TY - GEN UR - http://lib.ugent.be/catalog/pug01:5782871 ID - pug01:5782871 LA - eng TI - Russian pathographical cinema: the films of Evgenii Iufit PY - 2014 PB - Paris AU - Ioffe, Dennis UGent 802001097550 973120378852 0000-0002-7701-2662 AU - Zvonkine, Eugenie editor AB - The paper deals with the late Soviet & post-Soviet experimental cinema of Evgeny Iufit. The main subject of presentation will explore the way in which the cinematic “pathographic” Grotesque has been developed during the Perestroika and post-Soviet period. Iufit’s early avant-garde cinema along with his later full-length “Bipedalism” (Rotterdam International Film Festival, 2005) will be analysed in a greater detail. Special attention will be paid to the concrete means of cinematic production which were made available to Iufit during the late Soviet and post-Soviet periods. Some of these topics were touched upon in my detailed interview with the director: http://www.netslova.ru/ioffe/ioufit.html. Employing bitterly sardonic “stebbing” moments, Iufit’s cinema conveys a harsh and grotesque message, ‘mocking’ the anarchic demise of Soviet societal fabric. Iufit’s necrorealism parodies high-Soviet chronotopes penetrating the post-Soviet discourse continuing in such films as Aleksei Balabanov’s “Cargo 200”. The main attention of the paper, however, is focused on Evgeny Iufit and the various messages of his art per se. He was born in 1961 in Saint Petersburg, starting his career as a movie-maker already during the early 1980s. Iufit then proceeded with his studies under the guidance of Aleksandr Sokurov. During the initial year of Perestroika (beginning of 1986) Iufit founded one of the first independent art-house film studios in Soviet Russia, “The MZHALALA FILM”, which united under its hospitable umbrella many avant-garde artists, writers, directors sympathetic to his radical aesthetic experimentation. ER -Download RIS file
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| 001 | 5782871 | ||
| 005 | 20230508134053.0 | ||
| 008 | 141216s2014------------------------eng-- | ||
| 024 | a 1854/LU-5782871 2 handle | ||
| 040 | a UGent | ||
| 245 | a Russian pathographical cinema: the films of Evgenii Iufit | ||
| 260 | a Paris, France b École Normale Supérieure Louis Lumière c 2014 | ||
| 520 | a The paper deals with the late Soviet & post-Soviet experimental cinema of Evgeny Iufit. The main subject of presentation will explore the way in which the cinematic “pathographic” Grotesque has been developed during the Perestroika and post-Soviet period. Iufit’s early avant-garde cinema along with his later full-length “Bipedalism” (Rotterdam International Film Festival, 2005) will be analysed in a greater detail. Special attention will be paid to the concrete means of cinematic production which were made available to Iufit during the late Soviet and post-Soviet periods. Some of these topics were touched upon in my detailed interview with the director: http://www.netslova.ru/ioffe/ioufit.html. Employing bitterly sardonic “stebbing” moments, Iufit’s cinema conveys a harsh and grotesque message, ‘mocking’ the anarchic demise of Soviet societal fabric. Iufit’s necrorealism parodies high-Soviet chronotopes penetrating the post-Soviet discourse continuing in such films as Aleksei Balabanov’s “Cargo 200”. The main attention of the paper, however, is focused on Evgeny Iufit and the various messages of his art per se. He was born in 1961 in Saint Petersburg, starting his career as a movie-maker already during the early 1980s. Iufit then proceeded with his studies under the guidance of Aleksandr Sokurov. During the initial year of Perestroika (beginning of 1986) Iufit founded one of the first independent art-house film studios in Soviet Russia, “The MZHALALA FILM”, which united under its hospitable umbrella many avant-garde artists, writers, directors sympathetic to his radical aesthetic experimentation. | ||
| 598 | a C1 | ||
| 700 | a Ioffe, Dennis u UGent 0 802001097550 0 973120378852 0 0000-0002-7701-2662 9 3AB78232-F0EE-11E1-A9DE-61C894A0A6B4 | ||
| 700 | a Zvonkine, Eugenie e editor | ||
| 650 | a Cultural Sciences | ||
| 653 | a Yufit | ||
| 653 | a Avant-Garde cinema | ||
| 653 | a Necrorealism | ||
| 653 | a Perestroika | ||
| 653 | a Sokurov | ||
| 773 | t Le cinéma russe depuis 1991 : ruptures et héritages g Le cinéma russe depuis 1991 : ruptures et héritages, Proceedings. 2014. École Normale Supérieure Louis Lumière. p.20-23 q :<20 | ||
| 856 | 3 fullText u https://biblio.ugent.be/publication/5782871/file/5782872 z [UGent only] y cinema_russe_ioffe.pdf | ||
| 920 | a confcontrib | ||
| Z30 | x LW 1 LW21 | ||
| 922 | a UGENT-LW | ||
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