Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

From his childhood in a modest family in the Pyrénées to his unexpected career as a porn actor in the 1970s, the film traces the life of Claude Loir, who set out to fully embrace life. His homosexuality and curiosity guide him through encounters that lead into the shadowy, liberated circles of a pre-AIDS era, caught between conservatism and sexual freedom. Loves and lovers, flamboyance and fragility… the film offers a striking portrait of a fearless, hedonistic man navigating desire, identity, and society’s constraints.

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

When the daughter of the miserly cooper Grandet is up for marriage, both families Des Grassins and Cruchot want to marry their sons to her and her substantial dowry. But the girl shows more interest in the impoverished cousin, whom she entrusts her entire fortune to.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

As of his early childhood Robinson Crusoe has wanted to become a sailor. And when he does become one bad luck has it that the vessel he sails on gets shipwrecked. Being the only survivor of the catastrophe, he manages to take refuge on a desert island where he will spend several years, learning how to survive...

Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

On the terrace of a Parisian café, Paul Valéry observes his neighbor, Monsieur Teste. The two men strike up a conversation. A supporter of "neither god nor master", Mr. Teste engages in a regular introspection, as rigorous as it is passionate, and shares his thoughts with humor.

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

Two enigmatic women, both with a hidden but shared motive, separately arrive in Paris. As they navigate the city and their search progresses, various characters become entangled within their conflict, one which increasingly comes to take a fantastical turn. These characters too, driven by their own desires, strive for their own goals in the fight. From a Paris, drenched in an otherworldly ambiance, a tale of desire and power emerges through mystery.

During the long journey that brought him home victorious in the Trojan War, Agamemnon fell in love with one of his captives, Cassander, daughter of Priam, with whom he had children. The reception in Argos, more than ten years later, was icy. Annoyed by the double indelicacy of her husband, Clytemnestra, his wife who had meanwhile become the mistress of Aegisthus, killed him with the help of her lover. Aegisthus then became the regent and ensured the prosperity of the city alongside his mistress, the widowed queen. But Electra, one of the daughters of Agamemnon, has always foreseen the murder and adultery of her mother. Solitary, wild, she lives in the royal palace awaiting the return of Orestes, her brother who has taken refuge since childhood with an uncle, in order to take revenge. Electra can begin, the crimes of the Atreides family continue quietly, as planned.

In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.