After graduating from college, Andy lands the dream job that "a million girls would kill for": assistant to Miranda - the chief editor of Runway, the top-selling fashion magazine in the industry. It is a job set to fast track her career in journalism if she can survive a year working for Miranda. From here, Andy, with no sense of fashion at all, begins a fish-out-of-water drama as she is thrown into a lifestyle full of the fast-paced, three-inch-minimum heel height, diet Coke and coffee substance abuse. Andy works really hard to deal with Miranda's endless unimaginable demands. She even becomes trendy and classy. However, she gradually finds she is working 24/7, and soon her life with boyfriend, Nate, and best friend, Lily, is slipping away from her. Then, she realizes that she is losing what really matters. She does not want to lose herself no matter how many pairs of Monolos and Jimmy Choos she can score along the way.
Millie arrives at a wealthy household seeking stability after instability. The Catalyst appears in the uneasy dynamic between Nina and Andrew, where generosity carries control beneath it. Millie responds by reading the room and using charm as survival instinct. As the Collision builds, attention, jealousy, and shifting alliances turn the home into a tense psychological arena. A Moral Pivot arrives when Millie must choose whether to remain pliant or assert herself within a system that rewards manipulation, and the cost of either path presses directly on her sense of identity.
Aurora, una niña de 10 años, está convencida de que el monstruo que vive bajo su cama se ha comido a su familia. Cuando descubre que su vecino (Mads Mikkelsen) es un asesino a sueldo, decide contratarlo para cazar a la criatura. Para protegerla, el sicario tendrá que abrirse paso entre una oleada de matones liderados por Sigourney Weaver y asumir que, a veces, los monstruos existen de verdad.
From the executive producers of Lost, FROM unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.
BEEF follows the aftermath of a road rage incident between two strangers. Danny Cho (Steven Yeun), a failing contractor with a chip on his shoulder, goes head-to-head with Amy Lau (Ali Wong), a self-made entrepreneur with a picturesque life. The increasing stakes of their feud unravel their lives and relationships in this darkly comedic and deeply moving series.
“Margo’s Got Money Troubles” is a bold, heartwarming and comedic family drama following recent college dropout and aspiring writer, Margo (Elle Fanning), the daughter of an ex-Hooters waitress (Michelle Pfeiffer) and ex-pro wrestler (Nick Offerman), as she’s forced to make her way with a new baby, a mounting pile of bills and a dwindling amount of ways to pay them.
Set in the proverbial boomtowns of West Texas, Landman is a modern-day tale of fortune seeking in the world of oil rigs. Based on the notable 11-part podcast “Boomtown” from Imperative Entertainment and Texas Monthly, the series is an upstairs/downstairs story of roughnecks and wildcat billionaires fueling a boom so big, it’s reshaping our climate, our economy and our geopolitics.
THE BOYS is an irreverent take on what happens when superheroes, who are as popular as celebrities, as influential as politicians and as revered as Gods, abuse their superpowers rather than use them for good. It's the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and their formidable Vought backing.
