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Mating Call

Mating Call John Coltrane / Tadd Dameron

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Release Date

1957

Duration

34:45

Genre

Recording Date

November 30, 1956

Recording Location

Nj
Van Gelder Studios, Hackensack, NJ

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Discography Timeline

See Full Discography
Two Tenors
Two Tenors (1956)
Mating Call
Mating Call (1956)
Traneing In
Traneing In (1957)
Mating Call
Mating Call (1957)
High Pressure
High Pressure (1957)
Dakar
Dakar (1957)
Soultrane
Soultrane (1958)
Lush Life
Lush Life (1958)
Dig It!
Dig It! (1958)
Blue Train
Blue Train (1958)
Black Pearls
Black Pearls (1958)
Bahia
Bahia (1958)
Bags & Trane
Bags & Trane (1959)
The Cats
The Cats (1959)
Stardust
Stardust (1959)
In Chicago
In Chicago (1959)
Coltrane Time
Coltrane Time (1959)
Giant Steps
Giant Steps (1960)
Olé Coltrane
Olé Coltrane (1961)
Transcendence
Transcendence (1961)
In Europe
In Europe (1961)
Coltrane Jazz
Coltrane Jazz (1961)
Africa/Brass
Africa/Brass (1961)
Crescent
Crescent (1964)
The Believer
The Believer (1964)
Meditations
Meditations (1965)
Kulu Sé Mama
Kulu Sé Mama (1965)
Ascension
Ascension (1966)
Expression
Expression (1967)
Cosmic Music
Cosmic Music (1968)
Om
Om (1968)
Transition
Transition (1970)
Sun Ship
Sun Ship (1971)
Infinity
Infinity (1972)

Mating Call Review by Steve Leggett

This fine set, recorded on November 30, 1956, has been reissued several times, often as a John Coltrane date, but make no mistake, this is a Tadd Dameron session, and his elegant compositions are its key component. Coltrane was fresh off playing with Miles Davis in 1956 and was still a year away from heading his own sessions and three years away from recording Giant Steps, so it might be said that he was in transition, but then when was Coltrane not in transition? Dameron wisely gives him plenty of space to fill, and the rhythm section of John Simmons on bass and the great Philly Joe Jones on drums (not to mention Dameron's own characteristically bass-heavy piano style) give Trane a solid bottom to work with, and if the spiritual and edgy emotion of his later playing isn't quite in place yet, you can feel it coming. But again, this is Dameron's date, with each of the six selections an original Dameron composition. There's so much to marvel at here, including the Bahamian rhythms of the title track, "Mating Call," the gorgeous build of "Soultrane" (often the title when this set is issued as a Coltrane date) and the undeniable grace and elegance of "On a Misty Night" (based in part on the melody line to "September in the Rain"). The straight blues piece "Romas" is also a lot of fun, particularly for Coltrane. Mating Call, or whatever title it sports, whether under Dameron's name or Coltrane's, is a solid and frequently overlooked gem. Don't hesitate to pick it up.

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Philippe A November 12, 2015
Le pianiste Tadd Dameron (1917-1965) est surtout "connu" comme l'un des grands compositeurs bop, auteur de nombreux standards (comme "Our delight" souvent joué par Dizzy Gillespie ou encore "Hot House" ou "Lady Bird" ). C'est aussi un excellent arrangeur. Le pianiste Tadd Dameron a très peu enregistré en leader. En 1949 il a co-dirigé un quintet avec Miles Davis qui a fait une grande tournée européenne (exemple à Paris au Festival International De Jazz). Il a joué avec Charlie Parker puis Fats Navarro. On appreciera aussi ses qualités d'arrangeur à la tête, en 1962, d'un big band au générique de rêve avec l'album The Magic Touch

Ce disque "Mating Call", enregistré en novembre 1956, est souvent présenté (à tort) comme l'un des premiers enregistrements en leader de Coltrane. Ce CD permet d'apprécier un quartet de haute tenue avec John Simmons à la contrebasse et Philly Joe Jones à la batterie. Les 6 morceaux sont des compositions de Tadd. Coltrane, qui à la même époque fait partie du quintet de Miles Davis, est déjà magistral, en particulier sur la superbe ballade "Soultrane" (ne pas confondre avec son album Soultrane) . On appréciera aussi le jeu raffiné de Tadd Dameron sur "Romas". Le disque s'achève sur un échange impétueux entre Coltrane et Philly Joe Jones.
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David Bartholome April 4, 2026
My version of "Soultrane" (Prestige 7142) is an entirely different album--different players, different songs. And oddly, the one Dameron composition on the album is not "Soultrane," but "Good Bait." (The players are Red Garland, Paul Chambers, and Art Taylor.) Anyway, both albums--"Mating Call" and "Soultrane"--are eminently worth acquiring.
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All Credits
Rikka Arnold Editorial
Chris Clough Reissue Production Assistance
Larissa Collins Assistant
John Coltrane Performer, Primary Artist, Sax (Tenor)
Tadd Dameron Arranger, Composer, Performer, Piano, Primary Artist
Zev Feldman Assistant
Ira Gitler Liner Notes
Philly Joe Jones Drums, Guest Artist
Stuart Kremsky Reissue Production Assistance
Nick Phillips Reissue Producer
John Simmons Bass
Rudy Van Gelder Engineer, Remastering
Bob Weinstock Supervisor
Mating Call 1990 LP Mating Call Fantasy - 212
Mating Call 1991 CD Mating Call Original Jazz Classics - 212
Mating Call 1991 Cassette Mating Call Original Jazz Classics / OJC - 212
Mating Call 1992 CD Mating Call Fantasy - 2122
Mating Call 1992 CD Mating Call OJC - OJCCD-212-2
Mating Call 1995 CD Mating Call Original Jazz Classics - OJCCD 212
Mating Call 1999 CD Mating Call Prest - 60425
Mating Call 2006 CD Mating Call Jvc Victor - 41710
Mating Call 2007 CD Mating Call Fantasy / Concord - 7230163
Mating Call 2007 CD Mating Call Prestige - 30163
Mating Call 2007 Digital Mating Call Fantasy / Concord
Mating Call 2008 CD Mating Call Universal Distribution - UCCO9169
Mating Call [Remastered] 2014 CD Mating Call [Remastered] Universal - 0580444
Mating Call 2015 LP Mating Call Fantasy - OJC 212
Mating Call 2018 LP Mating Call Down at Dawn - 110