[GRINDHOUSE COMICS COLUMN] BATMAN: WHITE KNIGHT #1
Since completing his widely-acknowledged masterpiece, Punk Rock Jesus, Sean Murphy (take or leave the Gordon as you please) has divided his time between projects worthy of his talents (The Wake), projects obviously unworthy of it (Chrononauts), and projects that could have been worthy of it had they…
JASON COFFMAN SUMS UP FANTASTIC FEST 2017: PART #3 (DAY TWO DISPATCH)
BEFORE WE VANISH (Japan, dir. Kiyoshi Kurosawa) A confused housewife and a skeptical journalist finds themselves in the midst of a stealth invasion of Earth by aliens who possess the bodies of humans. These aliens choose “guides” to help them while they literally steal concepts from the…
JASON COFFMAN SUMS UP FANTASTIC FEST 2017: PART #2 (DAY ONE DISPATCH)
THE PRINCE OF NOTHINGWOOD (France/Germany, dir. Sonia Kronlund) Salim Shaheen is a filmmaker in Afghanistan who has made over 100 independent films, despite his country’s long history of conflict and strife. Documentary filmmaker Sonia Kronlund travels to Afghanistan to talk to Shaheen and his friends, collaborators,…
[FESTIVAL NEWS] CINEPOCALYPSE ANNOUNCES FINAL LINEUP AND SPECIAL GUESTS
The debut year of Chicago-based Cinepocalypse Film Festival is stacked. The festival announced their final wave of programming today that includes Midwest premieres of APPLECART, PSYCHOPATHS, and SEQUENCE BREAK. In addition, special guest writer/director Joe Carnahan is presenting a series of badass action and horror cinema that includes NEAR…
[DOIN’ THE NASTIES] FACES OF DEATH (1978)
Title: FACES OF DEATH Year: 1978 Director: John Alan Schwartz (as “Conan LeCilaire”) Cast: Michael Carr Nasties: Surgical footage Autopsy footage Newsreel footage of death, disease, famine Mummified bodies Dogfighting Animal slaughter (ritual and farming) Dead children Mauling by alligator Mauling by…
BORN FROM POLITICAL UPHEAVAL: GERMAN EXPRESSIONISM IN FILM
Darkened corners, perilous modern landscapes, and distorted, threatening figures; these stylistic elements were designed to throw a viewer off balance. To build an emotional response—unease, dread, hate—so deep it stays with you long after the credits have run. It’s the unmistakable look of German Expressionism, and its emotional triggers…
[LOST FILMS OF THE 1970s] KEEP OFF MY GRASS (1975)
As a lifelong cult film aficionado (and a collector of Steve Puchalski’s mandatory cult film mag “Shock Cinema”), I’ve got a fairly long list of movies that I’m determined to find. Movies such as 1985’s pro-wrestling sci-fi horror pic BLOOD CIRCUS. Or THE MILKY LIFE, starring Mickey Rooney as…
[THE DAILY GRINDHOUSE INTERVIEW] TRACEY BIRDSALL, STAR OF ‘ROGUE WARRIOR: ROBOT FIGHTER’
Tracey Birdsall is quickly becoming a powerhouse in the sci-fi realm, largely due to her well-regarded performance in ROGUE WARRIOR: ROBOT FIGHTER. Birdsall tells us how that film came about, her upcoming roles, and… her love of brussels sprouts. So, a Robot Fighter! C3PO better look…
[NOW OUT ON BLU-RAY] GUARDIANS OF THE GALAXY VOL. 2 (2017)
James Gunn (SUPER, THE BELKO EXPERIMENT) sets up the story and tone of GUARDIANS OF THE GALAXY, VOL. 2 in the first two scenes. Kurt Russell’s character (Ego, Peter’s father) starts the film with Meredith Quill (Peter’s mother) on Earth before an excellent opening credits fight sequence, featuring a dancing…
[STEPHEN KING RETROSPECTIVE] DOLORES CLAIBORNE (1995)
“It’s a depressingly masculine world we live in, Dolores.” DOLORES CLAIBORNE has always been the most wrongly unheralded Stephen King adaptation. Despite the immense talent in front of the camera and behind it, for some reason it never became either the box office juggernaut like Stand by Me,…



