Current

An online magazine covering film culture past and present

Glen Pitre Looks Back on a Louisiana Cinema Landmark
Glen Pitre Looks Back on a Louisiana Cinema Landmark

The director of Belizaire the Cajun talks about his pioneering depiction of the Cajun French community and the transformative impact the Sundance Institute had on his film career.

By Andrew Chan

Romeo and Juliet: Star-Crossed Spectacle
Romeo and Juliet: Star-Crossed Spectacle

Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.

By Ramona Wray

Finding a Home in the Avant-Garde

First Person

Finding a Home in the Avant-Garde

Desperately seeking community in her college years, the writer discovered the world of experimental cinema when she stumbled on a short-film program at an art-house in Manchester, England.

By Juliet Jacques

Under the Sign of Sadness: Zbigniew Preisner’s Three Colors Scores
Under the Sign of Sadness: Zbigniew Preisner’s Three Colors Scores

One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.

By Tim Greiving

Bergman Island: Form and Feeling
Bergman Island: Form and Feeling

In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

By Devika Girish

The Criterion Channel’s February 2023 Lineup

Channel Calendars

The Criterion Channel’s February 2023 Lineup

Celebrate Black History Month with a collection of films that survey African American history on-screen, a look at literary legend James Baldwin’s cinematic legacy, and a retrospective devoted to the independent trailblazer Oscar Micheaux.

Bright Lights, Dark Dreams: Alejandro Galindo in Morelia
Bright Lights, Dark Dreams: Alejandro Galindo in Morelia

This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.

By Imogen Sara Smith

This Is Not a Burial, It’s a Resurrection: Staying Power
This Is Not a Burial, It’s a Resurrection: Staying Power

Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

By Zakes Mda

Something Human: A Conversation with Sofia Bohdanowicz and Deragh Campbell
Something Human: A Conversation with Sofia Bohdanowicz and Deragh Campbell

The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.

By Hillary Weston

Lars von Trier’s Europe Trilogy: Straight to the Bottom of the River
Lars von Trier’s Europe Trilogy: Straight to the Bottom of the River

One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

By Howard Hampton

Imitation of Life: On Passing Between
Imitation of Life: On Passing Between

In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

By Miriam J. Petty

Their Sounds Were Watching God
Their Sounds Were Watching God

The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

By Harmony Holiday

Video

Caitlin Kuhwald’s Hand-Drawn Portraits Bring Iconic Faces to Life
Inside Criterion  – 13 Sep 2021