close
The Wayback Machine - https://web.archive.org/web/20251126220811/https://jack-pierce.blogspot.com/

Saturday, November 22, 2025

BEHIND PIERCE'S MAKEUP: JACQUES LERNER

BERJAYA

The Fox Film Corporation's The Monkey Talks was released on February 20, 1927. It was directed by Raoul Walsh and based on the 1924 French stage play Le Singe qui parle by RenĂ© Fauchois. Both starred the actor Jacques Lerner as the titular monkey. We've yet to find any photographs of Lerner in the stage play or any information on his makeup. It is likely that he did his own.

Lerner was born in Russia and raised in Paris, France. At the age of eight, he joined the circus as a tumbler, after which he began playing on the stage. He became quite popular, and at some point was considered by the press as the "continental Lon Chaney".

When Fox bought the rights for the story, they located Lerner to play his role on screen. A young Jack Pierce, who had already become an accomplished makeup artist, was hired to transform Lerner into a simian.

And what a convincing job it was! Accolades were given to the unknown person who had turned a man into a talking monkey.

This article on Jacques Lerner is from Picture Play, June 1927. Pierce is unsurprisingly not mentioned.

BERJAYA

BERJAYA

Wednesday, November 12, 2025

A PAGE FROM JACK'S SCRAPBOOK

BERJAYA

During his career, Jack kept a scrapbook of just about every bit of information he could find on the films and makeups he worked on. The page exhibited today is from the time he won the Hollywood Filmograph award for most outstanding makeup in 1933 for his exemplary work on The Mummy in 1932. A few years ago, we posted another page from his scrapbook here.

Friday, October 31, 2025

JACK'S WOLFMAN MASK?

BERJAYA

It has been well reported that Lon Chaney Jr. was no fan of sitting in Pierce's makeup chair. He complained of the chemicals and adhesives that Jack applied on his face and hands, especially when it came time to remove them after the day's shoot.

A publicity photo of Jack and Lon (see above) during the filming of Frankenstein Meets the Wolfman (1943) was meant to be humorous, but there was also no small truth behind Chaney's real feelings about his makeup ordeal.

BERJAYA
Pierce applies foundation greasepaint and shadows to Lon Chaney Jr.

According to the description of  Lot 114A listed in a Guernsey's Auction in 2008 of The Pugliese Pop Culture Collection, this full-head latex mask was purported to have been made by Pierce for Chaney to use in "long or obstructed shots" in order to avoid some of the makeup sessions. The inside markings on the mask read: "Chaney, JP, O.U.P.C. #1279", and it appears that this is what authentication was based on.

BERJAYA

When Pierce was later asked if he liked working with Chaney, he diplomatically replied: "Yes and no. That's about all I can say."