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“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
“Spaulding attempts to repair a critical vocabulary that has long known what to do with Duchampian skepticism, but is much less sure about Beuysian belief”
The artist reflects on two of his most important teachers, cites Rosalyn Drexler’s 1963 Marilyn Pursued by Death as an all-time favorite work, remembers Ingrid Schaffner’s exhibitions at the ICA Philadelphia and more
