If I asked you to name a performer that you would associate with Pete Seeger I hardly think that Marlene Dietrich would be amongst your top ten answers. The earthy folk singer and the equally earthy but soignee femme fatale film star seem to have little in common. However the other day when I took part an impromptu singalong to one of Seeger’s best known songs it was Dietrich who immediately sprang to mind.
Seeger compiled the anti-war ballad Where Have All The Flowers Gone in 1955, taking inspiration for the first three verses from “Koloda-Duda”, a Cossack song he had read about in Quiet Flows the Don. For the melody he took an Irish folk song and slowed the tempo and fit the words to it. Later Joe Hickerson added two more verses and repeated the first verse turning it into a circular song. It was to become a favourite with folk and pop singers particularly during the years of the American War in Vietnam. You could expect to hear it at least once at any folk festival in North America. But it wasn’t something you would expect to hear sung in a Cabaret act and particularly not from Marlene Dietrich. But sing it she did and made it her own.
Though Marlene Dietrich had sung in many of her movies her style was more what is called speak-sing. Her natural contralto had a limited range but her expressiveness in conveying the lyrics of any song she sang made that immaterial. As she grew older her film career began to take a back seat to her cabaret and concert appearances. From 1955 until the early 1970s she appeared in name night clubs and concert halls.
Her show was an incredible mixture of nostalgia, artifice, illusion, disciplined professionalism, and what one reviewer called her “belief in her own magic.” With conductor and arranger Bert Bacharach she created an act that encompassed songs from her movies, her tours of the Allied trenches, and pop songs in English, French, and German. One of the many highlights of any concert was Where Have All The Flowers Gone? which Peter Bogdanovich said became “not just another anti-war lament but a tragic accusation against us all.”
There are many videos on YouTube capturing her performance over the years and it was difficult to choose one to post. Though they are essentially the same there is always some little inflection or nuance that is different. Perhaps the best would be a compilation but I choose this one from the 1963 Royal Command Performance in London.
Sadly, as we recalled only two days ago and we see in the news every day that “tragic accusation” is a true today as it was when Seeger penned it in 1955 and Dietrich sang it in 1963. When will we ever learn?
The word for November 13th is:
Soigné /ˈswɑː.njeɪ/: [adjective]
1.1 Showing elegance and sophistication.
1.2 Polished and well-groomed; showing sophisticated elegance.
Directly from the French.
1821, a French word in English, from French soigné (fem. soignée), from past participle of soigner “to take care of,” from soin “care,” which is of unknown origin.


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