Formed in 2009, the Archive Team (not to be confused with the archive.org Archive-It Team) is a rogue archivist collective dedicated to saving copies of rapidly dying or deleted websites for the sake of history and digital heritage. The group is 100% composed of volunteers and interested parties, and has expanded into a large amount of related projects for saving online and digital history.
History is littered with hundreds of conflicts over the future of a community, group, location or business that were "resolved" when one of the parties stepped ahead and destroyed what was there. With the original point of contention destroyed, the debates would fall to the wayside. Archive Team believes that by duplicated condemned data, the conversation and debate can continue, as well as the richness and insight gained by keeping the materials. Our projects have ranged in size from a single volunteer downloading the data to a small-but-critical site, to over 100 volunteers stepping forward to acquire terabytes of user-created data to save for future generations.
The main site for Archive Team is at archiveteam.org and contains up to the date information on various projects, manifestos, plans and walkthroughs.
This collection contains the output of many Archive Team projects, both ongoing and completed. Thanks to the generous providing of disk space by the Internet Archive, multi-terabyte datasets can be made available, as well as in use by the Wayback Machine, providing a path back to lost websites and work.
Our collection has grown to the point of having sub-collections for the type of data we acquire. If you are seeking to browse the contents of these collections, the Wayback Machine is the best first stop. Otherwise, you are free to dig into the stacks to see what you may find.
The Archive Team Panic Downloads are full pulldowns of currently extant websites, meant to serve as emergency backups for needed sites that are in danger of closing, or which will be missed dearly if suddenly lost due to hard drive crashes or server failures.
"East of Eden" was the recent opening feature of weekly Saturday Night movies hosted by Martin Sheen on one of my favored viewing PBS television stations, KCET-TV channel 28 in the Los Angeles area. I remember seeing the movie many years ago with James Dean in his very first starring role. I thoroughly enjoyed that movie adaptation of John Steinbeck's novel.
Jo Van Fleet in her role won an Oscar as Supporting Actress portraying an unorthodox character pivotal in the lives of the family in this story. [Up date 3/7/13 to John Steinbeck biography at "Nobelprize.org"replacing the original link that discontinued publishing, another that requested removal.]
Richard "Dick" Davalos created a significant contrasting character role as one of the two brothers with Dean in this classic Cain and Abelstory, with an especially memorable action scene by Davalos that resulted in devastating personal consequences for theirfather, portrayed by Raymond Massey.
The youthful Julie Harrisdemonstrated her versatile acting skills caring lovingly for each of these family members as she partially compensated for needs resulting from her own family situation.
I rarely enjoy watching movies more than once because they seldom ever re-create the same feeling and reaction for me as the first time I saw them, but I did rather enjoy seeing this one again. Perhaps if I was in the movie business, and wanting to analyze various aspects of the production I would view it forty or fifty times as I've heard some directors say they've done with movies to tease out specific threads for analyzing various aspects of the whole production.
Having made plans to watch this movie, I then decided a special indulgent bring-in menu for the evening was in order. The restaurant considered my Italian salad, spaghetti with marinara sauce, two large meatballs and garlic bread a take-out order, but it was bring-in for me. Also, before the movie started, there’s nothing like throwing a little laundry in the washer to create a sense of doing something constructive while indulging in self-gratification. I accomplished a lot that night, even had half of my bring-in order left over as I just can’t eat that much at dinner.
I decided to add a couple of DVD rentals to my viewing plans, including "The Queen" starring Helen Mirrenin her Oscar winning role. This actress has been a favorite of mine from years ago when she first appeared on the U.S.A. PBS television viewing screen resulting in my awareness of her in "Prime Suspect." She's one of those few individuals who populate the world of acting that stimulate me to view whatever they appear in, because I can be pretty sure the role they play will be well acted as likely the whole production will be, too. I was not disappointed. I found myself wondering how closely the character she created paralleled the person she portrayed? We only know our own perceptions from outsideQueen Elizabeth's world, so I wonder what the real Queen would say about the approximation of the character Queen to the real Queen's reality during that time surrounding the death of Princess Diana?
The other movie I selected to watch was "The Night Listener"starring Robin Williams, creating the character of Armistead Maupin. Given the fact that this psychological thriller was based on Maupin's real life experience, as written about in his best-selling novel, with some dramatic license reportedly taken, the story became even more fascinating.
In the special features section of the DVD I was intrigued by some of Maupin's observations about the world in which we live today and how we frequently find ourselves in virtual relationships. Hetalked about how we "...have constructs about the other person that are often more about what we need than what that person actually is and we fool each other by mutual consent in order to get what we want."Interesting thought for those of us in the blogosphere.
As I thought of psychological thriller movies (some, I learned are actually considered horror films, a genre that I generally avoid,) one that I've enjoyed viewing over the years, "Night of the Hunter" came to mind, starring Robert Mitchum. Roger Ebert's review superbly describes this outstanding movie. That's the story where the villain has the words "love" and "hate" on the opposite knuckles of each hand. You may see almost 10 minutes of YouTube's video of "The Riverboat Scene"here:
I did not think the remakea few years ago remotely compared to the suspense of the original movie. My imagination responding to my own thought creation usually expands exponentially on created tension, anxiety, suspense. These are the factors that I experience as being most effective in movies such as these. I find that usually the effort to inject realism with graphic visual actions incorporating blood and gore does little toward enhancing the quality or overall effect of the scene. These added visuals become much less effective, even distracting for me, than what my own thoughts conjure. Regrettably, movie makers didn't listen to Betty Jo Tucker at "Reel Talk" as she lists a number of classic movies that Hollywood should never try to remake, including "Night of the Hunter."
I recall watching a movie a few years ago that was a remake but can't recall the title. There was such a protracted over-long scene with the villain constantly resurfacing in the water again and again and again, when we were supposed to think he must surely be dead by now, that the ending gave a bad name to even melodrama. That ending surely made a joke of that remake for me, becoming all too anti-climatic, as the writer, director, producer or film editor just didn't seem to know when to stop. This was a river/water ending of another thriller/horror movie I saw some time ago that was too much of a bad film sequence which was disappointing to me.
Fortunately, the movies I viewed in this marathon were entertaining, even provided some interesting ideas about which to think.
Writing about this experience stimulated some additional thoughts, reference to "Psycho," that will be posted later in: TV Days Memories and Glass Ceilings for Women.