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Printing Types

Their History, Forms & Use

A Study in Survivals

    1. Prefaces to the First and Second Editions
    2. Introduction
  1. BERJAYA I The Invention of Printing: The Cutting and Casting of Types in Relation to their Design
  2. BERJAYA II A Font of Type and its Case: The Typographical Point: Point-Set and Lining Types
  3. III The Latin Alphabet and its Development up to the Invention of Printing
  4. BERJAYA IV Types of the Fifteenth Century in Germany
  5. BERJAYA V Types of the Fifteenth Century in Italy
  6. BERJAYA VI Types of the Fifteenth Century in France
  7. BERJAYA VII Types of the Fifteenth Century in The Netherlands—Holland and Belgium
  8. BERJAYA VIII Types of the Fifteenth Century in Spain
  9. BERJAYA IX Types of the Fifteenth Century in England
  10. BERJAYA X The Aldine Italic
  11. XI A Word on Type Specimens
  12. BERJAYA XII German Types: 1500–1800
  13. BERJAYA XIII Italian Types: 1500–1800
  14. BERJAYA XIV French Types: 1500–1800
  15. BERJAYA XV Types of The Netherlands: 1500–1800
  16. BERJAYA XVI Spanish Types: 1500–1800
  17. BERJAYA XVII English Types: 1500–1800
  18. BERJAYA XVIII Types used in the American Colonies, and some Early American Specimens
  19. BERJAYA XIX Nineteenth Century “Classical” Types. Bodoni and the Didots
  20. BERJAYA XX English Types: 1800–1844
  21. BERJAYA XXI Revival of Caslon and Fell Types
  22. BERJAYA XXII English and American Revival of Early Type-Forms and its Effect on Continental Types
  23. BERJAYA XXIII The Choice of Types for a Composing-Room
  24. XXIV Industrial Conditions of the Past and their Relation to the Printer’s Problem To-Day
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