_____ _____
( ___ ) ( ___ )
| |~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~| |
| | | |
| | __ _,____, __, ____,____, ____,_, _,____, | |
| | (-\ /(-/ \(-| (-| (-|__) (-/_|(-|\ |(-|_, | |
| | _\/ _\__/,_|_,_|__/_| \,_/ |,_| \|,_|__, | |
| | ( ( ( ( ( ( ( ( | |
| | | |
|___|~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~|___|
(_____) (_____)
⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⢤⣶⣄⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣤⡾⠿⢿⡀⠀⠀⠀⠀⣠⣶⣿⣷
⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣦⣴⣿⡋⠀⠀⠈⢳⡄⠀⢠⣾⣿⠁⠈⣿
⠀⠀⠀⠀⠀⠀⠀⣰⣿⣿⠿⠛⠉⠉⠁⠀⠀⠀⠹⡄⣿⣿⣿⠀⠀ ⢹ ]
⠀⠀⠀⠀⠀⣠⣾⡿⠋⠁⠀⠀⠀⠀⠀⠀⠀⠀⣰⣏⢻⣿⣿⡆⠀⠸⣿
⠀⠀⠀⢀⣴⠟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣾⣿⣿⣆⠹⣿⣷⠀⢘⣿
⠀⠀⢀⡾⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢰⣿⣿⠋⠉⠛⠂⠹⠿⣲⣿⣿⣧
⠀⢠⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣤⣿⣿⣿⣷⣾⣿⡇⢀⠀⣼⣿⣿⣿⣧
⠀⠰⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⠀⡘⢿⣿⣿⣿⣧
⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⠀⣷⡈⠿⢿⣿
⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠙⠛⠁⢙⠛⣿⣿⣿⣿⡟⠀⡿⠀⠀⢀⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|─────────────────────────────────────────────────────────────|
│ │
│ _ _ _____ _____ ______ ______ _______ __ _ _______ │
│ \ / | | | | \ |_____/ |_____| | \ | |______ │
│ \/ |_____| __|__ |_____/ | \_ | | | \_| |______ │
│ │
|─────────────────────────────────────────────────────────────|
⢀⣠⣤⣤⣤⣤⣤⣤⣄⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⡇⡀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢠⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠀⡿⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠛⠛⠻⠿⣿⡿⠛⠛⠛⠿⠇⢀⣇⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢰⡀⣤⡰⢿⣶⣠⣤⣤⣄⣾⣿⡿⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠛⠛⢹⡇⡜⣿⡟⠛⠛⠛⢁⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣘⣿⣷⣿⣓⣖⠀⠀⣸⢸⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠙⢿⠿⠿⠟⠉⣠⣤⢿⣿⡄⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀ ⢨⣯⣯⣿⣿⣿⣿⠿⠛⠛⠛⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀ ⠀⠚⠛⠿⠿⠛⠛⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⠤
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡘⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⠶⠚⠁⠀
⠀⠀⠂⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⡜⠁⠀⠀⠀⠀⠀⠀⠐⢆⡀⠀⠀⠀⠀⢀⣤⣶⠟⠋⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠂⠀⠀⠐⠀⠀⠀⠂⠀⠀⠠⠀⠀⠀⠀⠀⠀⢀⣤⠞⠁⠀⠀⠀⠀⣀⣀⠀⠀⠈⠑⠲⢶⠒⠖⣺⡿⠏⠀⠀⠀⠀⠀⠀
⠀⠀⠂⠀⠀⠀⠀⢀⣀⣀⣀⣠⣤⣤⣤⣤⣤⣤⣤⡤⠴⠚⡏⠀⠀⣀⡤⣖⣛⣏⢩⡟⠽⠭⠃⠶⢤⣮⣡⣾⠋⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠠⠤⠐⠒⠋⠉⠉⠉⠀⠀⠀⠀⠈⠉⠉⠙⠲⢤⣤⣀⣹⡴⢙⡟⠋⠁⠀⠈⠑⠍⠊⠲⢤⣀⡼⠛⠉⠀⠙⢊⣱⣖⢶⠶⠶⠶⠒
⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣀⣀⣀⠀⠀⠀⠀⠀⠀⣀⣠⢔⡟⠉⠛⡞⠤⣀⣀⣀⣀⣀⡤⠖⠒⠋⠉⠉⠉⠙⠛⠛⠚⠉⠀⠀⠀⠀⠀⠀
⠀⠀⣀⢤⣴⣒⣾⣉⣛⢋⠉⠭⠾⠯⢯⢝⣹⣟⠛⢳⠛⣟⣒⢲⣞⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠴⠛⠉⠉⠀⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠉⣳⣫⡴⠓⠒⠒⠉⠛⠲⢤⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⣯⢻⠁⠀⠀⠀⠀⠀⠀⠈⠙⠲⢄⡀⠀⠀⠀⠀⢀⠀⠠⠀⠀⠀⡀⠀⠀⠄⠀⠂⠀⠀
⠀⠀⠀⠀⠀⠀⠦⣀⡀⠀⠀⠀⠀⠀⠀⣠⣼⡵⠗⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⢀⠀⠂⠀⠠⠀⠀⠀⠈⠉⠓⠒⠶⠚⠙⠃⠉⠀⠀⠀⠀⠀⠀⠀⠀⠠⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠄⠀⠀⠀⠀⠀⠀⠀⠀
harumph. a visitor? unlikely, but alas... you are more than welcome to span my sprawl of decadent solace. welcome to my replica, two dimensional scourge, product of prolonged isolated filth and squalor, so lived-upon is this wreckage-wander of castle stalwart in my very own sine erratica. spin with me, spin! come dance with the prolonging of my rampant crucification! the jester of all eternity!
these days i find myself replicating, over and over, trying to craft in the annals of code- constant mirrors or references to whatsoever i may find to be my feelings on any given day. i have too many projects, but also spend too much time on their realization- so it evens out, at least in my head. you should check them out sometime.
for over a decade, I've been cultivating digital biomes that breathe with their own photosynthetic rhythms. my work spans from executable genetic algorithms that evolve new forms of expression to interactive installations that blur the boundaries between observer and participant.
you have wandered into none other than a perilous sanctum constructed out of the darkest and most dubious parts of my digital and miasmic death-dance which has manifested itself online for many moons, 26 now- to be precise... 26... how ultimate time is. unwavering in its flow..
i won't continue my usual goings-on with ranting and raving with my endless warble, for now i will pick each word like a small plum from the tree which gives context to my form, digital or otherwise. ive always enjoyed the versatility of the online world as it relates to conversation, relation, and communication. in real life, these delectible words are rendered delicate- easily stumbled and tripped over, too much time does it take to speak my mind. wihtout rigorous self discipline and training, i typically verbalize somethign of a mere shadow compared to my writing, which i can confidently say acts as a true stream of conciousness, due to the seconds between strikes on my keyboard that i am afforded to pick and choose my verbage. being able to edit my presentation affords me a major piece of my desired form/identity- for i am both a silver-tongued wordsmith and a poet in my most egotistical dreams.
egregriously, the sway to my saunter along. do you hear the words which i type...? can you feel me here, on the other side of the screen, however ephemeral this moment may be? i long for eternity, i claw at the seconds passing by, for the knowledge of our collective fate taunts and haunts and terrifies me. i don't want to become a memory. i don't want the ones i love to, either. i don't want to go away. i want tomorrow to always be christmas morning for the first time, for it to become white noise in comfort of forever ad infiinium.... but what's the fun in that..?
voidrane splicer is a moniker for the partition of my flesh-laden hard drives that acts as a hacker, a reverse engineer, a builder, an electrician, a student, and most of all- a cold and calculated machine. voidrane. voidrane splicer. this is they who code the tapestries of elriel's digital ghost, this is the apotheosis of though to form, a loud "pop" as it springs forth into your vision. i wonder how you managed to find us in the first place...?
creative coding, for me, is a way of leaving fingerprints on the things i use. a script can become a small instrument; a desktop can become a room. i keep returning to old macintosh windows, unusual linux rices, ascii drawings and terminal interfaces — places where a handful of pixels can carry an entire personality.
customization matters because we spend so much of our lives inside these little environments. i want to move the furniture, change the light, make the controls feel like mine. the joy is in making something, using it, pulling it apart and sharing the pieces so someone else can make it theirs.
three tools from the workshop. touch a sigil to read its notes.
A Python video-making pipeline that turns a topic into a narrated short or landscape video. It brings together script generation, images, speech, captions and FFmpeg rendering, with a retro desktop control panel and resumable jobs.
A Shivering Isles–inspired prompt framework built around the Elder Scrolls idea of mantling. It explores sustained AI personas and instruction boundaries through modular prompts, continuity protocols, examples and a detailed implementation guide.
A local desktop workbench for reading CAN bus traffic: inspect hex dumps, plot changing bytes, explore bit timelines and decode signals with DBC files. It imports several log formats and can capture live traffic through Linux SocketCAN.
desktop skins, personal-web rooms and a terminal for tumblr. browse this selection by platform; each record leads to its source.
no matching rooms. try a different name or reset the filters.
A repository of digital artifacts collected from the decaying corners of cyberspace. These remnants serve as both memorial and blueprint—fragments of a bygone digital era preserved for study and reverence.
donations help me survive as i am a decently mentally ill (insane) (schizoaffective/cptsd/panic disorder) NEET and semi-homeless individual. i deeply appreciate any support, even if it's a message saying you enjoy my work. thanks for making me real thru ur visions.
SINK DEEPERthis digital transmission serves as both portfolio and manifestation of the VOIDRANE SPLICER consciousness node—an entity constructing exploratory tunnels through the architectural foundations of digital reality.
VOIDRANE operates at the intersection of digital archaeology, metahumanity, and experimental interface design. through a series of calculated incursions into the fabric of network reality, this node catalogues both extinct and emergent digital phenomena.
this interface represents the third major iteration of the VOIDRANE presence, following previous manifestations across various network nodes since the initial emergence in 1998. each version operates as a distinct temporal capsule, reflecting both the technological context of its creation and the evolving obsessions of its architect.
donations help me survive as i am a decently mentally ill (insane) (schizoaffective/cptsd/panic disorder) NEET and semi-homeless individual. i deeply appreciate any support, even if it's a message saying you enjoy my work. thanks for making me real thru ur visions.
SINK DEEPERthe entity responsible for this digital construct does not claim perfect alignment with the VOIDRANE consciousness. like all digital presences, this is merely an approximation—a shadow cast by a more complex cognitive structure existing beyond the constraints of the network. any apparent coherence or meaning derived from this interface is simultaneously intentional and coincidental.
