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Thomas Meighan

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Thomas Meighan
Black and white portrait photograph of a man in early 20th century formal attire
Meighan, sometime before 1923
Shepherd of The Lambs
In office
1924–1926
Preceded byAlbert Oldfield Brown
Succeeded byThomas Alfred Wise
Personal details
Born(1879-04-09)April 9, 1879
Pittsburgh, Pennsylvania, U.S.
DiedJuly 8, 1936(1936-07-08) (aged 57)
SpouseFrances Ring (1909–1936)
OccupationActor

Thomas Meighan (April 9, 1879 – July 8, 1936) was an American actor of silent films and early talkies. He played several leading-man roles opposite popular actresses of the day, including Mary Pickford and Gloria Swanson.[1] At one point he earned $10,000 per week.[2]

Early life

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Meighan was born to John and Mary Meighan in Pittsburgh, Pennsylvania. His father was the president of Pittsburgh Facing Mills, and his family was well-off.[2]

Meighan's parents encouraged him to go to college but he refused. At the age of 15, his father sent him to work shoveling coal, in an effort to instill a sense of discipline and a strong work ethic. After his experience with manual labor, he attended Mount St. Mary's College to study pharmacology.[3] After three years of study, Meighan decided he wished to pursue acting.[2] This decision ultimately resulted in a career in both theatre and the emerging film industry.

Early theatre career

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After dropping out of college in 1896, Meighan became a juvenile player in the Pittsburgh Stock Company headed by Henrietta Crosman. He was paid $35 per week.[2] This early experience in theatre provided him with the skills and discipline that would benefit his later work.

Meighan first appeared on Broadway in 1900, and four years later appeared in The Two Orphans.[2] His breakthrough role came in 1908 when he appeared with William Collier Sr. in The Dictator; this play was followed by a leading role in The College Widow, which had a successful run on Broadway in the 1907–1908 season. During this run, he met his wife Frances Ring.[4]

Despite his film career, Meighan remained devoted to the theatre during his life.[2]

Film career

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In 1914, he entered motion pictures, at that time still in their infancy. His first film, shot in London, was titled Dandy Donovan, the Gentleman Cracksman. This led to a contract with Famous Players–Lasky.[1] His first U.S. film, in 1915, was The Fighting Hope. During the next two years, Meighan's career took off.[2] In 1918, he made a propaganda film for World War I, titled Norma Talmadge and Thomas Meighan in a Liberty Loan Appeal. He then played opposite Mary Pickford in M'Liss.[1]

Stardom

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Black and white newspaper photograph showing a man and woman in 1920s attire
Meighan with co-star Pauline Starke in 1922, as they appeared in publicity for the film If You Believe It, It's So

Meighan achieved stardom in 1919. One of his better-known films of the period was that year's The Miracle Man, which featured Lon Chaney Sr.;[2] it is now believed to be lost except for brief clips. This was followed with Cecil B. DeMille's Male and Female, which starred him with Gloria Swanson and Lila Lee. Most of that film's cast returned for the 1920 film Why Change Your Wife?, which co-starred Bebe Daniels.[2] In April 1925, Meighan and Swanson produced a short film directed by Allan Dwan for the annual "Spring Gambol" for The Lambs. This film (sometimes known as Gloria Swanson Dialogue), made in Lee DeForest's sound-on-film Phonofilm process, was made as a joke for the live event, showing Swanson trying to crash the all-male club.

His popularity continued through the Roaring Twenties, during which he starred in several pictures. In 1924, he played in The Alaskan with Estelle Taylor and Anna May Wong. In 1927, Meighan starred in The City Gone Wild with Louise Brooks.

His final silents, both produced by Howard Hughes in 1928, were The Mating Call, which was critical of the Ku Klux Klan, and The Racket, which was nominated for an Academy Award for Best Picture. Both were thought lost until rediscovered in private collections in 2006; they were restored by University of Nevada, Las Vegas and shown on Turner Classic Movies.

Sound movies and career's end

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Meighan's first sound feature film was The Argyle Case (1929). At this time, he was nearing 50; fearing his popularity might wane, he decided to go into real estate. It wasn't until 1931 that he returned to the screen with Young Sinners. He made four additional sound movies until illness sidelined him from acting.[2] His last film was Peck's Bad Boy in 1934.

Personal life

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Meighan commanded a salary of $5,000 per week for much of his career. At one point, it reached $10,000 per week.[1][2]

Marriage

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Black and white photograph of a man and woman in formal 1920s attire sitting together
Meighan at home with his wife, Frances Ring

Meighan met Frances Ring (July 4, 1882 – January 15, 1951)[5] when she was a stage actress on Broadway and he was appearing there. She was a younger sister of popular singer Blanche Ring and of vaudeville actress Julie Ring. Actor and director A. Edward Sutherland was a nephew of both Blanche Ring and Meighan. Sutherland's mother Julie was a sister of Blanche and Frances Ring.[6]

Meighan and Ring became inseparable and soon married. They remained married until his death in 1936. Their marriage was considered happy and strong; one writer remarked "Thomas Meighan and Rin Tin Tin were the only Hollywood stars who had never seen a divorce court". The couple had no children.[2]

Hollywood scandals

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Meighan was involved in some of the more scandalous moments of silent film history, albeit as a helping hand. He was the sole witness to Jack Pickford and Olive Thomas's secretive wedding in New Jersey on October 25, 1916.[7]

In March 1923, Douglas Gerrard, in need of help bailing his friend Rudolph Valentino out of jail for bigamy, called a fellow Irishman named Dan O'Brien who happened to be with Meighan at the time. Meighan barely knew Valentino but put up a large chunk of the bail money, and with the help of June Mathis and George Melford, Valentino was freed.[8]

Florida

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In the mid-1920s, Meighan became interested in Florida after talks with his realtor brother James E. Meighan. He bought property in Ocala, Florida in 1925. In 1927, he built a home in New Port Richey, Florida, where he was to spend his winters. He intended to shoot his film We're All Gamblers there; however, filming was moved to Miami.

The Meighans hoped to draw other celebrities to the area.[9] On July 1, 1926, The Meighan Theatre opened with a screening of Meighan's movie The New Klondike. Meighan was not present but sent a congratulatory telegram.[9]

In 1930, sound was added to the theatre. Meighan appeared this time, pushing the button to start the sound. The theatre closed in 1934, a victim of the Depression. It reopened in 1938 under the name The New Port Richey Theatre.[9] The theatre is still open as a community playhouse, under the name Richey Suncoast Theatre.[10]

Death

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In 1934, Meighan was diagnosed with cancer. The following year, he underwent surgery at Doctors Hospital in Manhattan. He succumbed to cancer at 9:10 pm on July 8, 1936, at his home in Great Neck, New York. Many of his family were present.[citation needed]

Meighan was originally buried at Calvary Cemetery in Queens.[11] After resting there for almost a year, his remains were moved to a family plot at Saint Mary Cemetery in Meighan's hometown of Pittsburgh.[12]

Legacy

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Meighan was a large donor to various Catholic charities[13] and the Federation for the Support of Jewish Philanthropic Societies.[14] Many of his later films survive and have been released on DVD.

Selected filmography

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YearTitleRoleNotes
1914Danny Donovan, the Gentleman CracksmanDandy Donovan, the Gentleman CracksmanShort
1915Kindling'Honest' Heine Schultz
The Fighting HopeBurton Temple
Out of the DarknessHarvey Brooks
BlackbirdsJack Doggins / Hon. Nevil Trask
The Secret SinJack Herron
Armstrong's WifeDavid Armstrong
The ImmigrantDavid Harding
Temptation
1916Pudd'nhead WilsonChambers
The Trail of the Lonesome PineJack Hale
The SowersPrince Paul Alexis
The ClownDick Ordway
The DupeJimmy Regan
Common GroundJudge David Evans
The StormRobert Fielding
1917The Heir to the HoorahJoe LacyDirected by William C. deMille[15]
The Slave MarketJohn Barton
SaphoJean Gaussin
Sleeping FiresDavid Gray
The Silent PartnerEdward Royle
Her Better SelfDr. Robert Keith
The Mysterious Miss TerryGordon True
Arms and the GirlWilfred Ferrers
1918The Land of PromiseFrank Taylor
Madame JealousyValour
Eve's DaughterJohn Norton
M'LissCharles Gray
MissingSir William Farrel
Heart of the WildsSergeant Tom Gellatly
In Pursuit of PollyColby Mason
Out of a Clear SkyRobert Lawrence
The Forbidden CityJohn Worden
1919The Heart of WetonaJohn Hardin
The Probation WifeHarrison Wade
The Miracle ManTom Burke
The ThunderboltBruce Corbin
Male and FemaleWilliam Crichton - The Butler
Peg o' My HeartSir Gerald Adair
1920Why Change Your Wife?Robert Gordon
The Prince ChapWilliam Peyton
Civilian ClothesCapt. Sam McGinnis
Conrad in Quest of His YouthConrad Warrener
1921Frontier of the StarsBuck Leslie
The Easy RoadLeonard Fayne
The City of Silent MenJim Montgomery
White and UnmarriedBilly Kane
The Conquest of CanaanJoe Louden
Cappy RicksMatt Peasley
A Prince There WasCharles Edward Martin
1922The Bachelor DaddyRichard Chester
Our Leading CitizenDaniel Bentley, lawyer
If You Believe It, It's SoChick Harris
ManslaughterDaniel J. O'Bannon
The Man Who Saw TomorrowBurke Hammond
Back Home and BrokeTom Redding
1923The Ne'er-Do-WellKirk Anthony
Homeward BoundJim Bedford
HollywoodThomas Meighan
Woman-ProofTom Rockwood
1924Pied Piper MaloneJack MalonePrint held Gosfilmofond
The Confidence ManDan Corvan
The AlaskanAlan Holt
Tongues of FlameHenry Harrington
1925Coming ThroughTom Blackford
Old Home WeekTom Clark
The Man Who Found HimselfTom Macauley
Irish LuckTom Donahue / Lord Fitzhugh
1926The New KlondikeTom Kelly
Fascinating YouthThomas Meighan
Tin GodsRoger Drake
The CanadianFrank Taylor
1927Blind AlleysCaptain Dan Kirby
We're All GamblersLucky Sam McCarver
The City Gone WildJohn Phelan
1928The RacketCaptain James McQuigg
The Mating CallLeslie Hatten
1929The Argyle CaseAlexander Kayton
1931Young SinnersTom McGuire
SkylineGordon A. McClellan
1932Cheaters at PlayMichael Lanyard
Madison Square GardenBill Carley
1934Peck's Bad BoyHenry Peck

References

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  1. 1 2 3 4 "Thomas Meighan, Silent Movie Star". Golden Silents. Retrieved July 23, 2017.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 "Thomas Meighan, Movie Actor, Dies". The New York Times. July 9, 1936. Retrieved July 23, 2017.
  3. Baubie, James A. (February 5, 1931). "From Coal Heaver to Miracle Man". Pittsburgh Press. p. 19. Retrieved December 13, 2020.
  4. "Thomas Meighan". www.meighangenealogy.com. Retrieved July 23, 2017.
  5. John Parker (1976). Who Was Who in the Theatre 1912–1976. Gale Research.
  6. Paris, Barry (1990). Louise Brooks. Anchor Books. p. 147.
  7. Long, Bruce (September 1995). "Taylorology; The Life and Death of Olive Thomas". public.asu.edu. Retrieved July 23, 2017.
  8. Leider, Emily W. Dark Lover: The Life and Death of Rudolph Valentino. p. 211.
  9. 1 2 3 "History of the Meighan/Richey Suncoast Theatre". fivay.org. September 5, 2015. Retrieved July 23, 2017.
  10. "Silent Era : Theaters". www.silentera.com. Retrieved July 23, 2017.
  11. "Meighan Death Takes Star of Silent Screen". Motion Picture Herald. 124 (3): 66. July 18, 1936.
  12. "Body of Meighan Brought to City". Pittsburgh Press. June 13, 1937. p. 8.
  13. "Stage and Screen Starrs Aid Miami Beach Church". The Bulletin of the Catholic Laymen's Association of Georgia: 4. February 19, 1927.
  14. "Federation Drive Reaches $4,189,579". Jewish Telegraphic Agency. Retrieved November 7, 2025.
  15. deMille, William C. (2007). "24: The Excitements of Celluloid: The Camel's Nose". In Peter Wild (ed.). The Grumbling Gods: a Palm Springs Reader. Salt Lake City, UT: University of Utah Press. ISBN 978-0-87480-899-5. OCLC 122974473, 608203796, 608020250 (print and on-line), quoting deMille in Hollywood Saga. New York, NY: E.P. Dutton. 1939. pp. 319. OCLC 1353346. (Rouben Mamoulian Collection (Library of Congress) First edition OCLC 655475937) (Also catalogued at OCLC 494267566, 475574309; and OCLC 591194207 (eBook)); and see The Heir to the Hoorah at the AFI Catalog of Feature Films
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