Formed in 2009, the Archive Team (not to be confused with the archive.org Archive-It Team) is a rogue archivist collective dedicated to saving copies of rapidly dying or deleted websites for the sake of history and digital heritage. The group is 100% composed of volunteers and interested parties, and has expanded into a large amount of related projects for saving online and digital history.
History is littered with hundreds of conflicts over the future of a community, group, location or business that were "resolved" when one of the parties stepped ahead and destroyed what was there. With the original point of contention destroyed, the debates would fall to the wayside. Archive Team believes that by duplicated condemned data, the conversation and debate can continue, as well as the richness and insight gained by keeping the materials. Our projects have ranged in size from a single volunteer downloading the data to a small-but-critical site, to over 100 volunteers stepping forward to acquire terabytes of user-created data to save for future generations.
The main site for Archive Team is at archiveteam.org and contains up to the date information on various projects, manifestos, plans and walkthroughs.
This collection contains the output of many Archive Team projects, both ongoing and completed. Thanks to the generous providing of disk space by the Internet Archive, multi-terabyte datasets can be made available, as well as in use by the Wayback Machine, providing a path back to lost websites and work.
Our collection has grown to the point of having sub-collections for the type of data we acquire. If you are seeking to browse the contents of these collections, the Wayback Machine is the best first stop. Otherwise, you are free to dig into the stacks to see what you may find.
The Archive Team Panic Downloads are full pulldowns of currently extant websites, meant to serve as emergency backups for needed sites that are in danger of closing, or which will be missed dearly if suddenly lost due to hard drive crashes or server failures.
The wrecking ball in Shady Square is about to drop, signalling the end
of the year 2020. As we look ahead to the coming year, let's view the past
with 2020 hindsight, specifically Dick Clark's long running music program American Bandstand. Tonight the spotlight is not on the songs or artists
who performed on the show, not even on Dick Clark. Instead I ask that
you focus you attention on the teenagers who danced on Bandstand
over the years. In case you can't spare the time to watch every
video from beginning to end, I provided in bold red letters,
the recommended start point for each video.
RETURN WITH US NOW TO THE GLORY YEARS
OF BANDSTAND.
Observe the young studio dancers of the 1960s, their body language, clothing styles and hairdos. Note their attitude, how they conducted themselves on the program.
THE DOVELLS
Mem'ries light the corners of my mind
"You Can't Sit Down" - The Dovells
(Jan. 4, 1964, ep. of American Bandstand)
START PLAYING VIDEO
AT THE 1:05 MARK!
THE RONETTES
Misty water-colored mem'ries of the way we were
"Be My Baby" - The Ronettes
(January 04, 1964, ep. of American Bandstand)
START PLAYING VIDEO
AT 45 SEC MARK:
THE SEEKERS
Scattered pictures of the smiles we left behind
Smiles we gave to one another for the way we were
"Georgy Girl" - The Seekers
(February 4, 1967, ep. of American Bandstand)
START PLAYING VIDEO
AT THE 1:20 MARK!
GLADYS KNIGHT
AND THE PIPS
Can it be that it was all so simple then
Or has time rewritten every line
"Friendship Train" - Gladys Knight And The Pips
(Nov. 8, 1969, ep. of American Bandstand)
START PLAYING VIDEO
FROM BEGINNING!
THE MCCOYS
If we had the chance to do it all again, tell me,
would we..... could we?
"Fever" - The McCoys
(December 18, 1965, ep. of American Bandstand)
START PLAYING VIDEO
AT THE 1:44 MARK!
PAUL REVERE
AND THE RAIDERS
Mem'ries may be beautiful and yet
What's too painful to remember
We simply choose to forget
"Him Or Me - What's It Gonna Be?"
Paul Revere And The Raiders
(June 3, 1967, ep. of American Bandstand)
START PLAYING VIDEO
FROM BEGINNING!
SAM THE SHAM
AND THE PHARAOHS
So it's the laughter we will remember
Whenever we remember the way we were
"How Do You Catch A Girl"
- Sam The Sham And The Pharaohs
(January 14, 1967, ep. of American Bandstand)
START PLAYING VIDEO
AT THE 1:15 MARK!
Submitted for your approval - exhibits A through G - seven scenes of young people
having good clean fun... unbridled joy... fresh faced exuberance. Simply put -
it was great to be alive in the 60s! If you ever wondered why Boomers
say they wouldn't trade places with any other generation, the magic
moments on these videos are all the evidence you'll ever need.
It is not my intention to pass judgement. (That's your job. :) This series
merely invites you to compare apples and oranges. Hard as it might be
for you to believe, I enjoy all of the female recording artists you
are about to see and hear. Join me on this jarring journey
back and forth through time as we compare the look,
the sound and the attitude of female singers
then... and now!
THAT WAS THEN
THE LENNON SISTERS
It's a different world, my friend. When I was a boy in the 1950s, girls looked,
sounded and behaved like The Lennon Sisters, the popular sibling singing
group on The Lawrence Welk Show. In 1960 the girls released the holiday
albumChristmas With The Lennon Sisters. Listen as'lil Chanet," Kathy,
Peggy and Dianne invite us to ditch the cold weather and spend the
holidays basking in the tropics on-- "Christmas Island."
""Christmas Island" - The Lennon Sisters
(from 1960 album Christmas With The Lennon Sisters)
THIS IS NOW
KITTIE
Our musical journey takes a jarring turn
and we find ourselves in the zombielike
clutches of Kittie, an all-female metal
band from Ontario, Canada. Formed
in 1996, Kittie names alternative
bands like Nirvana and Alice In
Chains as major influences.
In 2000, Kittie released their debut
album Spit with a dozen songs,
all written by band members
around age 14. As if by the
mysterious process of
spontaneous generation...
"Charlotte" arose from Spit!
"Charlotte" - Kittie
(July 2000, highest chart pos. #60 UK, single from January 2000 album Spit)
THAT WAS THEN
CILLA BLACK
Her real name was Priscilla White but she called herself Cilla Black.
I regret that I only came to fully appreciate the English sparrow's talent
a year or so before her death in 2015. Until that time the only Cilla Black
song I knew was "You're My World," a single that reached the top 30 in
the U.S. in 1964. Maybe it's because some of Cilla's best recordings
were not released stateside. Here's one of them, a cover of Dionne
Warwick's soulful ballad "Anyone Who Had A Heart." Cilla took
the song, made it her own and eclipsed Dionne's version in the
UK with a single that spent three weeks at the top of the chart!
"Anyone Who Had A Heart" - Cilla Black
(Feb./Mar. 1964, highest chart pos. #1 UK)
THIS IS NOW
AMARANTHE
To bring you down from your blissful Cilla Black-induced Brit girl high,
I give you Amaranthe, a Swedish metal band that boasts three lead zingers,
each performing a different style. The band has two clean vocalists, one male
and one female, plus a growling cookie monster who handles the rough stuff.
The beauty among the beasts is Elize Ryd who made Playboy Magazine's
list of "The 14 Hottest Metal Maidens in Face-Melting History." Eliza's
vocals start at the 55 second mark of the song if you can hang on
through the angry, transgressive rapping that precedes it.
Feel free to sway, snap your fingers, tap your toes and
zing along as Amaranthe assaults your senses with--
"GG 6!"
"GG 6" - Amaranthe
(Nov./Dec. 2019 single from Oct. 2018 album Helix)
THAT WAS THEN
DORIS DAY
"Whatever Will Be, Will Be
(Que Sera, Sera)" was intro-
duced in the 1956 Alfred
Hitchcock film The Man
Who Knew Too Much
starring Jimmy Stewart
and Doris Day. Doris
released the song as a
single. The record spent
27 weeks on the pop
chart and made a
determined run
at the #1 spot.
However Doris's ditty was blocked week after week by
the man who would be King - Elvis Presley - and his
colossal doublesider "Hound Dog," b/w "Don't Be Cruel"
along with another mega-hit,"My Prayer" by The Platters.
"Whatever Will Be, Will Be (Que Sera, Sera)" - Doris Day
(July thru Sept. 1956, highest chart pos. #2, from June 1956 Alfred Hitchcock film The Man Who Knew Too Much)
THIS IS NOW
IN THIS MOMENT
Image courtesy of DesignWeapons @ deviantart.com
Nearly identical to Doris Day in appearance and singing style
is fresh faced girl next door Maria Brink, but whereas Doris
sang "Whatever will be, will be," Maria leaves nothing to
...and the cow was returned to its rightful owner.
And that's the latest from S-P-M-M news... fast, up-to-the-minute, completely fake and proud of it. Now stand by for
GEATOR GOLD
on the station that's #1 for music and fun - S-P-M-M!
CLICK TO START THE VIDEO NOW!
(COLD SHOW OPEN)
"He's Got The Power" - The Exciters
(Mar./Apr. 1963, highest chart pos. #57 Hot 100,
#64 Cash Box, Scopitone film release)
Greetings and salutations! I am TheGeator
with The Heater. I am The Boss with the
Big Hot Sauce, welcoming you to another
fantastic, bombastic edition of Geator Gold
here on S-P-M-M Retrosonic Radio. I've got
a parade of platters from the past and our
7-in-a-row block party has just begun.
You just saw and heard Brenda Reid,
the little lady with the powerful pipes,
singing lead for her mixed gender group The Exciters on "He's Got The Power,"
a record that climbed halfway up the
pop chart in the spring of 1963 and
oddly failed to register at all on
the R&B chart. Now let's jump
back in time to the early 50s.
Fiction and Fact from the Geator's Almanac: In 1952 a man by the name
of Ronald Cuffey was lead singer of The Five Sharps, the now legendary
doo-wop group from Queens, NY. The Five Sharps recorded the song
"Stormy Weather" on the Jubilee label. That 78 rpm single is so rare
that it is known as the Holy Grail of doo-wop 78's, coveted by
collectors as one of the most valuable records in the world.
In 2003, a used copy of"Stormy Weather"sold for
$19,000. The value of that Five Sharps platter shot
to $25,000 a few years later. It is not even known
if an original exists on 45 rpm. If one is ever
found it would be worth many times more.
Fast forward to the summer of 1958 when Ronald Cuffey was
singing lead with a new group called The Videos. Their first
record got plenty of radio exposure in New York but did not
reach the national chart. The Videos now with-- "Trickle, Trickle!
CLICK TO START THE VIDEO NOW!
"Trickle, Trickle" - The Videos (July 1958)
You're jumpin' and jitterbuggin' with
The Geator With The Heater, charter
member of The Shady Bunch, and
this is Geator Gold on S-P-M-M
Retrosonic Radio, where all the
cool oldies come to play.
You just heard a Geator golden gasser
by The Videos, their 1958 regional hit
"Trickle, Trickle." In January, 1959,
The Videos released a follow-up to
that jump tempo debut single. It's
a lot different, a dreamy ballad
entitled-- "Love Or Infatuation."
CLICK TO START THE VIDEO NOW!
"Love Or Infatuation" - The Videos (Jan. 1959)
The Videos of Queens, New York, with their second single, "Love Or Infatuation."
Sadly, before the guys could put out another record, Ronald Cuffey died along
with another member of the group, bass man Ron Woodhall. Their deaths
put an end to this great doo-wop act, The Videos.
Don't touch that dial, because The Geator's
spinning another dreamy romantic ballad
for lovers only. This record was waxed in
1958 by one of Philly's Phinest groups,
Lee Andrews & The Hearts. I want you
to take your teen queen or teen king by
the hand, lead them to the dance floor
and sway to this snuggle song... a
doo-wop treasure-- "Teardrops."
CLICK TO START THE VIDEO NOW!
"Teardrops" aka "Tear Drops" - Lee Andrews And The Hearts
A mellow sound from the early weeks of 1958, Lee Andrews
and the Hearts with "Teardrops," a record that reached
the top 5 on the R&B chart and top 20 pop.
You got The Geator in your ear, and I'm
spinning Geator Gold on S-P-M-M..,
where we go hunting for the great songs
of the past and bring 'em back alive.
The Geator's on a roll with one
old gold nugget after another.
CLICK TO START THE VIDEO NOW!
Here now is the very first single
released by the Motown group
best known for their major hit
"Do You Love Me." Dig the
throaty sax and raw vocals
as The Contours sing--
"Whole Lotta Woman!"
"Whole Lotta Woman" - The Contours
(Feb./Mar. 1961, uncharted)
The first version of that catchy tune was
released regionally, and you just heard the
second version which was released nationally.
The Contours there with their first, and some
say their best single, "Whole Lotta Woman,"
an uncharted relic from early 1961 that
reminds me of the late 50s R&B hits
"Short Fat Fannie" and "Itchy
Twitchy Feeling."
And as all good things
must come to an end,
so too must my show.
Thanks for tuning in.
CLICK TO START THE VIDEO NOW!
Stay tuned. Coming up on the B side of news, it's Shady Seaweed with another
hip trip to Bandstands in Foreign Lands, and I'll be back soon with another
batch of boss beats and ballads on Geator Gold. Now this is Jerry Blavat,
The Geator with the Heater, reminding you to keep on rockin' 'cause
you only rock once! Hey, gimme a big strong line and let's do it
one last time as I play us off with Martha And The Vandellas
doing their first big hit. Baby, it's cold outside, but inside