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Just a little peek at what was goin’ on 26 years ago.

§ October 8th, 2025 § Filed under retailing § 3 Comments

BERJAYA
So I had a few Diamond Comics retailer informational thingies sitting around, back in the days when Diamond would produce a thick color monthly mag and a weekly black and white multipage newsletter.

One of the things you’d see in the newsletter, Diamond Dateline, are listings of the top reordered items. And this particular issue I’m looking at, from December 1st, 1999, includes the chart of the top reordered comic books that’s at the top of this post.

(And yes, there is a “top reorders by retail” that orders entries by the cumulative total cost of each reordered item.)

I don’t know that there are a lot of surprises on that list. Tomb Raider is kind of one, given the recent years spent as mostly a nostalgia brand, getting dragged back into the spotlight with new video games and media adaptations every once in a while. But one forgets that in 1999, the franchise was still a popular one, and thus retailers scrambling for more copies at the time begins to make sense.

The X-Men titles’ presence on the reorder list also comes as bit of a surprise, as I don’t recall sales fluctuating a whole lot on these then. The X-titles sell as the X-titles sell, with rarely much of a change. But looking at X-Men #96 we see it’s apparently part of some storyline involving the villain Apocalypse, and also Alan Davis drew it, so that may have goosed orders a bit. The Uncanny here is part of the storyline, so demand for that probably caught retailers off-guard a little as well. (Also applies to Cable #75 and X-Men Unlimited #25, the latter of which didn’t even note on the cover that it was a part of the crossover.)

That Batman: War on Crime book is one of those oversized Alex Ross productions. This is not a shock that demand for the book would have outstripped retailers’ initial orders, given the unusual format and how most retailers probably order conservatively on paperbacks. That said, the Superman one was just the year before, so maybe folks should’ve been able to estimate the number of needed books a little more clearly, but ah well….

I’d totally forgotten about M Rex, so it’s weird to see it here, at one point a Top Ten reordered comic book in the country. Probably stories putting all the Image Comics money into Tomb Raider #1 and forgetting about the other titles for the month.

Danger Girl is no surprise…mostly forgotten now, except by the occasional hopeful holdout, but it was red hot at the time and the cliché of “printing money” seemed to apply very thoroughly to this specific comic. I wonder if those reorders were even filled at the time…I imagine leftover stock didn’t last very long.

Steampunk: Catechism was a one-shot lead-in to the ongoing (at least for a bit) Steampunk series, a comic that I mostly recall for customers asking me “yeah, what’s all this about?” The art was nice, though, and based on the reorders on this initial installment there was a large amount of anticipation for what was to come.

A legion of comics.

§ October 6th, 2025 § Filed under legion of super-heroes, question time § 15 Comments

DavidG asks what he probably thought would be an easy question for me to answer

“There’s now about eleventy million versions of the Legion. My list of them in order of appearance below, yours may vary. How would you rank them and why?

“OG
Five years later/no Superboy
Archie legion
Threeboot
Retro boot
Bendis boot”

Now I gotta be honest, it too me a second to puzzle out what eras a couple of those were referencing. For example, I’d never heard the term “Archie Legion” before…shockingly, as it turns out, when I looked it up and it seems to be in common usage in referring to this particular era. More on that when I get to it.

Anyway, I’m going to address these general eras in order, staring with the “OG,” which of course stands for “Original Garth Ranzz:”

BERJAYA
This is The Big One, the longest last incarnation of the Legion (continuing on into the next era, more on that in a moment), starting in Adventure Comics in 1958 and running straight through ’til Legion of Super-Heroes Volume…Three, I’m pretty sure, in 1989. (Again, doesn’t exactly end here, which I’ll address.)

Over this period of time we had a natural growth of the team, as members came on, dropped out, even died, with subplots and soap opera-esque elements keeping the readers involved and interested in the relationships of their favorite characters. This was a storytelling strategy that would work so well in later team books such as X-Men and New Teen Titans, and I think we can thank Teen Jim Shooter for coming aboard and showing the grown-ups how its done.

And it certainly worked on me…I really enjoyed the variety of characters and their interactions and the occasionally oddball stuff they all got up to, particularly in the Silver Age era. I’ve noted before I started reading Legion in the early ’80s, and worked my way backwards through back issue purchases and, later, the Archive editions, and still get a kick out of these comics to this day.

This was the era of the Legion that worked the best, I think, with its established history and long-standing relationships and plots and such. I wrote quite a bit about it before in response to a question from…hmmm, looks like a certain Mr. DavidG. Interesting.

Now, DavidG, you just asked me to rank these, really, and here I am just typing my little fingers off about this series and, well, probably every other Legion series on this list, too. But if I were to rank it, this Legion, the Original Stuff, is my favorite Legion.

And now here’s the “Five Years Later Legion:

BERJAYA
…and I wrote about this at length some time ago, as did blogging brother Andrew. As such, I won’t go overboard writing about this era, running from ’89 to ’94 (ironically, about five years), but to say this is not an entirely separate incarnation of the Legion, but rather an extension of the original material. As implied by the “Five Years Later,” Legion continuity jumps ahead five years, everything is different, things are a mess, not everything is explicitly explained to you, so this ain’t a comic you can scan through in six minutes and say you’ve read it. You gotta sit down with it and absorb that story.

The storytelling and setting eventually…normalizes, so it’s easier to follow, but things get more complicated when a younger, more innocent version of the Legion shows up. A spin-off title, Legionnaires, is added to accommodate the extra characters, but eventually it all ends up getting rebooted by DC’s Zero Hour crossover event.

As far as ranking goes…I will say that I really did find this series a fascinating read at first, reading and rereading each new issue as it came out, and being rewarded for the effort. And I was caught up in the mystery of the young Legionnaires, though I wish that had resolved differently than it did. Still, this is a solid #2 in my Legion ranking.

That Zero Hour reboot brought us to this:

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…the first actual complete fresh start for the Legion. Everything that had gone on before? Forget it, this is All New! And it was also…pretty good. This is the version of the Legion where Princess Projectra was a giant snake person, which seems to stick out in folks’ minds. Interestingly, this new reboot of the Legion did not cause the cancellation and relaunching, with new #1s, of the two ongoing Legion titles. There were #0 issues introducing the new status quo, then just jumped back into the series’ normal numbering and continued on. A rare show of restraint, I thought.

Oh, right, and this is the “Archie Legion” series, so called because the characters were so young, some of the art reminded folks of Archie character designs, and Jughead joined up as “Hamburger Lad.” One of those may not be true.

This was also the era that had the relatively dark, but effective, Legion Lost mini-series, where members of the team were trapped in unknown space dealing with new threats (and maybe a familiar one). I quite liked that series.

Okay, ranking, ranking…we’ll just call this #3 of my favorite Legion runs, but honestly the space between #2 and #3 is very, very small.

And now, the THREEBOOT:

BERJAYA
…because, you know, this is technically the third full reboot of the Legion. Started in 2004, ended in 2009. Repurposes the team as working under, and against, an oppressive society that disapproves of their shenanigans. An interesting note about the series is that it temporarily changes its name to Supergirl and the Legion of Super-Heroes when she comes to the future to join the group.

Also I should point out that Jim Shooter, writer from the original Legions, comes back to write the last dozen or so issues of this series. However, the final issue, #50, is credited to a pseudonym and I’ve never bothered to read it. I have it in a box somewhere should I ever decide to do so, but that seems increasingly unlikely.

How to rank it? It’s a brief-ish run, though not as brief as other Legion runs to come. It is good, though, and I like that it’s a shorter standalone read, even if the whole thing ends on a slightly sour note. (Or maybe it’s great…like I said, I hadn’t read that issue.) If I had to rank it, I’d put it maybe at #3.5, which is maybe cheating a little. This was a solid attempt at trying to do something a little different with the Legion while still honoring the stories that had come before. Shame it didn’t last longer.

Now, it’s about this point that I decided I was done with Legion (save for the classic reprints) for the time being. So I wasn’t reading DC’s next attempt at making the Legion work, the “retroboot:”

BERJAYA
I realize that New 52 cover is jumping ahead a bit. This version of the Legion began in the “post-Infinite Crisis” era around 2007, first appearing in Justice League of America and Justice Society of America, then in other books before getting their own title. The “Retroboot” team is a return, more or less, to the pre-Crisis on Infinite Earths continuity of the Legion books from the original era. It’s not exactly 1:1, but close enough, I guess.

Somewhere in here the Final Crisis tie-in Legion of 3 Worlds shows up, teaming up all the reboots of the Legion into one big adventure, and trying to establish which Legion is the main continuity Legion now. (Spoiler: it’s this one, the post-Infinite Crisis one.)

This is the same Legion that makes it through the New 52 relaunch relatively unscathed, and even gets an additional title, Legion Lost. However, this era still comes to an end around 2015.

I can’t rank this, since I didn’t read any of these (except the Legion of 3 Worlds, and I barely remember that (outside of the George Pérez art). All I can say was that my interest in Legion had been diminished by the multiple reboots and didn’t feel like diving back into yet another attempt at this point. That’s not to say I *didn’t* like the reboots, but I certainly didn’t like getting invested in a series only to have it go away and be given yet another restart.

And then, here we are, the last on DavidG’s list, the Brian Michael Bendis scripted reboot from 2019:

BERJAYA
By this point I’d been out of current Legion books for about a decade, so I was willing to give this new version a try. I did like the two-issue intro mini-series (Legion of Super-Heroes: Millennium) where we follow an immortal character into the time of he Legion. But the new Legion series itself…the art by Ryan Sook was nice, but the story definitely felt like we were pushed into the deep end of the pool in regards to the setting and the number of characters. Using Superboy as the reader-viewpoint character should have been a natural “in” to everything, but in execution it all still felt cluttered and convoluted.

Most shocking was after the promotion and big build-up, this new series only got 12 issues (plus a two-issue “Future State” tie-in, among other appearances). I’d put this run at #4 on my list…I wanted to like it, I gave it a chance, but I don’t know if the sales were there or what but it felt like DC didn’t give it much of a chance. Could it have improved given more time? Sure. But what we got wasn’t enough and it wasn’t great, art aside.

I know I didn’t discuss every single appearance and iteration of the Legion here…I mean, there’s the Doomsday Clock tie-in, there’s the stuff going on right now in the Superman books, that sort of thing. Not sure what the future (cough) holds for the Legion, whether we have yet another new attempt at a series sooner rather than later. Will it be Absolute Legion of Super-Heroes? Might be one of the few ways to get it to sell for sure at this point.

And now, Archie playing Pong against Moose on a dedicated console.

§ October 3rd, 2025 § Filed under archie, video games § 9 Comments

BERJAYA

from Archie #278 (March 1979)


Yes, you read that date right, “1979,” and consoles with swappable game cartridges, like the Atari 2600, had already been around for two or three years. The console pictured appears marginally like the 2600 (or “VCS,” if you prefer), with the raised back portion and its switches. The embedded knob controllers installed in the front of the console share more with the earlier home video game units, however.

Geoff Johns was wrong, that’s clearly more than three Jokers.

§ October 1st, 2025 § Filed under low content mode § 7 Comments

BERJAYA
So it’s once again my turn to perform my civic duty and hang out at the courthouse to see if anyone needs me for a jury. Yes, getting stuck doing this on Wednesday is…a problem, but What Can You Do™?

Business will be back to normal here shortly.

Still reading Absolute Green Lantern, however.

§ September 29th, 2025 § Filed under collecting, green lantern § 30 Comments

So I started reading the Green Lantern series sometime around 1980, picking up issues here and there until getting it every month starting with #141 in 1981, the first appearance of the Omega Men.

Eventually, I dropped the book after #157 (1982):

BERJAYA
…which was still near the beginning of the “Hal Jordan in Space” storyline (more on that in a bit). I seem to recall enjoying that specific issue, since I liked Hector Hammond as a villain, but GL being stuck in space all the time began to wear a bit thin on me, I guess, or the next issue didn’t grab me. Whatever the reason, I stopped with that #157.

While I did check in with a random issue partway through the run (the infamous “exploding boy” cover on #162, which I wrote about…21 years ago? Really?) I didn’t hop back on the Green Lantern train ’til #171, the infamous Alex Toth issue that all the writers removed their names from:

BERJAYA
Now I don’t know if I knew it at the time, and given my love of fanzines I can’t see how I didn’t know, but the whole Hal in Space thing was coming to an end, with a brand new creative team and direction for the book starting in #172 (1984). I presume everyone else was sick of the space stories, or sales had dipped far enough that they were ready to try literally anything else, or maybe they just ran out of Gil Kane inventory covers to run. But I kept reading, Len Wein and Dave Gibbons showed up, turned things around, everything was great, and so on.

And it was all well and good for, oh, another decade or so.

That Green Lantern comic went through a few more creative changes over the next few years, with everyone doing interesting and sometimes peculiar work, before that series wrapped up in 1988. I followed the GL franchise into Action Comics Weekly, DC’s new serialized format that was released…well, you can guess how often it came out. And there were the well-received Emerald Dawn minis retelling Hal’s early years as a Lantern, and a new ongoing series that launched in 1990.

That 1990 series was also quite popular, and I enjoyed it quite a bit myself, even if the writer for that series is now considered persona non grata in the comics business, or, well, anywhere for that matter. It was a thoughtful, imaginative run that culminated in a tie-in to the whole “Death and Return of Superman” storyline going on elsewhere in the DC Universe. A storyline in which GL’s stomping grounds, Coast City, is destroyed.

The final issue of that writer’s run is #47, in which Hal comes to terms with that huge loss with his old partner, Green Arrow. And, when the writer actually did a signing at my previous place of employment waaaay back when, before His Troubles were known, he’d basically said as such, that he had other plans for the big 50th issue, that the Coast City thing was dealt with.

But DC was still chasing that “Death of Superman” dollar and wanted Big Changes for the characters that had been around a while and seemed possibly moribund compared to the edgier, “hipper” comics being produced by their competitors. So word came down from on high that Hal was to go away and be replaced with a new fella. And as it turned out, the way Hal went away was to make him go crazy over the destruction of Coast City and start killing his fellow Lanterns to gain enough power to resurrect the city and its inhabitants.

Am I sure this is exactly how it went down? I mean, that this was ordered by DC, not that was what happened in the comics, because that was definitely what happened in the comics. All I have is The Former Writer’s statement on the matter, and given how many brains “The Death of Superman” story broke, it all seems plausible.

At any rate, Hal was gone, we had a new guy, Kyle Rayner, on board as the one (and only!) Green Lantern. And I read his comics up through issue #55:

BERJAYA
…and it wasn’t so much that I didn’t like Kyle Rayner, as I didn’t like what they did with Hal Jordan, and I gave up reading Green Lantern again. That was 1994.

Now they did a lot of things with Hal Jordan in the meantime…he popped up in that Day of Judgement mini-series, he was the Spectre for a bit in his own comic, and I read all of those. But it wasn’t until 2004 and the series Green Lantern: Rebirth that DC finally put Hal back in the green and black space togs. That is what finally got me back into reading GL comics, correcting a bizarre decision to try to push a new version of the Golden Age/Silver Age transition without just sort of letting it occur naturally.

From Rebirth we went right into a new ongoing series launching in 2005, and I’ve been reading Green Lantern comics in all their various incarnations ever since.

Until, I’m thinking, right about now. It may be time for the third big Green Lantern break.

I was trying to talk this out on Bluesky, and I think about as far as I got was that it was “too much.” Every comic is crowded with characters, crowded with lore, crowded with ever increasing stakes and risks…it’s practically sensory overload. The alien Lanterns are no longer fun guest-stars, they’re just more noise.

The exact example I used was that it seemed like after the Sinestro Corps War, a genuinely fun and interesting multipart super-battle amongst opposing Lantern armies, every Green Lantern event continued to chase that high. It seemed fine at first, particularly with the introduction of new Lantern Corps based around different spectra (I don’t care what anyone says, I liked the Red Lanterns). But it all just seemed to go on and on and on until this last one, the GL Corps versus the…Starbreakers, I guess? It’s just one more mass of action figures to throw at the GL action figures.

Going back to that 1980s GL series, when I was talking about the “Hal in Space” story. That storyline kicks off with Hal’s bosses, the Guardians of the Universe, calling him on the carpet to remind him that he’s got an entire sector of space he’s supposed to be watching over, not just Earth. As such, the Guardians banish him from Earth for a year, and tell him to work his beat for once. It actually does come across as odd to see Hal not in his regular earthbound stomping grounds.

Which of course isn’t to say Hal didn’t take off into space occasionally prior to this, But there was a balance…sure he may have left Earth once in a while, but he always started there and usually ended up back there, if not at the end of the issue, but eventually at the end of the story. It made him slightly more relatable.

Now, it feels like it’s the opposite, with stories beginning and ending in space and if Earth is seen at all, it’s only sporadically. Even the early issues of the current Green Lantern run, with Hal stuck on Earth, while good and maintaining my interest, were mostly about Hal trying to figure out how to leave Earth.

And while the lore and history of the Corps have always been part of the comics, they weren’t the be-all/end-all like they seem to be now. It felt more special when we got the Deep Lore once in a while, not with every outing.

This may be the first time and last time I’m doing this, but I’m going to refer to something from the Family Guy TV show. There is a line Peter says, in regards to The Godfather, a line that the show’s creator Seth McFarlane apparently liberated from a college professor, in which he says the film “insists upon itself.”


It is a weird critique to make about anything: it’s both exacting enough to sound like a very specific jibe, and it’s vague enough to be wide open to interpretation. But regardless, you sort of get what’s being said here.

This is the Green Lantern franchise as it is currently: it insists upon itself. It’s self-referential, it’s repetitive, it’s Green Lanterns solving Green Lantern problems.

I tried to stick with it, I really did. But I’m just not feeling it right now, and who’s to say if I will again? Am I going to go back to new GL stories when I’m 70? Feels unlikely.

And it’s a real shame, too, because they’re bringing back the old GL villain Krona for a new story, and I have bit of a nostalgic fondness for him. But Krona is who you bring in when you want some big, universe-shaking threat and frankly, what’s one more to add to the pile here.

Wanted: Dead or Dead.

§ September 26th, 2025 § Filed under question time § 11 Comments

Back to your questions:

Brian Foss gathers no moss with

“I’m a big fan of the DC comics charecter Deadman.
I first read a story of his in one of those DC Best Of The Year digests and have been fascinated ever since – cause he’s DEAD!
My question is what are your thoughts on good old Boston Brand?
And yes, I’m cheating because I wonder if in your years of funny book retailing do you run into Deadman collecting dudes at all?
Or am I just the weirdo?”

Yup, you sure are, absolutely. Welcome to the club! We’re all weirdos about something.

Now you and I, we like Deadman at face value — guy killed before his time, given the power to possess the living as he searches for his killer and/or redresses the balance of good vs. evil or whathaveyou — but he was ripe for parody, for certain. Most notably by Neal Adams, the artist most associated with DC’s Deadman, on this spoof that appeared in National Lampoon. And I briefly discussed Dave Sim’s parody of Deadman as it appeared in Cerebus way back when.

So there were folks who were all “a dead guy? As a superhero?” but I think Deadman is visually interesting enough, and a fascinating enough concept, to be taken on its own merits. I mean, it’s no sillier than the Silver Surfer, a silver guy who surfs. Through space. On a surfboard.

I am not 100% sure when I first encountered Boston “Deadman” Brand. I mean, of course, he would pop up a lot in Alan Moore’s Swamp Thing run, but I was reading stories with the character way before that. I’m pretty sure the first one I read was this issue of DC Comics Presents from 1980:

BERJAYA
…which was later reprinted in Best of DC Digest #11, their best stories of the year special, so maybe that was the one you read, Brian! Anyway, that issue was by Len Wein and José Luis García-López, so it was, of course, a good’un.

Pretty sure I next came across Deadman in Detective Comics #500 (1981), one of my favorite anniversary issues of all time:

BERJAYA
…in a story titled “What Happens When a Batman Dies?” by Cary Bates, Carmine Infantino, and Bob Smith, and come on, how can anyone pass up a story like that? (And this was just one story in this monster-sized mag filled cover to cover with “bangers,” as the kids say.)

And then somewhere along the line, once I started collecting Swamp Thing appearances in earnest, and I started finding these oddball issues of Challengers of the Unknown with Swampy and Deadman.

BERJAYA
And from then on I just kinda picked up Deadman comics and appearances as they showed up…like that seven issue run reprinting all the original stories drawn by Neal Adams (with the first appearance in Strange Adventures drawn by Infantino and written by Arnold Drake), the four issue mini drawn by García-López, the prestige format minis drawn by Kelley Jones…pretty much anything titled Deadman got a look, and usually a purchase, from me.

I remember particularly enjoying the serialized Deadman stories in Action Comics Weekly, especially the one written by Mike Baron where Deadman goes to hell and runs into D.B. Cooper. That was certainly peculiar.

I do get collectors looking for Deadman, especially his first appearance in Strange Adventures #205 and any of the Neal Adams-drawn appearances. And he still remains one of the more popular second/third stringer characters out there, though it really depends on whether or not anything new is being done with him currently. When new Deadman comics come out, folks look for for his older less-expensive appearances, but once he’s out of the public eye, demand dies down. Which, come to think of it, isn’t too much different from any character, so I’m not sure if that adds anything.

Regardless, even after all this time the character maintains some small level of mystique and appeal. So, no, Brian, you’re not really that much of a weirdo. Let your Deadman flag fly, friend!

The Final ’90s Countdown: Part Fifteen.

§ September 24th, 2025 § Filed under final '90s countdown § 7 Comments

And here we go with the next one-vote-receiver in our Final ’90s Countdown:

Savage Dragon (Image Comics, 1993 – present)

BERJAYAHoo boy, here’s a biggie. With Todd McFarlane’s Spawn, these are the two Image Comics launch titles (kinda sorta…more on that in a moment) still continuing today. And most amazingly, Savage Dragon‘s Erik Larsen has written and drawn all 277 issues so far (more or less) of the series.

Oh, and he also did the preceding mini-series, too. The three-issue Savage Dragon mini ran in ’92, and was the actual Image launch title, with the still-ongoing main title starting in 1993. Plus, in 1994 the Image founders switched books, so someone else wrote and drew #13 of the series…causing Larsen to later go back and produce another #13 on his own to keep his run on the book intact.

Now the comic itself…Larsen has put it through some real changes over the decade, to keep up reader interest and almost certainly to keep up his own. It starts with Mr. S. Dragon appearing naked in a burning field, no idea where he came from, step 2: ????, step 3: he becomes a policeman and the book very quickly fills with other superpowered beings that Dragon has to deal with. It’s a wild, action-packed book with Kirby-inspired but not Kirby-copying storytelliing. Guest stars abound, like the Teenage Mutant Ninja Turtles, and Hellboy, the public domain Mickey Mouse, and [checks notes] God? Yup, God’s here too.

Without going into the details as to how things change, but change they do, to the point where the book currently revolves around Malcolm Dragon, the Dragon’s son, his wife, and their pile of little Dragon kids. Also in the last few years the, shall we say, mature audiences content dial was turned up to about a 9, and

BERJAYA
That this comic is still being produced even today is astounding to me. Over three decades of evolution with one man maintaining the storylines…it just makes you wonder what we would have gotten if, say, Rob Liefeld started with his Image Comics #1 and just kept doing issue after issue, a new one every month or two, for 30+ years, and what we’d have at the end there. You can draw a line from where Savage Dragon started to where it ended, but its differences are definitely going to be more noticeable than its similarities.

Now, Savage Dragon has been around for a long time, with lots of spin-offs, tie-ins, spin-ins, tie-offs, the works. Lots of crossovers with other characters and franchises..I have soft spots for Savage Dragon Vs. the Savage Megaton Man and Savage Dragon/Marshal Law. Plus, there were standalone minis with the Dragon like Red Horizons. Your mileage may vary amongst the various titles.

Reprints are a trickier subject. There are inexpensive “Archives” that given you about 25 issues of the main series per volume, but they’re all in black and white. There are miscellaneous trade paperbacks in color reprinting issues from the main series. Given the low print runs on some of the later issues, this may be the only way newcomers can catch up on the comic without paying a fortune on eBaykk. Honestly, there are a lot of books, so you might want to check with your retailer as to what’s available.

Or you can just grab an issue and jump in, really. I mean, if you read any X-Men title, one of them was your first, and I’m betting it wasn’t #1. You can handle it.

I should also note that the Dragon’s initial appearance, in slightly altered form, was in the very small press book Graphic Fantasy, which have been reprinted in various forms. Plus, it looks like this early version, or at least the design, of the character has returned in recent years to the main series.

Anyway, Savage Dragon is hard to sum up here, but it’s nice that there’s a personal vision of a genre character that has persisted for all this time under the eye of its creator. This is certainly a rarity in the American comic book market, and something to be celebrated. Even if the comic gets a bit naughty at times.

You can’t fool me, that’s Miracleman in different clothes on that cover.

§ September 22nd, 2025 § Filed under this week's comics § 8 Comments

So I don’t know where to even begin with the work of Fletcher Hanks, Golden Age cartoonist. He was only active for a couple of years, from 1939 to 1941, and it would be easy to dismiss his oddball superhero comic book work as naïve art, as Hanks’ stories rarely seem more than unfettered id unleashed upon a page with no mollifying influence between thought and execution

But also keep in mind the superhero genre was still in its infancy, with Superman his own self first appearing in print in 1938. The language and tropes of the superhero comic had yet to establish themselves, leaving Hanks free to interpret the genre in his own unfettered way.

If you’re unfamiliar with the man’s work, a quick Googling will pull up plenty of examples, or you can see an overview of a Stardust story here. And trust me when I say, that’s not even one of the weirder Stardust stories.

A thought that just crossed my mind: Hanks’ comics are like, what if the Herbie the Fat Fury stories were serious? It almost feels that way.

At any rate, Hanks’ work started get a lot of attention a decade or two back, thanks to a couple of nice paperback collections from Fantagraphics. That certainly made new fans of the man’s work. And that brought us to a couple of years back, when a book of new stories about Hanks’ Stardust character showed up on a crowdfunding site. Lots of great creators were involved, lots of perks for the supporters, it all looked great.

Unfortunately, it was a large number of creators, which is, to use the old expression, like herding cats, so the book took a little longer than intended to produce and put out. But supporters were kept in the loop, and worries were kept to a minimum.

At last, this month, they started to ship, and I got mine:

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Haven’t had much more than a brief flip-through of the volume, but it’s very nice looking, beautifully colored and printed, and featuring some real top flight talent.

Unfortunately there is a page of A.I. art in the book, apparently being used by the “artist” on purpose to make a point about something, but I’ll never read it and neither will you. Doing A.I. “comics” is an insult to other actually talented creators involved in this book and should never have been allowed.

The other little thing that bugged me about this had nothing really to do with the book itself, but rather how one of the funding campaign perks was handled.

This is what I ordered for the shop:

BERJAYA
That would get me three copies of the hardcover, and as it says right there in black and white, “all copies signed by Mike Allred.” Great, all the books will be autographed, I’m getting everything at a reasonable price, should sell great at the shop.

As it turns out, the books weren’t signed, and I instead got these separate bookplates with Allred’s signature:

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…which, you know, “signed bookplate” is fine, too, probably easier for the publisher to get those shipped from place to place instead of mailing hundreds of books to Allred, or flying Allred out to where the books are and have him sign them there. But “bookplate” is different from “book signed” and that distinction should have been made more clear.

On top of everything else, said bookplates are wider and a hair taller than the actual book, so if you’re gonna but them in there, you may have to trim them down. And they’re not self-adhesive so you’ll have to glue ’em down yourself.

Sigh. I did drop a line to the publisher suggesting that he be more careful about this sort of thing in the future. Or maybe it was just something that was out of his control…maybe he was just as surprised at the size of the signed bookplates but it was too late to do anything about it. Who knows.

To reiterate: the book itself, with that minor one page caveat, looks wonderful and I can’t wait to dig into it. The other issues may be a little disappointing, but the book itself is the important bit and that looks like they got it about 99% correct. Can’t wait to see who was able to lose their minds enough to match Fletcher Hanks’ illustrated insanity.

Just one official Swamp Thing/Man-Thing crossover, I don’t ask for much.

§ September 19th, 2025 § Filed under dc comics, marvel § 17 Comments

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So Deadpool/Batman #1 (or, more accurately, “Marvel/DC: Deadpool/Batman #1″) has finally been unleashed to, far as I can tell from my wee little comicks shoppe, a very popular item.

In my case I ordered a lot, more than I would normally order on what would be considered a Big Comic, out of my belief that this would have legs. Most new comics that come out have their primary sales window in the first week of release, with a few straggling sales in the following weeks, maybe, before they get pulled for back issues and to make room for the new issue, if there’s one coming in.

I think Deadpool/Batman will have a longer sales run than that, as it is the first Marvel/DC crossover in 20 years, and for a lot of people buying it, the first they’ve experienced as a new release. Also, it’s a one shot with a variety of features and (of course) variant covers, making it easy to collect. Just buy the one (or two, or six, if you want the different covers) and you’re done.

Of course, there’s the DC/Marvel Batman/Deadpool coming out in a month or two, so it’s not all done yet. And I am kind of curious if the turnout for this first release will be matched by that for the second. We will see.

But back to this comic that’s here right now, currently on my new comics rack, being picked up by just about everybody coming in. I joked (or “joked”) not long ago that some days, my shop just felt like an outlet for DC’s Absolute Comics line. Well, now sometimes it feels like and outlet those that, still, and this new crossover. I’m seeing lots of new customers buzz in to pick up this new comic specifically.

Yes, yes, but is it any good? Sure, it’s fine. It delivers what the people want, a crossover between Marvel characters and DC characters. The lead story with the title characters is fun, with only a few slightly off-color jokes from Mr. Pool as he and Batman do their thing against a particular bad guy, I don’t remember if it’s general knowledge who it is. Slight but entertaining.

The other stories are pretty much as expected…a Daredevil/Green Arrow story written by Kevin Smith, a cute Krypto/Jeff the Land Shark story, a wild Dark Knight-era Batman/Old Man Logan short by Frank Miller…it’s a good mix of work. The one story people seem to be complaining about is the Wonder Woman/Captain America WWII-era crossover, where they corner Hitler and argue over straight up killing him or taking him in to face justice. If we were still in the Golden Age, there might be an issue, but as the characters are interpreted today, frankly they both would have put him down immediately. But ah well, What Can You Do?

The sales success of this comic (and, hopefully, the follow-up produced by DC) could very well lead to more of thse Marvel/DC events in the future, but here’s hoping they don’t overdo it like they did in the ’90s/’00s. Sure, there were a lot of good ones (that Hulk/Superman one drawn by Steve Rude is something else), but it really did get to the point where they just weren’t special anymore. (At least until JLA/Avengers came out, which was absolutely special.)

As such, if these two companies contiue to work together for releases like these, maybe keeping it down to just three or four a year at the absolute most would be ideal. Or even just two, like the Deadpool and Batman books, with each company producing their own versions of each team up.

As online pal Jacob notes, there’s a time limit on this, set by whenever one company or the other or both get annoyed with each other and puts an end to these co-publishing money-makers for another couple of decades. I just hope they hold it together enough to get a wide reprinting (versus the limited one they did a couple of years back) of JLA/Avengers, because honestly, that’s just leaving cash on the table.

“Did you know that even a potato can die?”

§ September 17th, 2025 § Filed under television § 3 Comments

Not much to say today, other than I’ve been spending some of my minimal amounts of free time rewatching my DVD set of The Tick, the 2001 live action series starring Patrick Warburton in the big blue title role.

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There he is, pictured above with David Burke as Arthur. Warburtpon struck the absolute perfect note with his portrayal, a relentlessly positive and often single-minded outlook on the world needing the justice only he could deliver, whether the world wanted it or not.

Accompanying them are, of course, their stalwart pals Captain Liberty (played by Liz Vassey) and the frankly amazing Batmanuel (played by Nestor Carbonell)

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The series only ran 9 episodes, which is far too few, and each of them a genuine gem. The Tick’s creator, Ben Edlund, was heavily involved, and resulted in a short run series that was too beautiful for this world.

Edlund would, years later, work on a second live action Tick series, a little grittier and more complex and still very funny, which managed to get two seasons before the powers that be at Amazon put their collective foot down. But I find myself more a fan of the 2001 series, with its shorter, punchier episodes and sitcom feel.

And yes, there’s the 1990s cartoon, which many folks love, and rightfully so. It just never grabbed me, what can I tell you. Even when it comes to the Tick comics themselves, I’m a little picky, which I discuss in this Final ’80s Countdown entry on the franchise.

But 2001 live-action Tick series, I’m glad you got even this brief chance at life, and a DVD release to boot. And a DVD of the series is still available for sale, for those of you who are interested! (Yes, purchases from that link give me a piece of the action, just so I’m up front about it.)

One supposes the limited runs of the television shows would preclude some kind of theatrical adaptation…by which I mean “a movie” not like “a Broadway musical” but boy wouldn’t that be the greatest? But a Tick film would be glorious to behold. Especially if they get Patrick Warburton back in the role.

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