Draft:Don't Call It Punk
Don’t Call It Punk was a music marketing campaign promoted by Sire Records co-founder Seymour Stein to encourage the use of the term "new wave" in place of "punk rock" in the United States. The campaign was launched in October 1977 and was developed in response to the negative associations the term "punk" had acquired through the popularity of the British punk subculture.
History
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See also
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References
[edit]- ↑ Ellis, Iain (2019-02-14). "New Wave: Turning Rebellion into Money » PopMatters". www.popmatters.com. Retrieved 2025-11-15.
- ↑ Helmore, Edward (2016-04-08). "'They wanted to be as big as the Beatles': revisiting the Ramones' legacy". The Guardian. ISSN 0261-3077. Retrieved 2025-11-15.
- ↑ Hughespublished, Rob (2023-04-03). "Sire Records: the albums you should definitely own". Louder. Retrieved 2025-11-15.
- ↑ "Seymour Stein: Mogul who discovered some of music's greats". The Independent. 2023-04-30. Retrieved 2025-11-21.
Bibliography
[edit]- Cateforis, Theodore (2011-06-15). Are We Not New Wave?: Modern Pop at the Turn of the 1980s (Illustrated ed.). Ann Arbor: University of Michigan Press. ISBN 978-0-472-03470-3.
- True, Everett (2005). Hey Ho Let's Go: The Story of the Ramones (Illustrated ed.). Music Sales Ltd. ISBN 978-1844494132.
- Heylin, Clinton (2007). Babylon's Burning: From Punk to Grunge. Canongate Books Ltd. ISBN 978-1841958798.
- Doane, Randal; Auguste, Barry 'The Baker' (2014). Stealing All Transmissions: A Secret History of The Clash (Illustrated ed.). PM Press. ISBN 978-1629630298.
- Creney, Scott; Herron, Brigette Adair (2023). The Story of the B-52s: Neon Side of Town (1st ed. 2023 ed.). Palgrave Macmillan. ISBN 978-3031225697.
- Matos, Michaelangelo (2020). Can't Slow Down: How 1984 Became Pop's Blockbuster Year. Hachette Books. ISBN 978-0306903373.
- Jones, Dylan (2023). Loaded: The Life (and Afterlife) of The Velvet Underground (1st ed.). White Rabbit. ISBN 978-1399607254.
- Spitz, Marc; Mullen, Brendan (2001). We Got the Neutron Bomb: The Untold Story of L.A. Punk (Illustrated ed.). Crown. ISBN 978-0609807743.
- Gendron, Bernard (2002). Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde (73rd ed.). University of Chicago Press. ISBN 978-0226287379.
- Clegg, Mindy (2022). Punk Rock: Music Is the Currency of Life. State University of New York Press. ISBN 978-1438489384.
- Luhrssen, David; Larson, Michael (2025). Encyclopedia of Punk Rock and New Wave: 1975–1985. Bloomsbury Academic. ISBN 978-1440881480.
- Heylin, Clinton (1993). From the Velvets to the Voidoids: A Pre-Punk History For a Post-Punk World. Penguin. ISBN 978-0140179705.
- Garofalo, Reebee; Waksman, Steven (2016). Rockin' Out: Popular Music in the U.S.A. (Updated ed.). Pearson. ISBN 978-0134415017.
- Sexton, Adam (1992). Desperately Seeking Madonna: In Search of the Meaning of the World's Most Famous Woman (Illustrated ed.). Random House Publishing Group. ISBN 978-0385306881.
- Swift, Richard (2006). Colin Larkin (ed.). The Encyclopedia of Popular Music: Rich, Young and Pretty. Vol. 7 (4th ed.). MUZE. ISBN 978-0195313734.
- Strong, Martin Charles (1996). The Wee Rock Discography. Canongate. ISBN 978-0862416218.
- Walker, Clinton (1996). Stranded: The Secret History of Australian Independent Music, 1977-1991. Pan Macmillan. ISBN 978-0732908836.
- Lawrence, Tim (2009). Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press. ISBN 978-0822344858.
- Heatley, Michael (2008). Where Were You When-- the Music Played?: 120 Unforgettable Moments in Music History. Reader's Digest Association. ISBN 978-0762109883.
- Strong, Martin Charles; Griffin, Brendon (2008). Lights, Camera, Sound Tracks. Canongate. ISBN 978-1847670038.
