shows familiar facades, including what are now the Golden Centre and Meridian Mall sites on the right. The spot is today one of the busiest in Dunedin, but it bustled even before the northward drift of the shopping area. Further along are buildings demolished in the late 1960s to make way for a Woolworths (later DEKA) store, which was in turn replaced by the Wall Street complex (opened 2009).

The facades have the warm yellow-cream finish that was once common, with typical green trim to go with it. The old finish is quite different from the gloss paint on these facades today, although they don’t yet have those battleship-grey colour schemes that have become the fashion over the past decade or so. The Municipal Chambers tower is now obscured by the Civic Administration Building, but here it adds a delightful contrast to the streetscape, and you can also use it tell the time: about 9.40 a.m.

The tree plantings and wider bricked pavements of today are noticeably absent, but flower boxes enliven the verandah and first-floor frontage of the Arthur Barnett store. It’s quiet and there are plenty of empty parking spaces (is it a weekend?) and the one-armed bandit parking meters stand out. They were among the first in Dunedin, installed between 1955 and 1956, the first in New Zealand having been installed in Auckland in 1953. The cars have the Venetian red number plates of the time, and on the right are two matching Vauxhalls in front of a Standard Vanguard. There are a few pedestrian shoppers, with hats, gloves, bag trousers, a bow tie, and a cigarette all in evidence.

The Arthur Barnett building was erected in 1925 and designed by one of Dunedin’s best-known architects, Edmund Anscombe. Additions were made from 1952 and the store reopened in 1954 with the original facade extended from five to eight bays.  This image predates a major fire in 1959 that led to further rebuilding, and when the Meridian Mall was constructed between 1995 and 1997 a further two bays were added to the facade. These expertly matched the original in design and materials, but perhaps lengthened it a bit beyond good proportion. The much-loved neon horse and clock are out of view here.

Further to the south are the old Southampton Buildings, now part of the Golden Centre. This block was designed and built in 1877 by its original owner, the iron founder William Wilson. It was renamed Stafford House in the twentieth century but the original name can still be see in decorative ironwork below the central window on the first floor. The image shows a bay window that was not part of the original design and which was later removed. A prominent sign advertises Islip & Watt. Harry Islip opened his boot and shoe shop in George Street in August 1898, and in 1909 went into partnership with H.L. Watt to form Islip & Watt. The business continued till 1962.

If anyone has other 1950s-1970s slides showing Dunedin buildings and street scenes I’d be very interested to hear about them. I hope to share more here from time to time, including some I have scanned from originals by Hardwicke Knight (see also the Upright! Exploring Dunedin’s Built Heritage facebook page). Scanning technology can now get very good results from small transparencies, and if more of these images can be preserved they will be a valuable resource for the future. Experiencing Dunedin in Kodachrome is quite delightful!

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Acknowledgments:
Thanks to Ray Hargreaves and the Hocken Collections for the image scanned from a 35mm Kodachrome transparency (ref: S13-127a), and to Peter Entwisle for details relating to the Southampton and Arthur Barnett buildings.