So the figures have changed dramatically from the human type shapes where this started. I went with what seemed called for, after trying many ideas.
This is a two sided piece, showing you here both sides. I need to make a stand for it. A bit more might happen after I've looked at it a day or two, but maybe not.
This definitely needs to be exhibited where you can see both sides behind glass. Which, if my plans work out, it will be. I also need to name it. I have several thoughts about this. They'll probably work out once it's set on its stand. And the name will make the meaning clearer. The plan! Reactions welcome as always.
Next, another project I remembered, in the course of finishing the latest figures.
This is a piece of, well, if you know fabrics, you know it's linen, lovely piece from Dharma trading. I dyed it years ago with turmeric and yellow onionskins. It's variegated, interesting, not the dull solid color of synthetic dyes, which are good sometimes, not here. In real life it's a deeper color than here. The white LED overhead light washed it out a bit.
It's a portiere from the upstairs bathroom where I took the doors off the base cabinet. Cat owners, or staff, need no explanation. I have another one in the downstairs bathroom, waiting to be dyed. That will empty out a section of the freezer where my containers of natural dyes live.
Finally I'm going to do the stamping on this one that I've been meaning to do for nemmind how long.
And here's the doings.
I do seem to have a thing about two sided items. At about eleven o'clock there, you can see part of an eraser drawn but not yet carved
I've used all kinds of sources for design ideas, a cross section of the inside of a deer's nose being a favorite, and a satellite picture of the tributaries of the Mississippi River another. Sometimes I draw then carve, sometimes I carve freehand. Whatever floats my boat at the time.
A pencil and a small Xacto blade, size 3"×2" plastic eraser, is all you need. Try it, it's really fun. Much more interesting designs than laser cut rubber stamps which to my mind, are too full of anxious details. But that's me.
The white plastic erasers are what you need. The pink ones don't carve -- the blade bounces off and buries itself in the thumb holding the eraser, ask me how I know this.
And after humming happily and rummaging through the collection, I selected some for decorating the linen piece.
Also some metallic acrylic paint. Totally washable, in fact if you get acrylic paint in the wrong place, you'll never shift it.
And it doesn't matter that it won't be as soft as fabric paint would be, for this purpose. You can see I've used it quite a bit with these stamps. You need to wash it promptly after stamping so you get the paint out of the grooves before it dries permanently in place.
I'll probably use only one or two stamps, repeat pattern, in practice.
It's enough fabric for a summer skirt which, who knows, it might eventually become.
So that's the current State of the Studio chez Boud.


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