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Guerrilla: The Taking of Patty Hearst
Hearst is a young woman of privilege who disappeared for more than a year, fell in love with her captors, and ultimately emerged from the experience with a windfall of publicity and little more than a slap on the wrist. This documentary collects all of the available footage surrounding the incident, assembles it chronologically, and spins a mesmerizing yarn about one of the most shocking cultural moments in American history. But the film's true accomplishment exceeds even the scope of that unforgettable event: it captures our country in a time when cultural upheaval was beginning to draw the lines that would divide our nation for decades to come.
There are four forces impinging on this historically-significant scenario: The Symbionese Liberation Army, the Hearst family, the media, and the public. The first of these, the Symbionese Liberation Army, was a group of over-educated, disenfranchised young Americans who grew dissatisfied with the government during the late '60s and early '70s. They were frustrated with Vietnam and incensed at the growing feeling that their government was lying to them, and became a faction of vaguely communist "soldiers" whose philosophies were committed to so-called populist interests. When they kidnapped Patricia Hearst from her dormitory on February 1, 1974, their rhetoric was immediately cast upon a much larger canvas one that the whole nation was watching.
The media, of course, had a field day with the event, and long before such media circuses were commonplace. They polarized the conflict between the Hearst family and the SLA, and exacerbated the kidnapping by reporting in too much detail the travails of both sides. But it's the public, and more specifically, the college-age liberals who deserve the lion's share of the blame for this egregious display of poor judgement by the SLA. Before they kidnapped Hearst, the group was just a militant faction who was self-destructing from pointless violent episodes and a rudderless philosophical stance; afterward, they became a signpost for the supposed disenfranchisement for every impressionable kid who felt like his or her life was too controlled by some force or other. It's in this infuriating group that the film's focus strays, though Guerrilla does address the growing complicity of the public as the SLA continued on their unabated rampage against any and all government-sponsored control. Regardless, these idiotic kids fueled what now remains as one of the watershed moments in American history, and one that along with Watergate and Vietnam stands the test of time as a sort of disputable implosion in the resiliency, reliability and intelligence of our government. The Symbionese Liberation Army was a group of crackpots. The Hearsts were a family with too much money. The media was a cache of opportunists with too many microphones, too many opinions, and too little discretion. But the public? Too little intelligence. Guerrilla:The Taking of Patty Hearst shows not how the SLA kidnapped just Hearst, but all of America; how it seduced our weak and impressionable minds; and how it left us scarred more deeply than we will likely ever realize.
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