
This year, WTCD is OCTOBER 18th. That's a Saturday. Get your rear in gear and go shoot with a toy camera! The flickr group is: http://www.flickr.com/groups/worldtoycameradayand_then_some/
Formed in 2009, the Archive Team (not to be confused with the archive.org Archive-It Team) is a rogue archivist collective dedicated to saving copies of rapidly dying or deleted websites for the sake of history and digital heritage. The group is 100% composed of volunteers and interested parties, and has expanded into a large amount of related projects for saving online and digital history.
History is littered with hundreds of conflicts over the future of a community, group, location or business that were "resolved" when one of the parties stepped ahead and destroyed what was there. With the original point of contention destroyed, the debates would fall to the wayside. Archive Team believes that by duplicated condemned data, the conversation and debate can continue, as well as the richness and insight gained by keeping the materials. Our projects have ranged in size from a single volunteer downloading the data to a small-but-critical site, to over 100 volunteers stepping forward to acquire terabytes of user-created data to save for future generations.
The main site for Archive Team is at archiveteam.org and contains up to the date information on various projects, manifestos, plans and walkthroughs.
This collection contains the output of many Archive Team projects, both ongoing and completed. Thanks to the generous providing of disk space by the Internet Archive, multi-terabyte datasets can be made available, as well as in use by the Wayback Machine, providing a path back to lost websites and work.
Our collection has grown to the point of having sub-collections for the type of data we acquire. If you are seeking to browse the contents of these collections, the Wayback Machine is the best first stop. Otherwise, you are free to dig into the stacks to see what you may find.
The Archive Team Panic Downloads are full pulldowns of currently extant websites, meant to serve as emergency backups for needed sites that are in danger of closing, or which will be missed dearly if suddenly lost due to hard drive crashes or server failures.


I'm pleased with how the exhibit has come together. This show is comprised of the work of only 4 of us, which I believe is a better way to showcase our work. Having only one or two images in a larger show with a dozen other photographers is definitely less exposure for a photographer. With more pieces on the wall you can better connect with your viewers, and potential buyers, since you are offering them more choices. I know, it's not really about the "selling." Riight. Almost anyone that sells a photo will tell you that it's the best validation of your work.
We have the reception this Friday, October 3, from 7 - 9 pm. Receptions are often when one makes the sales. In this case, having the photos in a store for 3 weeks will undoubtedly be even better. I'll be interested in seeing how people react to the photos by Bill Bresler, John Baird, Mike Myers and me. Some people don't understand the Crappy Camera part, but once they view the images, I believe they leave their misconceptions behind, and see the art. Despite the onslaught of digital imagery and the pervasiveness of Photoshop, people are often quite surprised at what we can do with relatively simple cameras. In the end, the photograph speaks for itself.
