Trains and Boats

We are just back from a week in Whitby where we stayed in a third-floor riverside apartment watching the clockwork of the tides, Northern Rail and the North Yorkshire Moors Railway (NYMR). It was not the usual kind of country cottage we stay in, but a wonderful location nevertheless, and an unexpected family holiday in a year when the offspring had planned things of their own. 

Here are some pictures of the NYMR post-lockdown ‘Optimist’ service arriving from and departing for Pickering:

Arriving with heritage diesel-electric locomotive D7628 ‘Sybilla’ at 11.00 on 18th August

Leaving with 4-4-0 steam locomotive 926 ‘Repton’at 16.30 on the 19th August

Leaving with the unnamed 4-6-0 locomotive 825 at 16.30 on the 21st  August

I love the NYMR heritage railway. It runs for eighteen miles through the North York Moors National Park from Pickering to Grosmont. At the northern end, trains can then join Network Rail tracks to run the six miles from Grosmont through to Whitby. Regrettably, the eight miles of track connecting Pickering to Malton at the southern end was lifted after the Beeching cuts of the nineteen-sixties. If still in place, trains would be able to run all the way from York to Whitby without having to go round by Middlesbrough, which would be very popular. Hopefully, one day it will happen. 

In past years we have had many happy days out on the NYMR. We have driven to Pickering, caught the train to Grosmont, eaten in the pub, walked back to Goathland and returned on the train to Pickering. We have done a similar walk between Newton Dale Halt and Levisham station. We once used it to visit to Whitby. A lot of people like to visit Goathland as the location of Aidensfield in the television series ‘Heartbeat’ which is set in the nineteen-sixties, and its railway station appears in the ‘Harry Potter’ films as Hogsmeade station. 

You can do all of this, of course, by car, which costs a lot less, but that way you don’t get to ride on a steam train. Some love it so much they just travel back and forth along the line. We’ve done that too. I could spend all day just watching the wooden railway gates at Grosmont: proper swinging gates that make a satisfying clunk when they come to rest against their wedges. Here are some past pictures.

Grosmont, August 2002

Goathland, July 2014

Grosmont, July 2014

Grosmont, July 2017

Last week was the first time we have stayed in the area without visiting the railway. They have had to introduce COVID-safe restrictions, such as non-stop services and pre-booked seats only, making it difficult and inconvenient. I don’t know whether there is any more risk of catching the virus on a train than in walking the crowded streets of Whitby, Scarborough or Staithes, which we did. If, say, one in twenty thousand people is infectious, then you would be unlucky to encounter it at all, and even unluckier to catch it.

The trouble is that lots of small risks combine to make bigger risks, so that if an infectious person is around in the community they could easily infect someone, somewhere. You just have to hope it won’t be you. I suppose that one infected person on a train could infect several others, whereas in the street, provided you and most others are sensible, you would only be near that person for one brief moment in which you are unlikely to get it. I really do not want to catch it. Even those with so-called mild cases, such as the son of one of my cousins, a fit young man in his thirties, have had unpleasant and worrying symptoms persisting for months.

Anyway, I didn’t just think about trains. I thought about boats as well. Even Mrs. D. was fascinated by the activities on the river and in the boatyard:

“Look! There’s a gap now next to the greeny-yellow one. I wish we’d seen them lifting it back into the water. And there’s a chap with a hose pipe on top of that black and white one [see first picture]. And that couple are still on the white boat this morning. They must have been there all night.” 

What fun to have a little boat moored at Whitby to live on board whenever you fancy a few days away. 

I became especially interested in the boat resting on the mud bank in the first picture. She usually re-floated at high tide but not always. One morning she stayed on the bottom with water over the sides and spouted like a leaking kettle as the tide went out. But hoo-ray and up she rises come the next tide.

06:00 a.m. 20th August

Later the same morning - 09:30 a.m. 20th August

The following day - 07:00 a.m. 21st August

Ignoring ridicule from my family (“Oh no! He’s obsessed with clapped out boats as well as clapped out trains!”), I walked round over Whitby swing bridge to take a closer look. The boat turned out to be Sunderland-registered trammel net trawler SD403 ‘Our Mellissa’, built in Denmark in 1979, previously named the Norlan and the Kraefrihed, which seems to have been active in Whitby until around 2016. Here she is with our ‘Whitehall Landing’ apartments across the river (on the site of a former shipyard, they were supposedly designed to look like traditional dockside warehouses), and in happier times in Whitby Harbour in 2010.

SD403 Our Mellissa at Whitby, 20th August 2020

SD403 Our Mellissa in Whitby Harbour 2010

I didn’t just think about boats either. The North York Moors around Whitby is wonderful walking country, but that’s another post.

Great Yarmouth, June 1960

Early nights, top entertainment and lots of healthy fresh air: that’s what you got with seaside holidays in the nineteen-fifties.

As it’s the holiday season (so I might go quiet for a while), here is a posthumous post from a guest contributor – my dad – written shortly after a week’s holiday exactly fifty-nine years ago in a boarding house at Great Yarmouth, Norfolk.

We were taken by car on the Sunday morning (he would have been working on the Saturday) and returned by train the following Saturday. Below, I am t–, my mother is M– and my brother who was then aged 4 is mj.
 

Notes On a Seaside Holiday.
YARMOUTH June 19th to June 25th 1960

Sunday: Mr. Mapplebeck of Rawcliffe took us by car. We were away from the front door by 7.55 a.m., a pleasant but fast ride; mj was sick twice on the journey. We were ready for lunch in the digs when the dinner gong went at 1 p.m. Beach in the afternoon, then a walk round a fun fair in the evening. Bed 8 o’clock.

Monday morning; lovely walk and bus to town, sea trip from the River Yare. Beach in the afternoon, show (Charlie Drake) in the evening. Later drink by myself in the pub, reflected on the atmosphere of seaside pubs.

mj, dad, M- and t- on board the Norwich Belle at Great Yarmouth.
Date and time on the back: Monday 20th June 1960, 10.15 a.m. 

Tuesday: all down to the station for details of the return journey, followed by lovely Broads cruise to Reedham. Afternoon on beach, evening shopgazing with M– and boys. Reflected we do not often have an opportunity for a family loiter. Returned 8 p.m. continued reading Richard Church’s “Golden Sovereign”, bed 10 p.m.

Wednesday: mj slept while 10 a.m. t– rowing by himself on the boating pool, I enjoying reading the Daily Telegraph, later t–, mj and I sea trip in Filey type cobble. Beach in the afternoon, open air type theatre entertainment in the evening very mediocre, took mj back to digs and he was ready for bed before the finish, all in bed by 10 p.m.

Thursday: t– on the rowing pool, mj in a pedal car, then all into town for a little present shopping. Once again I thought how privileged we were being able to stroll about together. Beach in the afternoon, in the evening M– took t– to the Charlie Chester show. I strolled mj round the front, he had an ice cream cornet, we walked round the pin table alleys and I considered the tastes of the contemporary world, but then everybody can’t go abroad. Then mj had another ride in a pedal car, mj a little boy of 4 years old going round and round, I’ll keep that memory, they soon grow from one stage to another. The different phases are very short. We went back to the boarding house and I put mj to bed.

One of several 1950/60s Yarmouth videos on YouTube - click to play

Friday, we all went for a walk in the morning, children went in the fun fair cars. I was a little apprehensive the cash was getting a bit short by now. Beach in the afternoon, both the boys playing and digging well, I bought a packet of paper flags. In the evening M– took the children for a walk, I gave them 4/6d. to spend while I went to the pictures.

Saturday. The taxi picked us up as arranged, we left Yarmouth at 10.10 a.m. a little disconcerted to find there was no restaurant or buffet car on the train. M– dashed off the train at March station and procured three sandwiches, two small packets of biscuits and a couple of cartons of orange juice for the noble sum of 8/-. Anyhow after that mj fell asleep, we had to awaken him to change trains at Doncaster, we arrived in Goole about 4.45 p.m. and were fortunate in getting a taxi home. Lovely. We had a very good week for weather and the following week it broke, so we were very lucky.

Thursday afternoon July 7th 1960

The Norwich Belle sailed out of Great Yarmouth until around 1981

The above images are so widespread on the internet one can only assume they are now free of copyright restrictions.

School Woodwork

In our tough new carpenters’ aprons – loops round necks, strings tied at the back, two deep pockets at the front – we really looked the biz. The room smelt of sandpaper, sawdust and lacquer, and housed around eight or so workbenches: the kind with shoulders at the sides, tool cupboards underneath and a vice at each corner. It was where things got made, like model boats. Well, mine vaguely resembled a boat. I think we had to make them because it involved a variety of tools and techniques, rather than for any functional reason.

With that pencil-behind-ear air of can-do competence that only real woodworkers possess, Tacky Illingworth showed us how to shape a piece of wood into a hull by pointing the bow and rounding the stern, how to chisel out a couple of recesses in the top to leave a bridge, fo’c’s’le and fore and aft decks, and how to attach dowel masts and a funnel, simpler but not dissimilar to the model in the picture. Mine was awful: irregular, lob-sided, gouge marks and splinters where it should have been flush-flat smooth. At the end of the year I didn’t bother to take it home.

A marking gauge

I did learn to love the beautiful, age-old tools though: the tenon saw with its stiffened back, the smoothing plane, the spokeshave, the carpentry square, the brace and bit, the mallet and woodworkers’ chisels, and best of all, the marking gauge. Unless you knew, how could you ever guess what a marking gauge is for? Why does it have a sliding block with a locking screw? What are the spikes for? Why two on one side and one on the other, and why are they moveable? A mystery! I’ve got my own now. I used it to mark how much to plane off the bottom of a door when we got a new carpet.

A stopped or half-blind dovetail joint

After spending the following year in Metalwork, we were allowed to choose which to continue. I returned to the relative peace and safety of the woodwork shop, the lesser of the two evils. We had to decide upon a project, so I went for the ubiquitous book rack in its simplest form – a flat base with two vertical ends and a couple of pieces of dowel for feet. I selected a beautiful plank of mahogany which my parents had to buy, and began to cut out what were supposed to be stopped (half-blind) dovetail joints – visible underneath but not at the ends. It was far too ambitious. At the end of the year it laid unfinished on a shelf in Tacky Illingworth’s stock room, wrapped in a soft cloth. His school report flattered me.

 
That could have been the end of the story because there were no crafts in subsequent years when ‘O’ levels took priority, but an unexpected change of policy allowed games-averse weaklings to escape to art or crafts instead. Metalwork was no longer on offer. It had been replaced by pottery, which was tempting, but for some bizarre masochistic reason I went for woodwork again. Maybe I refused to be defeated. Tacky Illingworth proudly retrieved my unfinished book rack from his stock room, still in its protective cloth from eighteen months earlier. 

I even finished the thing. I wrote the date on the bottom: April 1966. It’s a real mess of course. At one end I broke through the wall of the ‘pin’ part of the dovetail and had to stick it back in, and the joints were so loose that even glue could not hold them together. Tacky Illingworth reluctantly allowed me to fix it with screws. It has been on my desk for over fifty years.

I wondered if I could find it hiding in old photographs, and yes, here it is in various Leeds and Hull corners of the nineteen-seventies. It still holds one of the same books.

If I were to make it again today, in the same way with hand-tools not machines, it might not be perfect but I like to think it would be better. At the very least I would hope not break the ends. It probably comes down to patience, and perhaps a bit of care and confidence as well. As someone once said, education is wasted on the young.

Other school stories include:

School  Metalwork

Jim Laker, Mr Ellis and the Eagle Annual

A Silly Christmas Love Story

 

What Is Wrong With This Steamer?

Having failed so miserably to identify the seventeen errors in What Is Wrong In This Room?, I need to try again, if only for my self-esteem. So here goes, another puzzle from my 1927 copy of Arthur Mee’s Children’s Encyclopedia: What Is Wrong With This Steamer?

I am going to cruise through this because I know all about ships. I’ve got nautical blood. My great-grandpa was a master mariner and my dad used to take me to watch tide-time at Goole docks. We had books about ships, used to play with toy ships and went to see the Queen Mary sail. I’ve been on the cross channel ferry, sailed a model yacht across the West Park pond and circumnavigated Peasholm Park lake in a swan pedalo. My wife’s grandfather wrote books about sailing. It’s going to be a sea-breeze. I’m on course for a fleet of ten out of ten. So, full steam ahead Captain, all hands on deck, let’s cast off and get under way.

Just look at those Roman numerals on the bow. They are supposed to show how deep the ship is floating in the water so should obviously run from bottom to top. And while we’re looking at the bow, where is the ship’s name? As for those rope ladders up the mast, they have no rungs at the top. Easy! We’ve logged 3/3, a fair rate of knots.

Is this the calm before the storm? Sailing close to the wind, I sneak a look at the answers. I must have had only one oar in the water not to realise that portholes open inwards, not outwards, as should that square shaped hatch. Evidently it’s a scupper for draining water from the deck. That scuppered me. But is the marking scheme above board to tally these as two answers? If so, it’s only 3/5 now.

We’re into deep water. We’ll batten down the hatch and press on, but I can’t fathom out any more. The answers say that the foremast and funnels should lean backwards rather than forwards. Oh come on! You can hardly tell. It might help if the drawing was shipshape. And does it fit the bill to score these as yet another two. I’m all at sea with 3/7. 

The next ones leave us becalmed in the doldrums. The waste steam pipes should be in front of the funnels rather than at the sides – I didn’t even realise what they were – and you would really need to know the ropes to realise that ships do not lower their anchors in dock. The answers then say that the anchor-chain hole is the wrong way: presumably it should be more vertical than horizontal. All right, I didn’t spot these, but ahoy Arthur Mee, matey, don’t you know that an “anchor-chain hole” is correctly called a hawsehole? I’ll hazard that every nineteen-twenties child would have known that. I should get extra credit, even if I only remembered it because it sounds rude. I’m sunk with 3/10.

But what’s this – an eleventh answer, or is it thirteen? It said there were only ten. There are no ventilators (those sticking up tuba shaped things you see on ships). Nor are there any halyards or foretop-mast stays. No what? I’ve had to google those. It’s beginning to sound like a verse from What Shall We Do With A Drunken Sailor.

Well, I’m pooped. Shiver my timbers. That’s taken the wind out of my sails. But if Arthur Mee is going to take us aback with supernumerary answers, then I should get my extra hawsehole mark, so 4/11, or 36%. In my university days that would have been a refer grade. I demand another re-sit, to start again with a clean slate. I’m up in the crow’s nest on look out for another puzzle.

The Day We Saw The Queen Mary Sail

(and C. P. Snow’s surprising digital footprint)

My dad was captivated by ships from childhood when ocean-going liners were surely the most exhilarating machines that would ever be built. He knew the names and colours of the British shipping lines – Cunard: red and black funnel, yellow lion on a red flag; Union Castle: also red and black funnel, red cross on a white and blue flag; Peninsula and Oriental: buff yellow funnel, blue, white, red and yellow flag – and some of the foreign ones too. It was at least partly the reason we found ourselves on holiday near Southampton, the first time we had ever been so far from Yorkshire. Once there, it was inevitable we would visit the docks.

RMS Queen Mary arriving at and departing from Southampton (click to play)

As we approached Ocean Terminal, three towering Cunard funnels told us the Queen Mary was in port. Small boat owners vied for passengers to take on sea trips to see her sail that same afternoon: an opportunity not to be missed.

We boarded a launch and sped off down Southampton Water leaving the Queen Mary at the quayside. Any doubts as to why we had sailed so far ahead were soon answered. “The Mary’s moving,” our own captain announced, and within a short time she had overtaken us, a vast floating palace towering above, as smoothly and effortlessly as a huge white cloud in a strong breeze. Her powerful engines were easily capable of 28 knots (about 30 miles or 50 kilometres per hour) compared to our 6 or 7. We were left bobbing like corks in her wake as she turned into the Solent. Dad remembered the day for the rest of his life.

From photographs and postcards I can work out it was towards the end of August, 1960, during the last dying years of the transatlantic passenger trade. From genealogical web sites, I can actually pinpoint the date as Thursday 25th. The Queen Mary called briefly at Cherbourg before crossing the Atlantic to arrive in New York on Tuesday 30th, a five-day voyage. Not only that, but, incredibly, you can see the ship’s manifest listing the individual names and details of every one of the 1,024 passengers and 1,203 crew under the command of Commodore John W. Caunce. It is an incredible digital footprint.

Many of the first class passengers are Googleable, among them two writers, Charles and Pamela Snow. They were the distinguished novelist and scientist C. P. Snow and his equally-accomplished wife, the novelist and playwright Pamela Hansford Johnson, travelling with their son Philip and her teenage daughter Lindsay Stewart. Philip was just one of eighty children on board. Some of them stood on deck and followed that incomprehensible human instinct to wave to strangers in the accompanying flotilla of pleasure boats. I wonder if any of them noticed a ten-year old boy waving back.

At the time, C. P. Snow was enjoying the controversy caused by his Two Cultures lecture the previous year, in which he had lamented the gulf between science and the Arts. He had implied that many scientists would struggle to read a classic novel, and that many humanities professors would be unable to explain simple scientific concepts such as mass and acceleration, making them the scientific equivalent of illiterate. Most resented the insinuation that a poor knowledge of science rendered them uneducated and ignorant, including the acclaimed literary critic F. R. Leavis. He let loose an astonishingly abusive and vitriolic response, part of which went:

Snow is, of course, a – no, I can't say that; he isn't. Snow thinks of himself as a novelist [but] as a novelist he doesn't exist; he doesn't begin to exist. He can't be said to know what a novel is. The nonentity is apparent on every page of his fictions.

Leavis continued the attack at length, giving examples of what he said was Snow’s characterless, unspeakable dialogue, his limited imaginative range, and his tendency to tell rather than show. Others jumped to Snow’s defence, suggesting it was in fact Leavis who could not write. It was brilliant, sensational stuff, still talked about decades later. Both academia and the general public, including my dad, soaked up the spectacle in pitiless delight, entertained by intellectual heavyweights slugging it out with metaphorical bare knuckles.

None of this meant anything to me at the time, of course. It would be another twenty years before I discovered and found it greatly entertaining, but my dad would have been fascinated to learn that Snow and his wife were on board. A little more Googling reveals they were on their way to spend the autumn at the University of California at Berkeley. Before their return, both, along with the prominent English writer Aldous Huxley and the American Nobel chemist Harold C. Urey, took part in seminars on Human Values and the Scientific Revolution at the University of California Los Angeles on the 18th and 19th of December. The Staff Bulletin described it as “one of the most distinguished intellectual occasions in the history of the University of California”.

If it is possible discover this much about the activities of (albeit well-known) individuals in 1960, one fears to imagine what digital footprints we might leave behind ourselves. Most of what we buy, our social interactions, our medical and educational records, our motoring activities, and so much more, are now all stored on a computer somewhere, possibly in perpetuity. I wonder who is going to be looking at mine in sixty years time.

Little Ships

H.M.S. Hood edged slowly for’ard towards the lock at the far side of the attic floor.

“Engines full astern” bellowed the captain. “Ding ding, ding ding!” signalled the bridge to the engine room. “Boom-boom, boom-boom, boom-boom,” sounded the propeller, spit splashing from my dad’s lips like sea spray.

“Watch out!” he warned. “Don’t get caught in the propeller.” He pushed me to the floor. “Man overboard!” He trapped me in his arms and legs and started to spin me round and round. “That man’s got caught in the propeller. Boom-boom, boom-boom, boom-boom.”

“Stop engines. Ding ding, ding ding!” The ship blew five blasts, one long and four shorts: “Bvvvvvvvvvv, bvvv, bvvv, bvvv, bvvv,” to warn she was about to swing round. “Drop anchor. Diddle diddle diddle diddle diddle diddle, splshhhhhh!” I’m not sure whether the coughing that followed was supposed to be part of the sound effects or not. 

We were playing ‘Little Ships’. Most of them were waterline models of battleships. We had H.M.S. Nelson and H.M.S. Rodney (identical sister-ships), H.M.S. Hood, a couple of submarines and three or four destroyers. Finding them again now, online, I am fairly sure they were from the pre-war Dinky Toys diecast metal set number 50: Ships of the British Navy. They were modelled to a scale of 1:1800 (150 feet to the inch), which meant they varied in size from five inches (12.75cm) down to two inches (5cm). They were of course my dad’s childhood toys and he still liked to play with them. He pushed them around the attic floor making appropriate engine and captain noises. He knew all about ships because his grandfather had been a master mariner. At first I just used to watch.

Like the ones pictured, most of the battleships had already lost their guns by the time I came along, but that did not matter because, living in a seafaring town, we pretended they were merchant ships. We had a toy dock made out of box wood, with glued-on strips to represent the quays. The lock gates were made out of strips of tin plate, and the rest of the surface was crayoned blue to represent water. It had a strange fusty smell. Ships sailed upriver from abroad, swung round on their anchors, manoeuvred through the lock and moored against the quays inside. The tiny destroyers were make-believe tugs to help the larger ships move around in tight spaces. My dad glued a wooden jetty to the attic floor so ships could tie up downriver to wait for the tide – just like at Blacktoft.

We had just one merchant ship, the Italian liner Rex, also a pre-war Dinky model, which, together with half a destroyer, are all that now survive. Of the rest, H.M.S. Hood, emulating its real-life counterpart, was accidentally smashed to smithereens by someone’s foot. The others rattled around inside a Crawford Tartan Shortbread tin until they disintegrated and were thrown out: a pity because they are now much-in-demand collectors’ items. Even the biscuit tin is a collectors’ item. We found it with the ships in my dad’s sideboard.

Also gone are the wooden models we made ourselves. The tray-shaped softwood strips that used to hold propelling pencil leads made an ideal starting point. You pointed the bow and rounded the stern with sandpaper, glued on a matching fo’c’s’le and bridge, and cut a thin piece of dowel for the funnel. You painted the deck white, the sides black and the funnel whatever colour you wanted. It made a passable scale model merchant ship.

After seeing my dad make them I tried myself. The outcome was a poorly finished, vaguely ship-shaped blotchy white lump. I should have started with something better than a knotty strip of firewood. I proudly took my ship to show Jack who sat next to me at school. I didn’t notice the funnel had come off and fallen on the floor in front of Miss Walker’s desk.

“What’s this?” she asked the class, prodding it with the toe of her shoe, disgust in her voice. “Is it a sweet or something?” I had to go out to the front and pick it up. I would have been about seven.

Later, in the nineteen-sixties, we bought some new little ships for my brother, but at 1:1200 scale they were slightly too big. These were Triang models: M704 the S.S. United States, M705 the R.M.S. Aquitania, and M732 the Shell tanker S.S. Varicella. They had plastic masts, most now lost. These were also in the biscuit tin.

I looked up the real S.S. Varicella. She was built on Tyneside in 1959 and sailed under the Union Jack with a mainly British crew until sold in 1976 and scrapped in Taiwan in 1983. Its battered model survives it by many years. Yet it has to be said that any real ship in that condition would be towed off to the breakers yard, its place taken by a foreign-built ship, with a foreign crew, sailing under a foreign flag. Perhaps no one but oldies would want to play ‘Little Ships’ now.

“Bvvvvvvvvvv! Ding ding, ding ding! Half ahead.”

My mum gave us one of her withering looks. “How ridiculous! How could anyone have half a head?”

Tips, Ships and Executorships

“Never, ever, appoint a bank as executor to a will.” My dad’s advice was born out of sheer frustration.

“You’ll be all right one day son,” his own father had told him in expectation of a life-changing legacy due on the death of an ailing wealthy spinster living permanently in a hotel in Harrogate. As things turned out she lived another thirty years, by which time the legacy was no longer life-changing, much of it having dwindled away in unnecessary professional fees.

Edwin Ernest
Atkinson (1872-1939)

It was one of those unanticipated quirks of family history that testators fail to imagine when making their wills, which result in their money going to unrelated beneficiaries they never knew or had even heard of: in this case my father, his sister and the husband of their late cousin. It originated in Edwin Ernest Atkinson, chairman of the Yorkshire Dale Steamship Co., and Atkinson and Prickett Ltd., shipowners and brokers of Hull.

On leaving school, Edwin had first worked as a clerk for the Aire and Calder Navigation Company at Goole docks, and then as a coal exporter with the shipping company J. H. Wetherall & Co. In 1906 he began in business on his own, joined in 1911 by Thomas William Prickett.

Within twenty-five years both were rich men with handsome houses on the outskirts of Hull at Hessle. Edwin’s was called ‘Waylands’, at the corner of Woodfield Lane and Ferriby Road. It had eight bedrooms, an oak-panelled dining room, two other large reception rooms, a billiards room, domestic quarters, coal-fired central heating, outbuildings, cultivated gardens, a heated greenhouse and vinery, tennis courts and a croquet lawn. Thomas William Prickett had a similar property, ‘Northcote’, next-door-but-three at 85 Ferriby Road. Among their ships – their dirty British coasters with salt-caked smoke stacks – were the SS Yokefleet, SS Swandale, SS Easingwold and MV Coxwold. There were trains of railway wagons bearing the company name.

'Waylands', 93 Ferriby Road, Hessle (now 'Woodlands Lodge')

Atkinson and Prickett ships: SS Yokefleet, SS Swandale, SS Easingwold, MV Coxwold

When Edwin died in 1939 at the age of 66, he left a life interest in most of his £27,000 estate to his wife and only surviving daughter. Adjusted for retail price inflation, this would be today’s equivalent of £1.3 million; probably five times that in terms of earnings inflation, and far more in terms of property prices. It was a considerable sum of money. His wife died less than two years later, thus his daughter, Constance Ruby, still in her thirties, assumed a life interest in the whole sum, to live in comfort and luxury for the rest of her life. She was the lady in the hotel at Harrogate.

Note that Edwin only left a life interest to his wife and daughter, rather than the capital sum outright. They therefore received income from investments, and the capital remained intact. It was perhaps a throwback to those earlier chauvinistic times when women were not expected to manage their own financial affairs. It also kept the money out of the hands of any unscrupulous husbands they might later marry.

Numbers 8 to 2 North Bar Without, Beverley, with the fifteenth century gate to the right

Constance Ruby never did marry, although she did have a brief engagement at the age of twenty. She later became Clerk to the Archdeacon of York, living in the Precentor’s Court at York Minster. After her father died she moved to Harrogate with her widowed mother. Later in the nineteen-fifties, she moved to Beverley, into a half-timbered eighteenth century house immediately without the North Bar (the fifteenth century gate). She died there in 1983. As she was the last surviving descendant of Edwin Ernest Atkinson, the capital passed in equal shares to the families of his three siblings. One of them was my great-grandfather’s second wife.

Five years after his first wife had died, my great-grandfather had married Edwin’s sister, a forty-eight year old spinster. There were no further children, but a deeply shared interest in Methodism saw them happily through the next twenty-four years. Of course, they and Edwin’s other siblings had all died long before Constance Ruby in 1983, so the money passed to their families. Thus, one third of the capital passed by marriage, through my great-grandfather, through his children who had also died, to my father, his sister and their late cousin’s husband – people Edwin probably never heard of.

It was not so simple. An unfortunate legal charade had gobbled up much of the inheritance. The solicitor who managed the capital trust had sensibly taken steps to establish the names of the beneficiaries in readiness for when the trust was eventually wound up. He had collected the documentation to show that my father, his sister and their cousin were the rightful beneficiaries to a one-third share. But then, at some point during the nineteen-seventies, the National Westminster Bank trustees department persuaded Constance Ruby that her affairs would be better handled by them, and took over the management of the trust. They began the lengthy process of establishing the beneficiaries all over again, but after several years were still not convinced they had identified them all. Everything came to a standstill after Constance Ruby’s death. It was only through our persistent intervention that the case was transferred back to the original solicitors and at last sorted out.

Around this time, bank Executor and Trustee departments were becoming known for their outrageous fees. An article in The Times in 1985 explained how one executor saved nearly £7,000 by handling a simple £100,000 estate himself. Solicitors charged less, but were still expensive. We have no way of knowing what fees were taken out of the Atkinson trust, how well the investments performed, or how much income was paid out over the years, but when my father and his sister at last received their legacies, what would once have been life-changing sums had shrunk away to just over £3,000 each. Their cousin’s husband (i.e. Edwin’s sister’s husband’s granddaughter’s widowed husband) got £6,000. Welcome amounts for sure, but nothing like what my grandfather had predicted. £3,000 might have bought a small car. The total value distributed to all beneficiaries would have been around £37,000. Had the capital kept pace with retail price inflation it would have been at least ten times that amount. 

In later years, when my father made his will, true to his principle he appointed me as executor. After he died I handled everything myself. It was fairly straightforward. In another case I was able to manage sums in trust for children until they reached the age of eighteen. More recently, I handled all the paperwork for the estate of another family member. Despite being complicated by inheritance tax (by then inevitable for owners of houses in the Home Counties) it was still trouble free. Estate administration can be a long-drawn-out and time-consuming process which tests your patience and endurance, but if you have the time to cut out the banks and solicitors and do things yourself you can save an awful lot in professional fees; often several tens of thousands of pounds. You can bring things to completion much more quickly too.  

References:
Maggie Drummond (1985). Finding a will and a way to cut costs. The Times (London, England), Feb 16, 1985; pg 16.
Patrick Collinson (2013). Probate: avoid a final rip-off when sorting out your loved one’s estate. The Guardian, Sep 21, 2013.

My Picture Book of Ships

On the bottom shelf of my dad’s bookcase were some of his childhood books. He was nearly as daft as me for keeping things. There might have been many more treasures but for mum’s propensity for throwing things away, although the bookcase was sacrosanct, even to her.

I always knew he had them, of course, but never took the time for anything more than a superficial glance at the pictures. He must have treasured them greatly. All have his name and address inside and some also the date.

The earliest and most dilapidated is My Picture Book of Ships which he got in 1926 at the age of five. To a child at that time the cover must have looked thrilling: the vast bulk of the ocean liner soaring proud above the waterline, the towering hull and funnels, the dense spray from the bow-wave hinting at the rumbling power of the great engines and propellers, the huge anchor tight against the ship’s side. People yearned to travel in the luxury of these floating palaces. They were the dream machines of their day: the supersonic jets, the Lamborghinis, the spaceliners, the high speed trains, the earth moving machines, the ice road truckers. Even their names implied substance and opulence: Majestic, Britannic, Olympic, Leviathon, Edinburgh Castle.  

We used to look at it together when I was little. We studied the sixty two illustrations but never read it. The text tells of two children, Tom and Betty, who ceaselessly ask Father question about ships. They also play at ships: Tom is Captain and Father the pilot, while Chief Officer Mother sleeps “on watch” below and poor Petty Officer Betty gets ordered around.

Father of course answers all their questions patiently, knowledgeably and at length. He tells them about how the voyage of an ocean liner is organized, how sailors are trained, shipbuilding, shipwrecks, coal and oil power, sail, cargo vessels, lifeboats, light houses and light ships, paddle steamers and ferries. How he knew all this stuff is not clear. He just did. Perhaps he was a seaman himself, or maybe like my own dad his grandfather had been a Captain and his cousin was at sea. Oh yes, all dads knew everything there was to know about ships; especially when they had grown up in a Yorkshire port.

Dads could describe and explain all the pictures: cargo being unloaded at London docks, the Harwich-Zeebrugge railway ferry with wagons on board, a big ship under construction inside a massive gantry, and boys lining a high mast at a sailors’ training school. I certainly would not have wanted to have been the baby thrown through the air to a lifeboat in a rescue at sea. My dad used to pick me up and pretend to act it out.

But that is not what used to frighten me most. I was terrified of the strange double-page cartoons inside the front and back covers. Why a factual book about ships should contain such irreverent drawings is a mystery. They are not even proper ships. They show traumatised people in canoes, punts and rowing boats on an overcrowded river, being attacked by pigs, cows and swans, knocked overboard by clumsy oarsmen or tormented by badly controlled fishing lines. They all have ugly ears, gaping mouths and grotesque faces. I could never bear to look. It is still difficult now.

As Nick Ross used to say: “Don’t have nightmares. Do sleep well.”

My Picture Book of Ships published by Ward Lock & Co. (c1922) is believed to be out of copyright.