Oyster cards
Some stations don't have barriers, so you can enter them even if you don't 'touch in' (I did this once by accident - if there was a barrier, this wouldn't have happened), but if your destination station has a barrier (in the previous case, mine didn't), you won't be able to get off the platform without embarrassing yourself as a fare dodger, unless there is no barrier. So as a rule, if you don't touch in, you mustn't 'touch out', otherwise your card will be credited for the longest possible journey on that train line, because the card will think you just tapped in rather than out (thankfully, I knew the rule). Confusing, isn't it? Pity the Athenians, who are now waking up to a new dawn, as the barriers at the metro platforms finally get put in place. A similar system to the oyster card is now working too, called the ATH.ENA card.)
So the first thing we do before catching a train is to check how much money is still on our oyster cards. On that particular day, each card had about £2 on it, so I topped up the adult cards with £10 each, and the children's with £5 (they travel half price until their late teens). It's better to top up the oyster card as you need it, rather than adding a lot of money to it, in case you lose it: as tourists, we don't have 'registered' cards, which means that in case of loss, we can't claim back the remaining credit on them. When you touch in, you'll hear a sound which tells you that your card was read properly by the card reader. So sound is very important when you use the trains. My husband once passed through a no-barrier station thinking he'd tapped in. He tapped out at the end of the journey, but the card thought he'd just tapped in, so he was charged for the complete journey of that particular train line. I tried to teach him how to use the system: 'SLAM the card on the reader, don't pet it as if it's a cat!' (There are ways to get your money back: it takes a bit of patience.)
As London stands today, it's in the midst of a concrete-glass-steel reconstruction, as it races to become the leader of the global connected world (while the UK's prime minister rushes to take the country out of the EU), and it keeps changing appearance on a regular basis, every time a new building starts to be constructed. It's both frightening and exciting: you have to try to keep in mind the end result of the hideous construction sites, otherwise the city will look like a cruel, heartless and ugly monster. But if you are lucky to see the end result one day, it may leave you gaping in awe. The Shard looks like just another tall building when seen from far away against London's horizon. It felt formidable seeing it from close up. It's about as tall as the Eiffel Tower.

The Beatles
I added a brief surprise detour to a place whose significance my family knew nothing about, nor would they understand what I was talking about if I told them what we were going to do there. They often let me lead the way: they know I know the Anglo-Saxon world in a way that they don't, and perhaps can never know it, especially now when the Anglo-Saxon world is barricading itself and turning turning inwards. I too make 'mistakes' when I find myself in that world (which used to be the only world I knew a quarter of a century ago), but I know how to hyper-correct while I am maneuvering myself in it. They don't: that's the difference between me and the rest of the family. It takes years of experience to understand the highly developed world. The internet has brought us closer together, but it does not replace experience.
Now imagine the conversation:
- Where are we going?
- We're going to a pedestrian crossing.
- A pedestrian crossing? Is that all we're going to see?
- Yes, in a sense.
- OK. And what are we going to do there?
- We're going to take a photo.
- Of the pedestrian crossing?
- Of US on the pedestrian crossing.
- Why?
- Because that's what people do there.
- They take photos of themselves walking across the road?
- Yes, but it's a special road.
- Why?
- Because. You'll see. Promise.
While all my English language books are visible to everyone on the shelves in our living room, my vinyl collection from abroad is still in storage: I would have to wait until we got back home to show everyone my Abbey Road album. I liked 60s music and during my teens, I built up a small collection of records with my pocket money (earned by working at my parents' shop every day after school). My kids are too young to know about the Beatles, and Greece's 60s came a little later than the 60s (some time in the 80s, in my humble opinion, when wealth was more widespread and everyone could afford more or less the same things) which means that my husband missed out on the furore that the Beatles caused in their heyday. He knows that they were a 60s pop group, but he did not live through the craze that swept through the Anglo-Saxon world in those times. For a start, television was not so widespread in Crete in the 60s; Crete was quite considered remote from the Greek mainland back then, and it was hardly urban compared to Athens' sprawl. Greek youth culture was more developed among the wealthier class. Young Cretans did not have a rapport with the outside world. I recall a story my late mother told me, which shows how she came to understand the concept that was the Beatles: Even though she was a relatively newly arrived Cretan immigrant to NZ, she could recall the traffic jams and crowds of people in the area of the St George Hotel where the Beatles stayed in Wellington, during their NZ tour. She may have never heard their music, or cared for it, but she had experienced the concept. My husband started school at the beginning of the 60s, in a rented house in one of the poorer neighborhoods of Hania; only the very well to do had 'pickup' players and records.
Platform screen doors
Abbey Road crossing
Coming out of the station at St John's Wood, the area looks quiet and feels very suburban, whereas in actual fact, it is anything but so. The area hides great affluence: Lord's Cricket ground, Regent's Park, the London Zoo, the Sherlock Holmes museum and Madame Tussauds are clustered close to it. The Abbey Road pedestrian crossing is located within a few minutes walk from the station. We headed straight to the crossing. Not many people were walking towards it on that day, so I hoped that it would not be very busy, and we could take our photo in relative peace. This was not quite the case: a busload of Italians had arrived before us, and they were all having a jolly time on the crossing. The presence of the Italians softened the stark austerity of this otherwise ordinary looking London street. They were talking loudly and laughing, Something rarely heard on London streets. The media often talk about the lack of affordable housing in London, but most of the time, you cannot be sure if people actually live in any of the buildings. The streets are noisy from the sound of the traffic, not from human voices. That's an aspect of northern European culture which southern Europeans find hard to cope with: in the north, people are seen but not heard, while in the south, people are heard without necessarily being seen. To understand the significance of this, think about your neighbours: we can hear ours more often than we can see them. They will not lower their voices to keep the area peaceful. If they're having a party, we'll hear that too. But Greeks are also slowly but surely becoming more sensitive to too much noise: one of my neighbours called the police last summer to get another neighbour to lower the volume of the music they were playing at an outdoor party. If they had specifically come to inform us about the party, perhaps we would all be more accommodating, by arranging to go out ourselves or buy earplugs. When no notice is given, people are less compromising.

The family had not seen the Abbey Road album cover before we came here, so I had to give them instructions: "I Want You to stop in stride on the crossing." Some of them understood what I meantL the younger and the more outgoing you are, the easier this will be. My daughter clearly knew what she was doing after watching the Italians taking photos. She is experienced at taking selfies which also helps. My son seemed to know what he was doing too, but he probably decided to show solidarity to his father, who was totally clueless; when husband has his photo taken, he clearly poses, like most people his age would do, and doing the splits while being photographed is obviously not part of his culture. "OK, The End, no loitering," I reminded everyone, so we could hurriedly Come Together to get back to the station. It was probably the weirdest thing they had ever taken part in, the closest they had come to a real life meme (although I did once glimpse a photo of one of them doing the ice bucket challenge - you never know what they are up to when you aren't looking).
Transport etiquette

Borough Market
Our next stop was the Borough Market, which, as we were to discover, has now become a tourist trap. Along the south bank of the Thames, nearly all the restaurants are branded, there's very little in the way of traditional atmosphere, and someone's always trying to selling you something overpriced. We have better memories of Borough Market from previous visits, but there is no turning back to old times: reviving the market's ordinariness will look like a recession rather than progress.
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| Pie, mash, mushy peas and gravy from a stall in the Borough Market |
Southwark Cathedral
Near one of the entrances to Borough Market is the very well preserved Southwark Cathedral. Entrance to the cathedral is free; by buying a guide (£1) to the church, you have permission to take photographs inside it. The last time we were in the area, the church wasn't open for visitors because a service was taking place. We took the opportunity to enter it today, as a chance to warm ourselves up in the process. (It was very cold in London over New Year's... a bit like what January 2017 turned out to be in Hania!)


Hay's Galleria to Tower Bridge
Despite the chilly weather, we continued our walk to the restaurant, passing through what looked like a mixed-bag cluster of relatively new buildings along the south bank of the River Thames. Hay's Galleria is not a gallery as its name suggests; it's more like a high class restaurant and shopping hall. Affluent, indulgent, plush, it looks like it's catering for very expensive tastes - or, at least, for people whose tastes are based on brands, similar to Attika Mall in central Athens, a soulless virtual reality playground for the wealthy. Everything looked too expensive for our own pockets. It wasn't busy when we passed through it, neither in the late afternoon, nor in the evening on our way back. Perhaps rich people's tastes have changed too; you don't flaunt your wealth these days. It reminded me of a time when someone asked us to book a table on their behalf at an expensive restaurant in Hania, 'something in the range of 50€ per head', they asked. They did not realise how egalitarian the town where I live is. To pay 50€ per head in a town like Hania, you will have to go to a popular Japanese restaurant and order a bottle of wine per person together with the meal. Good food out need not be expensive, and expensive restaurants don't necessarily serve the best food either.


Whitechapel
Over the Tower Bridge and north-east of the Thames, the area is not very tourist-oriented (you will understand why later) and finds itself in the midst of gentrification, a kind of slash and burn process if you will, which is redeveloped into something that bears no resemblance to what existed before. Some parts of Whitechapel have been renovated while others are undergoing the process. Along some of the streets, you can see old and new London staring across at each other, or standing side by side, like strangers forced to live together. What was once considered an area for immigrants and the working class is now undergoing transformation for the investment of the wealthy/elite classes. What once may have been some kind of factory is now an apartment block. The warren of small streets hiding behind Commercial Road in the Whitechapel area hold the greatest surprises. Here, you will get a glimpse of those empty London homes that are being used as 'gold bricks': rich people who do not live in the area are buying up the properties, mainly as a way to invest their money for lucrative profits. People who grew up in the area are most likely unable to afford such properties. Some properties may be rented out, but the rents will be very high, hence the kind of people who live in the properties will not necessarily need the kinds of stores that a neighbourhood survives on, to provide a community feel. Most absent of all is the sight of perambulators and the sound of children. Since the buyers do not live in them (and if they do, it's only for a very short period of the year), the area has no need for the traditional elements of a typical British neighbourhood: what do you need a betting shop, florist, teahouse, chicken shop, drycleaners, among others, if there are no people in the area?


Most of the empty shop fronts have a very enticing sign on them: "This could be your next business!" But imagine how hard it must be to entice businesses to set up there that rely on street trade, when the area which is void of people.


Commercial Road


The restaurant
We arrived at our destination restaurant - and were surprised to find it looking rather empty: in past visits, we could not always get a table and would have to wait! Initially we thought it might be closed for the holidays; the main hall was not well lit up, and there was only one person sitting at one of the many tables in the dining area. You have to understand that this was a big indoor restaurant, in our terms at least, since we are used to seeing large outdoor seating areas and small interiors! We could see only a couple of people in the kitchen, which is usually bustling with activity, creating steamy windows and a noisy atmosphere with the clatter of pans and mumble of voices. Then we thought that perhaps we had arrived too early; it was only five o'clock and dusk had already set in. Don't the English eat much earlier than the Mediterraneans?! Finally we saw the door opening and a man came out. He didn't even notice us: I couldn't work out if this was because we were not from his cultural group, or because we didn't look like potential customers. So we asked him if the shop was open: of course it was, he told us, with a surprised look on his face. Service couldn't have been faster today for us!

Bonus photos: London by night - the city is more exciting in the dark.



The red words are all Beatles songs from their Abbey Road album. I deliberately highlighted them when I tried to listen to some genuine Beatles music on YouTube. Some bastard's bought the right of access to them, so you can hear hardly any of their tunes on the web. Not even the Beatles can own thier songs. At least we can now sing Happy birthday without paying royalties, but I would also like to hear the Beatles on youtube, and I don't mean cover versions of their songs!
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