Includes bibliographical references and index

"Gracyk grapples with the ways that rock shapes--limits and expands--our notions of who we can be in the world. [He] sees rock as a mass art, open-ended and open to diverse (but not unlimited) interpretations. Recordings reach millions, drawing people together in communities of listeners who respond viscerally to its sound and intellectually to its messages. As an art form that proclaims its emotional authenticity and resistance to convention, rock music constitutes part of the cultural apparatus from which individuals mold personal and political identities. Going to the heart of this relationship between the music's role in its performers' and fans' self-construction, Gracyk probes questions of gender and appropriation. How can a feminist be a Stones fan or a straight man enjoy the Indigo Girls? Does borrowing music that carries a "racial identity" always add up to exploitation, a charge leveled at Paul Simon's Graceland? Rang[es] through forty years of rock history and offer[s] a trove of anecdotes"--Publisher description

The Sex Pistols' "I wanna be me" -- Frameworks. Like a rolling stone ; Don't let me be misunderstood : issues of meaning ; Heard it through the grapevine ; You've really got a hold on me : paradigms -- Issues of appropriation. All you've got to do is pick it up ; Don't play that song ; Message in the music ; Speaking in tongues -- Gender. Act naturally ; Cosi fan tutte meets Tutti frutti : rock performs gender ; Rebel rebel : proliferating identities ; Hello stranger : reaching the uninitiated

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