Tradition in a Time of Uncertainty

Finding comfort in a musical tradition for Good Friday.

Perhaps now more than at any other time I can recall in my 73 years on this revolving hunk of rock, traditions and the familiar have gained a new importance. People, myself included, are grasping onto the comfortable and the known in a time of discomfort and fear of the unknown. We’re searching for Grandma and Mother’s recipes for the food that we recall from childhood; many have turned to baking perhaps in an effort to recapture the fragrances of a memory kitchen; most of us are finding new comfort in the music we love and have known since childhood; at other times we wallow – as I do now – in the mythical certainty of nostalgia as we face the uncertainty of the present and the future.

Many people have sought out a faith or religious belief that they had forgotten or forsaken. There are times when I wish I were one of them; I am not but I still find solace in the rituals, music, stories, words and traditions of that faith.

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Laurent found this 18th century Cristo Morto in an antique shop in Lima in 1982. It is a remarkable carving thought to be done by a local indigenous craftsman.

As I have done for the past forty-four years today I will listen to a recording of John’s retelling of the Passion of Christ. However it is not one of the more familiar and grandiose but a simple setting for spoken narrator and a cappella choir. It was composed in 1527, perhaps for the Medici family church of San Lorenzo in Florence, by Francesco Corteccia. The Evangelist (Arnoldo Foà) tells the story in the Florentine vernacular while the choir (Schola Cantorum Francesco Coradini, dir. Fosco Corti) is the voice of the crowd and the meditants.

Back in 2010 I created a video based on that recording which I’ve posted on previous Good Fridays and in a bow to the comfort of tradition will post again this year. Using the background of an altar piece in the V & A attributed to the del Maino brothers and made for Sant’Agostino in Piacenza I included the Introduction, a meditation on the soldiers throwing lots for Christ’s robe, the narration of Christ’s words to his mother and his death, and finally the recounting of the burial of Christ.

Once again on this Good Friday, as it has in Good Fridays past, this telling of the Passion bring me a sense of comfort and never more so than today as I sit listening to it and writing this.

The word for April 10th is:
Console /ˈkänˌsōl/ /ˈkɑnˌsoʊl/: [Intransitive verb]
Comfort (someone) at a time of grief, trouble, or disappointment.
Mid 17th century (replacing earlier consolate): from French consoler, from Latin consolari, from con– ‘with’ + solari ‘soothe’.
Though it can be used also as a noun the meaning has no relation to the way I am thinking of the word today.

Letters Live – Helen Keller

A letter from someone to whom isolation was a way of life for the first eight years of her life. She found many ways out of that isolation during the next 80 years.

Letters Live is a remarkable programme created to celebrate “the enduring power of literary correspondence.”

The word for April 7th is:
Live /liv/: [verb]
1. To be in the present
2. To have life
3. To be located or stored
4. To experience first hand
Old English libban, lifian, of Germanic origin; related to Dutch leven and German leben, also to life and leave.
There are at least 10 other definitions – at this moment I’m favouring 1. and 4.

Il cibo della nonna*

Italian Comfort Food

In our household the first question asked as coffee is poured in the morning is normally, “What do you want for dinner tonight?” As I wrote this I realized it sounded a bit like the lady of the manor consulting with the cook for that day’s menu, I’ll leave it to you to decided who is playing which role in that little playlet.

And it seems that lately “what’s to eat?” is becoming the burning question of the day. And looking at the five or six food sites that I visit on YouTube the trend seems to be going to good old fashioned comfort foods. Recipes that we grew up with and are familiar in an ever stranger world.

The various digital editions of media that still have food features have been creating lists of recipes to get you through the week. Rachel Roddy lives in Rome and writes for The Guardian. On occasion I have used her recipes but this week in her Italian Recipes for the Lockdown she has some real classics which she tells us are made from ingredients found in your pantry or larder. Well maybe a Roman pantry or larder! Though sure enough we did have all the ingredients for her version of Pollo alla cacciatora except the small chilli pepper but she gave a perfectly good substitute of a pinch or two of dried chilli.

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Photo from Un dentista ai fornelli

Where, you might ask, are the tomatoes, mushrooms, onions or red pepper? Well this recipe is Alla Romano and there isn’t a tomato in sight. It depends on very few things – quality chicken, good olive oil, premium black olives, garlic, a sprig of fresh rosemary and red wine vinegar. And it is the ultimate cibo della nonna*.

Pollo alla cacciatora (Hunter’s chicken)

Serves 4
5 tbsp extra virgin olive oil
1.5 kg chicken (a small one, jointed, or a mixture of legs and thighs)
2 garlic cloves
1 small chilli pepper, or good pinch of dried chilli
A sprig of fresh rosemary
Salt and black pepper
250ml white wine, plus extra if needed
1 tbsp red wine vinegar
A handful of pitted black olives

1 Cut the chicken into about 12 pieces (I ask my butcher to do this). In a deep sauté pan with a lid, large enough to fit the meat in a snug, single layer, warm the olive oil over a medium heat. Add the meat pieces, skin-side down and cook until the skin forms a golden crust, then turn them over and do the same on the other side. This will take about 15 minutes.

2 While the meat is browning, chop the garlic, chilli and needles from the rosemary sprig very finely. Once the meat has browned, sprinkle with the chopped garlic, chilli and rosemary, season with salt and pepper, pour over the white wine, cover the pan and turn the heat down to low.

3 Cook the meat, turning from time to time, until the thighs feel very tender when prodded with a fork, and the meat is surrounded by thick gravy – 45–75 minutes depending on the chicken. If the pan seems a little dry, add a little more wine.

4 In the last minutes of cooking add the vinegar and the olives, stir, and cook for a minute more, before dividing between warm plates.

Recipe from Rachel Roddy – A Kitchen in Rome
The Guardian – March 30, 2020

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Photo from: Un dentista ai fornelli
  • I’m not sure what 12 pieces her butcher cuts the chicken up into but all I could get out of mine was two legs, two thighs, two wings, two breasts cut in half crosswise. That makes ten piece by my count; if anyone has any idea where the other two came from let me know.
  • Of course you can use a combination of thighs, legs, breasts from the supermarket if you aren’t as lucky as Ms Reddy to have an accomodating butcher.
  • It may seem like an awful lot of olive oil but it turns into a tasty sauce with combined with the white wine, chicken fat, chilli, garlic and rosemary.
  • Make sure the chicken is dry so the skin will turn golden and not stick to the pan.
  • That addition of red wine vinegar at the end sounds a bit strange but it gives a bit of punch to the sauce, don’t omit it.
  • The reheated leftovers the next day suggested it could be made ahead and served at a company – when we finally can have company – dinner. I’d reheat the sauce gently and then warm the chicken pieces in it.

* Grandma’s home cooking. The ultimate Italian comfort food!

The word for April 5th is:
Comfort Food /ˈkəmfərt fo͞od/: [compound noun]
Nourishment that provides consolation or a feeling of well-being, often associated with childhood or home cooking.
The term has been traced back at least to 1966, when the Palm Beach Post used it in a story: “Adults, when under severe emotional stress, turn to what could be called ‘comfort food’—food associated with the security of childhood, like mother’s poached egg or famous chicken soup.”
Well we pretty much got severe emotional stress happening on a big scale so …. time for some “comfort food”.

Friday Date Night

It Friday Night – the local malt shop is closed, the Bijoux has been locked down, the sock hop has been cancelled, and curfew starts at 1900. What to do for a Friday night date?

Unlike many of our friends we don’t have television or Netflix so our viewing is pretty much on the laptops. However I do have a Big Mac with a 27″ screen that I bought back in 2010. It sits unopened for the past little while because the operating system saw its “Best Before Date” expire probably 2 seconds after I bought it. I joke of course but the last operating system I was able to update it to was what ever exotically name version they issued at least three years ago and – quel surprise! -it is no longer supported. Those crafty guys at Apple know how to put the screws to you.

However I do believe I’m still able to throw a few more coals on the fire, build up the steam, throw the throttle and watch some of the entertainment that is available for viewing on various websites and YouTube.

One of the most promising is the National Theatre of Great Britain production of Richard Bean’s One Man, Two Guvnors with James Corden before he began doing Karaoke! It’s based on Goldoni’s Arlecchino, Il servitore di due padroni which is one of the great works of theatrical comedy. Laurent and I saw it back in 2016 after it transferred to the West End, unfortunately not with Corden but Owain Artur was brillant as France Henshall. And Nicholas Hytner’s directin proved him a master of sophisticated farce and low-brown slapstick.

Bean sets his version in Brighton during the swinging ’60s – skiffle band, beehive hairdos and all. Corden gives a tour-de-force performance of slapstick comedy at its most hilarious. Not far behind is Tom Edden as Alfie the octogenarian waiter – he should have got danger pay for this one.

Here’s a taste of One Man, Two Guvnors – a left click here with take you to the entire outrageously funny performance. It’s available on demand at YouTube for the next seven days.

Perhaps a bit of West End Theatre is not your idea of a fun Friday night so how about the Circus? My friend Charlie tells me that Cirque du Soleil has posted a one hour special staring April 3 (today) featuring acts from their various productions – dear lord I actually remember them when they had one tent and played LeBreton Flats in Ottawa.

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A left click on the image will take you to the Circus.

If you’re in a more classical mood many of the symphony orchestras, opera houses and concert venues have opened their digital libraries for free. One of the first to do it was the Berlin Philharmonic. Their concerts cover a wide range of music over several years of concerts.

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Again a left click on the photograph of an expectant audience in Philharmonic Hall in Berlin will take you to their digital library.

What ever you do pop some corn, open a bottle of something wet – not sure what sort of wine goes with popcorn but a beer will do – and snuggle up and join the rest of us, even if it is only virtual.

The word for April 3rd is:
Entertainment /ˌen(t)ərˈtānmənt/: [noun]
The action of providing or being provided with amusement or enjoyment.
An event, performance, or activity designed to entertain others.
The action of receiving a guest or guests and providing them with food and drink.
Late Middle English: from French entretenir, based on Latin inter ‘among’ + tenere ‘to hold’. The word originally meant ‘maintain, continue’, later ‘maintain in a certain condition, treat in a certain way’, also ‘show hospitality’ (late 15th century).
Let’s hope we call all “show hospitality” to our friends and loved ones in the very near future.